Here comes a new collection for trumpet from the immensely popular Studio Ghibli Selection series! The Boy from the Heron” won the 96th Academy Award (2024) for Best Animated Feature Film. This book contains a total of 27 songs, up to its theme song Spinning Globe . The included CD contains accompaniments that follow the image of the original piece. This makes it an excellent choice for concerts, recitals, and other public performances. Use this book to enjoy performances of some of Studio Ghibli's greatest hits! Nausicaa of the Valley of the Wind - Nausicaa of the Valley of the Wind / Narumi Yasuda Innocent(Sorakara futtekita shojo)~Carrying You - Laputa: Castle in the Sky / Joe Hisaishi Doves and the Boy(Hato to Shounen) - Laputa: Castle in the Sky / Joe Hisaishi My Neighbor Totoro - My Neighbor Totoro / Joe Hisaishi Cat Bus(Nekobasu) - My Neighbor Totoro / Joe Hisaishi Hey Let's Go(Sampo)[The Opening Song] - My Neighbor Totoro / Joe Hisaishi The Path of the Wind(Kaze no Toorimichi) - My Neighbor Totoro / Joe Hisaishi A Town with an Ocean View - Kiki's Delivery Service / Joe Hisaishi Departure(Tabidachi) - Kiki's Delivery Service / Joe Hisaishi Starting The Job - Kiki's Delivery Service / Joe Hisaishi On a Clear Day..(Hareta Hi ni...) - Kiki's Delivery Service / Joe Hisaishi Le Temps des cerises(Sakuranbo no Minoru Koro) - Porco Rosso / Tokiko Kato The Theme of Porco and Gina(Maruko to Jiina no Teema) - Porco Rosso / Joe Hisaishi Princess Mononoke(Mononoke Hime) - Princess Mononoke / Yoshikazu Mera The Legend of Ashitaka(Ashitaka Sekki)[Ending Theme] - Princess Mononoke / Joe Hisaishi Ashitaka and San(Ashitaka to San) - Princess Mononoke / Joe Hisaishi Always With Me(Itsumo Nando demo) - Spirited Away / Yumi Kimura Reprise(Futatabi) - Spirited Away / Joe Hisaishi Merry-Go-Round of Life - Howl's Moving Castle / Joe Hisaishi Therru's Song - Tales From Earthsea / Aoi Teshima Ponyo on the Cliff by the Sea - Ponyo on the Cliff by the Sea / Fujioka Fujimaki and Nozomi Ohashi Arrietty's Song - The Secret World of Arrietty / Cecile Corbel Summer of Farewells - From Up On Poppy Hill / Kouichi Sakata Vapor Trail(Hikoukigumo) - The Wind Rises / Yumi Arai When I Remember This Life - The Tale of Princess Kaguya / Kazumi Nikaido Fine On The Outside - When Marnie Was There / Priscilla Ahn Spinning Globe - The Boy and the Heron / Kenshi Yonezu / Musique films - comédies musicales / Zen-on Music

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

1. Bratja (Brothers) [Taylor Davis]
2. Concerning Hobbits [Taylor Davis]
3. For The Love Of A Princess [Taylor Davis]
4. Guren-No-Yumiya (Attack On Titan) [Taylor Davis]
5. Hedwig\'s Theme [Taylor Davis]
6. Megalovania [Taylor Davis]
7. Now We Are Free [Taylor Davis]
8. Swordland To Be Continued [Taylor Davis]
/ Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Ténor

/ Trompette Et Piano / 20 pages / niveau : Difficile / Set (Conducteur et parties séparées)