Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Etude / Instruments à Vent en Si et (various Parties provi

Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Répertoire / Instruments à Vent en Si et (various Parties provi

Par UBOLDI A. / GIUDICI C.. / Répertoire / Album Various Instruments Gr. et Pers.

S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.

S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.

for the Violin-Roland Vamos Exercises For The Violin In Various Combinations Of Double-Stops features a systematic series of fixed double-stops that enables the aspiring violinist to practice and master every possible combination of finger patterns across two strings without shifting.The exercise book helps with the development of a strong left hand set up so that the fingers rise and drop consistently landing on the same part of the finger.

Toccatas and various compositions (Biblioteca Geral da Universidade de Coimbra, Secção dos Reservados, Ms. MM 60)
Editors: Andrea Macinanti, Francesco Tasini
Series: Alessandro Scarlatti. Complete Works for Keyboard
Publication Date: 2007
Pages: pp. 144
The third volume of Alessandro Scarlatti?s complete works comprises ms. MM 60 kept at the Coimbra University Library (Biblioteca Geral da Universidade de Coimbra, Portugal ? Secção dos Reservados). The -manuscript contains pieces specifically ascribed to Scarlatti, as the title in c. 61r shows: Sonate / Per / ORGANO / Del / Sig.r / Alesandro Scarlatti. The section following a new heading in c. 107r ? TOCCATE / per Organo ? can also be considered Scarlatti?s work. a confirmation of this assessment stems from cc. 107v-109v, Toccata, and 109v-110v, Fuga in G major, both of which pieces also feature in the Higgs ms. (New Haven, Yale University, Misc. Ms. 164) as well as in ms. Add. 32161 (London, British Library) and, moreover, the same Toccata is also comprised in ms. 3958 in Münster?s Diözesanbibliothek (Santini Collection).
The extensive initial section in ms. MM 60 cc. 1r-38v, with no indication of authorship, is included in an Addendum. its excellent-quality musical writing is perfectly in keeping with Alessandro Scarlatti?s style, though at the moment the music cannot be attributed to him with any degree of certainty. the music resembles some of Gaetano Franzaroli?s Risposte d?Organo, also comprised in the same manuscript.

A complete study and reference book Jazz Violin Studies gives string players experience with rhythmic concepts bowing styles syncopation and other jazz Violin effects. This book includes 'licks' of variouslengths. The play-along stereo recording has select examples played at various speeds. Includes access to online audio.

Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue