Un album extraordinaire du monde dix-sept Gipsy célèbre Romances. Arrangé pour violon et Piano par Wolfgang Russ-Bovelino. / Violon Et Piano

Ed. Critica Di Charles S. Brauner - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Reduction for voice and piano based on the critical edition of the orchestral score. In two volumes. Volume 1 contains Act One, with characters, instrumentation, index of pieces, source notes, a preface, and critical notes. Volume 2 contains Act II and Act III. 'Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in the Bibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini, also not in Rossini’s hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. ' Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini's hand and may or may not be by Rossini, also not in Rossini's hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 & 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ RĂ©pertoire / Quatuor Ă  Cordes

Par PACHELBEL JOHANN. (Chorale Preludes, Part 2 (Nr. 1-31)) By Johann Pachelbel (1653-1706), edited by Karl Matthaei, Wolfgang Stockmeier (1931-). Organ solo book for organ. 94 pages. Published by Baerenreiter-Ausgaben (German import). (BA. BA287) ISBN M006401284. With organ notation and introductory text. Baroque. 12x9. 5 inches. Contents:Der Christliche Glaube - Wir Glauben All An Einen GottVom Gebet - Vater Unser Im HimmelreichVon Der Heiligen Taufe - Christ, Unser Herr, Zum Jordan KamEin Betlied Zu Christo - Allein Zu Dir, Herr Jesu ChristEin Betlied Zu Christo - Allein Zu Dir, Herr Jesu Christ IIVon Der Busse - Ach Herr, Mich Armen SunderVon Der Busse - Ach Herr, Mich Armen Sunder IIVon DerRechtfertigung - Durch Adams Fall Ist Ganz VerderbtVom Heiligen Abendmahl - Jesus Christus, Unser Heiland, Der Von UnsVom Heiligen Abendmahl - Der Herr Ist Mein Getreuer HirtLob - Und Danklied - Nun Lob, Mein Seel, Den HerrenVom Christlichen Leben Und Wandel - Ich Ruf Zu Dir, Herr Jesu ChristVom Hauslichen Stande - Wo Gott Zum Haus Nicht Gibt Sein GunstVom Hauslichen Stande - Wo Gott Zum Haus Nicht Gibt Sein Gunst IIEin Tischlied - Nun Lasst Uns Gott Dem HerrenVom Kreuz Und Leiden - Was Mein Gott Will, Das G'Scheh AllzeitEin Troslied - In Dich Hab Ich Gehoffet, HerrZur Zeit Der Verfolgung - Mag Ich Ungluck Nicht WiderstahnIn Allgemeiner Landesnot - Wenn Wir In Hochsten Noten SeinIn Allgemeiner Landesnot - Wenn Wir In Hochsten Noten Sein IIIn Allgemeiner Landesnot - An Wasserflussen BabylonIn Allgemeiner Landesnot - Gott Vater, Der Du Deine SonnIn Allgemeiner Landesnot - Ach Wie Elend Ist Unsre ZeitWider Aller Welt Sorge - Warum Betrubst Du Dich, Mein HerzWider Aller Welt Sorge - Warum Betrubst Du Dich, Mein Herz IIVom Worte Gottes Und Der Christlichen Kirche - Ach Gott, Vom Himmel Sieh DareinVom Worte Gottes Und Der Christlichen Kirche - Es Spricht Der Unweisen Mund WohlVom Worte Gottes Und Der Christlichen Kirche - Ein Feste Burg Ist Unser GottVom Worte Gottes Und Der Christlichen Kirche - Es Woll Uns Gott Genadig SeinVom Worte Gottes Und Der Christlichen Kirche - Es Woll Uns Gott Genadig Sein IIVom Worte Gottes Und Der Christlichen Kirche - Wo Gott Der Herr Nicht Bei Uns HaltVom Worte Gottes Und Der Christlichen Kirche - Wie Schon Leuchtet Der MorgensternTod Und/ RĂ©pertoire / Orgue

A superb collection ranging from the classics to rock hits, arranged for Trumpet solo. Includes everything from A Night In Tunisia to Ol\' Man River to You\'ve Got A Friend . / Trompette

Par MENDELSSOHN-BARTHOLDY FELIX. autograph in facsimile; excerpt from the motet [bars 1-10], 1844/ RĂ©pertoire / Carte Postale

Ce superbe DVD vous apprend quelques-uns des meilleurs riffs de Ritchie Blackmore et solos des années arc-premières! En savoir billet de cinq pistes pour note, avec des leçons de Danny Gill.Danny Gill est un ancien élève de Joe Satriani, et co-auteur de la série Guitar Rock Musicians Institute Lead. Ses chansons ont fait leur apparition à la télévision de nombreux spectacles dont 'The Osbournes' ainsi que bandes sonores de films tels que 'Insomnia' et 'Under Siege'. / Guitare