Upper Elementary to Lower Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there' (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

With 45 songs by 22 composers, this is the most comprehensive single volume of art songs composed by women ever published. It includes biographical information about the composers and historical information about each song, with songs in English, French, German and Italian./ Recueil / Low Voice

Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to be bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the jazz standard canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers. / Date parution : 2022-12-12/ Recueil / Tout Instrument

A Choral Cycle. Par CHASE DAVID. Perfect for International Women's Month performances! Washington Women is a collection of musical settings of speeches opinions and interviews of sixteen remarkable women from all across the political spectrum and throughout U.S. history from Abigail Adams to Kamala Harris. The composers took their words and set them to music with the hopes that performers and their audiences will learn more about these women and discover why they spoke those words when they did. Women featured include: Abigail Adams Madeleine Albright Barbara Bush Laura Bush Shirley Chisholm Hillary Rodham Clinton Betty Ford Ruth Bader Ginsburg Kamala Harris Elena Kagan Sandra Day O'Connor Michelle Obama Nancy Pelosi Condoleeza Rice Eleanor Roosevelt and Margaret Chase Smith. / Date parution : 2023-01-24/ Recueil / Choeur Mixte SATB

Over 150 contemporary tunes written by 100 female composers from Britain and Ireland. Par TICKELL KATHRYN (Arr.). Folk Tunes from the Women, is a tune book like no other! This is a bumper book of over 150 contemporary tunes from 100 composers from Britain and Ireland, all from different areas, traditions and backgrounds and has been curated by the Northumbrian piper and fiddle player Kathryn Tickell. There?s a wide selection of Jigs, Hornpipes, Reels, Airs, Marches, Polkas, Waltzes, Mazurkas and a heap of tunes which don?t fall into a natural category. All tunes are presented as melody lines with chord symbols, making it the most useful book for teachers and players alike. / Date parution : 2023-08-12/ Recueil / Mélodie, Paroles et Accords

Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

Twelve chant-based organ pieces by contemporary women composers. Par . / Date parution : 2022-06-08/ Recueil / Orgue

Arrangement: Newman Paul Jared. Par NEWMAN PAUL JARED. Ces paramètres contiennent très peu doigtés donc les joueurs seront souvent être poussés à utiliser leurs crayons et leur propre jugement. Facile à guitare clés ont été choisis dans l'ensemble, mais modulations entraîner la clé impaire occasionnelle pour les segments de la brèves et contrepoint qui serait partagée par les deux mains sur le piano est nécessairement relégué à l'un à la guitare. Les sélections sont : Mélodie, Opus 4, #2 (Mendelssohn) - Mazurka, opus 6, #3 (Schumann) - Waltz, opus 36, #3 (Backer-Gröndahl) - Le Sommeil de l'Enfant, opus 35 (Carreño) - et valse, opus 36, #3 (plage). / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

This piece uses word painting to re-tell Thomas Hardy's classic poem about an old tenor and the death of his choirmaster. The men and women are divided into two choirs - the men represent the old tenor telling the story and the women represent an angelic chorus singing the antiphon 'In Paradisium? from the Requiem Mass.'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as 'so sad that it sounds like birds who have lost their wings' but also as 'the happiest classical music that we have ever heard'.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.?Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of 'Carmen?, one of the most prominent womens' vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala. / Choeur Mixte (SSATBB)

37 contemporary composers chose a song by Stephen Sondheim and re-imagined it as a solo piano piece. / Piano