Par COHEN JONATHAN. 'Blueshift Red' was commissioned by the West Michigan Flute Orchestra, Julie Sooy, director. From the composer: ?We have all experienced a noisy vehicle going by rapidly and hearing a raised pitch as the vehicle approaches and a lowered pitch as it recedes. This Doppler shift manifests itself in light, as well: light from stars approaching us has its frequency raised, shifting it to the blue end of the spectrum; light from receding stars is shifted to the red. The title, then, refers to something passing quickly.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Arr. Jacob De Haan. Par BACH JOHANN SEBASTIAN. Even the most basic understanding of Western music must include an intimate familiarity with the magnificent body of works by J. S. Bach. The charming beauty of the ARIOSO from BWV 156 must almost certainly appear on anyone?s personal list of the world's most beautiful melodies. What a wonderful vehicle for the study of artful phrasing and expression! Don't let the Grade 2 designation make you overlook this exquisite rendition for bands that normally play at grades 4, 5, and 6. Musicians at any level of ability will find great rewards here. As the perfect festival centerpiece or as a lovely introspective moment on any concert, Jacob de Haan's touching arrangement of Bach'sincomparable ARIOSO, speaking its own inherent and spiritual truth, is sure to find a permanent home in your brass band library. / Niveau : 2 / Musique pour célébration / Répertoire / Brass Band

for String Quartet. Par MIRANDA LIN-MANUEL. Larry Moore's string quartet arrangement of the introductory song from Disney's Encanto captures the rich syncopations and energy of the traditional Colombian vallenato melody. In D major, your students will find this rewarding piece is just the vehicle for them to show off their gifts! / Date parution : 2022-11-29/ Répertoire / Quatuor à Cordes

Organ and percussion, one of the most exotic instrumental combinations in modern music, invariably produce delightful sonic effects and contrasts. This also applies to Zsigmond Szathmary's Sense of Rhythm, where this renowned concert organist and performer of contemporary organ music explores the duo format as a vehicle for conversation, conflict and reconciliation in a rich array of shades and hues.The lavishly scored percussion part (vibraphone, glockenspiel, woodblocks, cymbals, tam-tam, tom-toms, bass drum, Chinese opera gongs and much else) ensures a great variety of colours perfectly suited to the harmonic capacities of the organ. Both instrumental parts clearly reveal the composer's fondness for sophisticated rhythms and varied proportions.Once again Szathmary uses the organova series to present contemporary music at a high level that places demands on performers and listeners alike while employing a musical idiom and energy that never fail to achieve their effect. / Orgue Et Percussions

Par PURCELL HENRY. Staeps (rightly) believes that the English Baroque is the fountainhead of recorder music, and that Purcell's music is the perfect vehicle. Here, he takes six excerpts from The Fairy Queen (introductions and dances) and fashions a Suite for recorder quartet with basso continuo (keyboard instrument with another bass instrument playing an octave lower than the bass recorder). For advanced quartets. Reprint of the 1957 UE original. / Musique contemporaine / Répertoire / Quatuors de Flûtes à Bec et Clavecin ou Piano

This work was commissioned by Music Teachers National Association to feature and promote collaborative music. Premiered at the MTNA Conference on March 23, 2014, in Chicago, Illinois, this trio is scored for trumpet, trombone and piano and composed with the intermediate-level student in mind. A simple two-measure motif becomes the vehicle, providing raw material from which a tapestry of melody, harmony and rhythm are fashioned for our exploration. / Trompette, Trombone Et Piano

What an outstanding way to conclude your concert. James L. Hosay writes some of the most exciting music to be found in Concert Band literature and music doesn’t get much more exciting than this! While titled as a Grand Finale this concert band tour de force can be programmed in numerous ways. Consider it also as a roof-raising opener or even in the guise of an entr’acte as you return from intermission. You will find JOYFUL EXCLAMATIONS to be one of the most thrilling and uplifting arrangements available in band literature today. This is also a perfect vehicle through which to study music history.Indescribable!

with Suggested Chordal Accompaniment-This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs sentimental expressions of a deep-rooted faith and gospel oriented hymns with an old-timemusic flavor. In preparing this collection I felt the sincere and solid faith of America’s “revivalist era” staunchly embedded in the rural and southern regions of America but also in the dedicated inner citymissions founded in sprawling urban centers. These solos will bring joy exuberance nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith.

A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drums. CLAVE and TUMBAO. Traditional bass tumbao examples Cascara paila and bell ride patterns. SONGO. Drumset orchestrations Funfified slap songo tumbaos Songo style jam. GUAGUANCO. Conga patterns on the drumset combining traditional and hybrid bass lines with rumba and funk. AFRO-CUBAN 6/8 6/8 patterns as a vehicle for other rhythmic possibilities and diferent time feels CHA-CHA-CHA. Adaptability to rock Spap cha-cha-cha playing a backbeat. MOZAMBIQUE. Mozambique in rock and funk context. Lincoln Goines is one ofNew York's most respected and recorded bassists. His concept of the bass as a rhythm instrument and his ability to incorporate traditional Latin lines with ideas drawn from percussion patterns can be heard on recordings with well known Latin-jazz artists Dave Valenting Michel Camilo Gato Barbieri Paquito D'Rivera Tania Maria and Eliane Elias. Lincoln is also known for his contemporary jazz-funk playing with John Scofiel Mike Stern and Bob Berg. Bobby Ameen has made a life study of Afro-Cuban rhythms and combines this knowledge with his own powerful drumming style to create a highly original funk/Afro-Cuban amalgam. Robby's ability to complement a Latin rhythm section can be heard on recordings with Ruben Blades Dave Valentin Dizzy Gillespie Kip Hanrahan and Eddie Palmieri among many others. Robby has also worked with Paquito D'Rivera Gato Barbieri Willie Colon and Paul Simon. Includes separate pull-out in Spanish.

The powerful sound of this classic march is now approachable for young players, bringing a spirit of grand excitement to your concert. An effective vehicle for introducing triplets to students, it makes a perfect opener or closer that players and audiences will long remember. (2:30) Correlates to String Explorer Book 1, Unit 14. / Orchestre A Cordes

Grade 2.5 - Score and Parts-Expressive and richly harmonic this little gem from James Curnow is a delightful musical excursion – a new way to look at this ancient song of the Christmas season. The composer's careful attention to articulations phrasing and dynamics also makes his unique treatment of the “Coventry Carol” a powerful educational vehicle. Dur: 2:20

Arr. James Curnow. Par HAYDN FRANZ JOSEF. Perfect for your young band's first festival, Haydn's GYPSY RONDO, skillfully arranged by James Curnow, lets you explore the classic style. Playing classical music is a great way to encourage control and balance in your young band. And, it's just as important for band students to understand classical music as it is for orchestra students. GYPSY RONDO is also an excellent vehicle for the beginning study of musical form, with its ABACA construction. Take your band back to the beauty of Eighteenth century music with GYPSY RONDO. / Niveau : 1 / Répertoire / Concert Band

This collection contains 100 favorite Gospel songs and hymns for trumpet and guitar. Inside you will find rousing camp meeting songs sentimental expressions from a deep-rooted faith and Gospel oriented hymns with an old-timemusic flavor. In preparing this collection I felt the sincere and solid faith of America’s “revivalist era” staunchly embedded in the rural and Southern regions of America but also in the dedicated inner citymissions founded in sprawling urban centers. These solos will bring joy exuberance nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith.