Un album extraordinaire du monde dix-sept Gipsy célèbre Romances. Arrangé pour violon et Piano par Wolfgang Russ-Bovelino. / Violon Et Piano

Ed. Critica Di Charles S. Brauner - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Reduction for voice and piano based on the critical edition of the orchestral score. In two volumes. Volume 1 contains Act One, with characters, instrumentation, index of pieces, source notes, a preface, and critical notes. Volume 2 contains Act II and Act III. 'Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in the Bibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini, also not in Rossini’s hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. ' Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini's hand and may or may not be by Rossini, also not in Rossini's hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 & 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes

Handel's spectacular Oratorio was composed in 1744 from a libretto by Charles Jennens that describes the fall of Babylon. Although less successful in it's day than the popular Italian opera this work is full of invention and dramatic skill with the Jewish Babylonian Persian and Medes masses having their own distinctive musics that were juxtaposed to create a tense dramatic conflict.Composed in the same year as the magnificent Hercules the two Oratorios represent the very best of Handel's dramatic writing. This title is the full vocal score with a Piano reduction of the orchestral material. Edited by Donald Burrows.

Handel's spectacular Oratorio was composed in 1744 from a libretto by Charles Jennens that describes the fall of Babylon. Although less successful in it's day than the popular Italian opera, this work is full of invention and dramatic skill with the Jewish, Babylonian Persian and Medes masses having their own distinctive musics that were juxtaposed to create a tense dramatic conflict. Composed in the same year as the magnificent Hercules the two Oratorios represent the very best of Handel's dramatic writing. This title is the full vocal score with a Piano reduction of the orchestral material. Edited by Donald Burrows. / Chant Et Piano

This superb DVD teaches you some of Ritchie Blackmore's best riffs and solos from the early Rainbow years! Learn five tracks note for note with lessons by Danny Gill:StargazerGates Of BabylonMan On The Silver MountainStill I'm SadKill The KingDanny Gill is a former pupil of Joe Satriani and co-author of the Musicians Institute Rock Lead Guitar series. His songs have appeared on numerous TV shows including 'The Osbournes' as well as motion picture soundtracks such as 'Insomnia' and 'Under Siege'.

A superb collection ranging from the classics to rock hits, arranged for Trumpet solo. Includes everything from A Night In Tunisia to Ol\' Man River to You\'ve Got A Friend . / Trompette

Par MENDELSSOHN-BARTHOLDY FELIX. autograph in facsimile; excerpt from the motet [bars 1-10], 1844/ Répertoire / Carte Postale

Ce superbe DVD vous apprend quelques-uns des meilleurs riffs de Ritchie Blackmore et solos des années arc-premières! En savoir billet de cinq pistes pour note, avec des leçons de Danny Gill.Danny Gill est un ancien élève de Joe Satriani, et co-auteur de la série Guitar Rock Musicians Institute Lead. Ses chansons ont fait leur apparition à la télévision de nombreux spectacles dont 'The Osbournes' ainsi que bandes sonores de films tels que 'Insomnia' et 'Under Siege'. / Guitare