| 15 Solos for Harp Volume 2 Harpe - Intermédiaire/avancé Mel Bay
Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Irish Harp Music Harpe Mel Bay
Harp (folk/celtic) - Beginning-Intermediate SKU: MB.97853 Traditional ...(+)
Harp (folk/celtic) -
Beginning-Intermediate
SKU: MB.97853
Traditional and
Original Irish Airs.
Arranged by Dennis Doyle.
Harp: Folk and Pedal,
Saddle-stitched, Style,
Solos. Archive Edition.
Celtic / Irish. Book. 48
pages. Mel Bay
Publications, Inc #97853.
Published by Mel Bay
Publications, Inc
(MB.97853). ISBN
9780786628469. UPC:
796279057912. 8.75 x
11.75 inches. With
the exception of two
pieces, the arrangements
in this book of
traditional tunes are
adapted from the
collections of Francis
ONeill, Edward Bunting,
Donal OSullivan, Manus
OBaoill, and Sean Og
OBaoill. Performance
notes are included.
Standard notation. $17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messe solennelle (Saint Cecile) for Soloists, Choir and Orchestra Barenreiter
Flute-picc, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horn, 2Kor, 2 trumpets,...(+)
Flute-picc, 2 flutes, 2
oboes, 2 clarinets, 4
bassoon, 4 horn, 2Kor, 2
trumpets, 3 trombones,
timpani, Be, Tr-Gr, harp
(Piccolo flute, Flutes
(2), Oboes (2), Clarinets
(2), Bassoons (4), Horns
(4), Cornets (2),
Trumpets (2), Trombones
(3), Timpani, Cymbals,
Concert bass drum, Harp)
SKU: BA.BA08966-65
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. 192 pages.
Baerenreiter Verlag
#BA08966_65. Published by
Baerenreiter Verlag
(BA.BA08966-65). ISBN
9790006563982. 32.5 x
25.5 cm
inches. Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$122.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar World's 100 Greatest Guitar Solos of All Time Guitare notes et tablatures Hal Leonard
By Various. For Guitar. Guitar Collection. Softcover. Guitar tablature. 256 page...(+)
By Various. For Guitar.
Guitar Collection.
Softcover. Guitar
tablature. 256 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Favorite Old-Time American Songs for Dulcimer Dulcimer [Partition] - Facile Mel Bay
By Mark Nelson. For Dulcimer (Mountain). Solos. Old Time. Level: Beginning. Book...(+)
By Mark Nelson. For
Dulcimer (Mountain).
Solos. Old Time. Level:
Beginning. Book. Size
8.75x11.75. 232 pages.
Published by Mel Bay
Publications, Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Masterpieces for the Modern Pianist Piano seul - Facile Willis Music
A Unique Classical Collection of Favorites and Undiscovered Gems. Composed by ...(+)
A Unique Classical
Collection
of Favorites and
Undiscovered
Gems. Composed by
Various.
Edited by Charmaine
Siagian
and Sonya Schumann.
Willis.
Classical. Softcover. 272
pages. Published by
Willis
Music
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messe de Requiem, Opus 48 Chorale SATB - Intermédiaire Barenreiter
(Soprano Voice Solo, BarSolo, SATB Choir, 2 Fl, 2 clarinet, 2 bassoon, 4Hn, 2 Tr...(+)
(Soprano Voice Solo,
BarSolo, SATB Choir, 2
Fl, 2 clarinet, 2
bassoon, 4Hn, 2 Trp,
3trombone, timpani, harp,
2 V, 2 Va, 2 Vc, KB, Org)
- Level 3 SKU:
BA.BA09461-91
Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin. TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prelude a lapres-midi dun faune for Orchestra Barenreiter
First flute, second flute, third flute, first oboe, second oboe, English horn, f...(+)
First flute, second
flute, third flute, first
oboe, second oboe,
English horn, first
clarinet, second
clarinet, first bassoon,
second bassoon, first
horn, second horn, third
horn, horn 4, Cymb, first
harp, second harp, (1.
Flute, 2. Flute, 3.
Flute, 1. Oboe, 2. Oboe,
Cor anglais, 1. Clarinet,
2. Clarinet, 1. Bassoon,
2. Bassoon, 1. Horn, 2.
Horn, 3. Horn, 4. Horn,
Antique cymbals, 1. Harp,
2. Harp) SKU:
BA.BA08841-65
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext. Set
of wind parts.
4/4/4/3/3/3/3/3/3/3/3/3/3
/3/2/4/3 pages. Duration
10 minutes. Baerenreiter
Verlag #BA08841_65.
Published by Baerenreiter
Verlag (BA.BA08841-65).
ISBN 9790006540587.
32.5 x 25.5 cm
inches. Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed. Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work. * Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Harmonica Pocket Companion Harmonica [Partition] - Débutant Mel Bay
by William Bay. For Harmonica (Diatonic). solos. All Styles. Level: Beginning-In...(+)
by William Bay. For
Harmonica (Diatonic).
solos. All Styles. Level:
Beginning-Intermediate.
Book. Size 8.75x5.75. 128
pages. Published by Mel
Bay Publications, Inc.
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zion Orchestre d'harmonie Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3 and more.
SKU: PR.16500092L
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L). UPC:
680160039531. 11 x 17
inches. Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prairie Light Theodore Presser Co.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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