Pendant son séjour à Weimar (1848-1861), Liszt a développé un style entièrement nouveau, puis d'organes qui se distingue par des éléments à la fois l'orchestre et pianistique. En collaboration avec le maître de chapelle Gottschalg Alexander Wilhelm (1827-1908) à partir Tiefurt, il a régulièrement lancé ce qu'on appelle des conférences d'organes '. Et c'était à la suggestion de GOTTSCHALG que l'arrangement actuel de la chorale de Saint-Jacques de 'Tannhäuser' l'opéra a été écrit. Avec sa version pour orgue, Liszt, par le biais de cet exemple, a jeté les bases pour la tradition (pas toujours incontestée), s'étendant à l'heure actuelle, de l'orgue des transcriptions des opéras de Wagner. Des organistique des éléments de la Pilgrims 'Choir sont le thème de choral classique, le solennel 'sacré' de l'atmosphère solennelle le tempo ainsi que la cantability expressive. L'intensification linéaire, du piano-orgue-antiphonaire comme dolce du début à la 'organe plein', peut être réalisé de manière convaincante avec un orchestralement conçu trois claviers orgue, avec l'utilisation sensible de la boîte expressive et la successive , transparente accumulation de la pédale de crescendo étant d'une importance particulière. Pièce du répertoire important marquant le 200e anniversaire de Richard Wagner en 2013. / Orgue

The idea for the Sailors’ Chorus came to Wagner in 1839 aboard ship in the safety of a fjord after having fled from a storm at sea. The chanting of the crew as it echoed off the fjord’s granite cliffs inspired the composer to create this Chorus with its accented rhythms.The Sailors' Chorus is scored for men’s Chorus TTBB. Lyrics in German and English translation are provided.

A Roman War Song is a chorus from the opera Rienzi by Richard Wagner. It has been arranged here for TTBB Male Voice Chorus with Piano accompaniment by Percy E. Fletcher with thelyrics translated into English by George Ellerton.Rienzi was one of the composer’s earlier operas but remains one of his most popular. Structured in five acts it was written from 1838-1840 and firstperformed in 1842. The plot revolves around the life of revolutionary Cola di Rienzi who helps to overthrow the established nobility in Rome before the populace also turns against him.Richard Wagner(1813-1883) was a German composer best known for his operas most famously his Ring cycle. His complex textures and shifting tonality is sometimes seen as marking the birth of modern music.

Pilgrim's Chorus from Wagner's Tannhauser arranged for SATB chorus with piano accompaniment by Louis Koemmenich.

Par WAGNER / DOYEN. from 'Die Meistersinger' (Solo and SATB chorus) / Opéra-opérette / Répertoire / Choeur à 4 Voix (SATB) Sans Accompagnement

Thirty timeless melodies presented in our patented E-Z Play Today notation. Includes: By the Beautiful Blue Danube (Strauss) - Clair de Lune (Debussy) - Emperor Waltz (Strauss) - Für Elise (Beethoven) - Humoresque (Dvorak) - Intermezzo (Mascagni) - Liebestraum (Dream of Love) (Liszt) - Meditation (Massenet) - Nocturne (Chopin) - Ride of the Valkyries (Wagner) - Romeo and Juliet (Love Theme) (Tchaikovsky) - Toreador Song (Bizet) - and more. / Piano

Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music. All pieces are recorded on the accompanying CD. / Guitare

Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra