Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Par BRIGGS FRANK. Re-edited from the original masters, this companion DVD to Mel Bay's Complete Modern Drum Set Book offers challenging material for the intermediate to advanced drummer. All special effects have been removed and the sound track has been encoded in Dolby Digital stereo. Twenty-one play-along tracks, CueLink™ and a metronome make this DVD the most valuable cutting edge educational tool for drummers on the market today. Addressing a multitude of styles such as jazz, Latin, rock, RandB, African and more, Frank Briggs presents masterful performances and concepts to guide your playing to a higher plane while improving your technique and raising your awareness of cutting edge concepts such as metric modulation, displaced beats, polyrhythms, and more. This DVD features complete performances of Red Moon, Home, Along the Mohawk, Sketch/Electric and more. It includes over 115 minutes of drumming and is the perfect companion to the Complete Modern Drum Set Book (nearly every page in the book is performed... including page headers and pattern numbers for easy reference). Most of the styles include musical examples so you can hear what the patterns sound like in context. Quick moving and packed with information, the DVD covers: The 40 International Rudiments - African beats - Polyrhythm - RandB, Funk, Rock, and Jazz - Odd Meter - Reggae, Latin, and Fusion - Shuffles and Second Line - Linear Patterns - Playing Over the Bar Line - Metric Modulation - Superimposed Meters - and more. / Niveau : Intermédiaire à Avancé / All Styles - Methods / Méthode / Batterie

Edited By Forrai Miklós. 'Josquin des Prés, à savoir la forme 1450 le début des cinq siècles de riche musique chorale européenne sur laquelle la modeste collection actuelle a été compilée. La majorité des oeuvres publiées ici sont issues du monde de la Renaissance, l'âge d'or de la musique chorale. En outre, les chefs-d'oeuvre de la littérature romantique du 19ème siècle jeter dans l'ombre jusqu'ici sont présentés en abondance. C'est la tâche du 'siècle prochain' pour fournir une vue d'ensemble du monde choral culture de notre temps, le 20ème siècle ... 'Miklós Forrai (1994)/ Recueil / Chant

A collection of the best Christmas songs from the Danish National Girls Choir's repertoire, edited by Phillip Faber and Jakob Faurholt (2016).This volume contains songs by Michael Bojesen, Carl Nielsen, Phillip Faber, Egil Harder, Niels W. Gade and Kåre Bjerkø. / Choeur D'Enfants (SA)

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood, and also includes helpful notes on the background to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history, sources and editorial proceedure. / Chant Et Piano

Masterpieces of Italian Opera-The verismo opera Pagliacci by Ruggero Leoncavallo is the first work in Bärenreiter's new series ?Masterpieces of Italian Opera? (MIO). Pagliacci which was Leoncavallo's most successful work has remained an integral part of opera literature up until today. The role of Canio the tragic clown helped many singers achieve successful performances and iconic interpretations.The new edition of Pagliacci edited by Andreas Giger is the first to follow clear editorial guidelines documenting all amendments of the musical text in a Critical Commentary. It presents the opera in two versions both of which were regarded as complete in their time: The version Leoncavallo presented to the Italian publisher Sonzogno (one act without Prologue and Intermezzo) and the ?final version? (two acts with Prologue and Intermezzo) the conception of which was influenced by Victor Maurel Sonzogno as well as the experiences collected during the first series of performances. The new edition follows the autograph score of the composer as closely as current opera practice allows correcting erroneous pitches adjusting articulation markings slurs and offering dynamic marks that were not included in previous editions. Additionally instrumentation issues have been addressed.There are several secondary sources for Pagliacci that offer a substantial amount of performance suggestions not all of which can be attributed to Leoncavallo with certainty. While previous editions mostly include these instructions they have only been adapted into this edition as demanded by musical logic in cases where they can be attributed to the composer with certainty and based on practical value (such as metronome markings or puntature). In all cases they have been offset typographically from autograph markings. An important secondary source namely a copy of the first printed score contains corrections in the composer's hand. Bärenreiter's new edition is the first to offer this valuable information to performers and scholars.The libretto for Pagliacci was written by Leoncavallo himself. Regarding vocal text and stage directions the new edition follows the autograph as well as secondary sources authorized by Leoncavallo. As a result of clearly stated editorial guidelines and their execution this new edition of Pagliacci offers a consistent score that closely follows Leoncavallo's intentions.The verismo opera Pagliacci by Ruggero Leoncavallo is the first work in Bärenreiter's new series ?Masterpieces of Italian Opera? (MIO). Pagliacci which was Leoncavallo's most successful work has remained an integral part of opera literature up until today. The role of Canio the tragic clown helped many singers achieve successful performances and iconic interpretations.The new edition of Pagliacci edited by Andreas Giger is the first to follow clear editorial guidelines documenting all amendments of the musical text in a Critical Commentar

Par FARNABY GILES. Edited by Thurston Dart CONTENTS Alman (Robert Johnson, set Farnaby); Corranto (attributed); Farnabyes Conceit; Galiarda; Galliard: His Rest; His Humour; Loath to Depart; Mal Sims; Maske; New Sa-hoo; Old Spagnoletta; Pavan: Giles Farnabys Dreame; Rosasolis; Spagnioletta; Tell me Daphne; Tower Hill; Toye/ Répertoire / Piano

This work is another great addition to the Songs Of The World series edited by Andre de Quadros. Here the composer refers to the piece as a 'lively modern interpretation of the Venezuelan calypso a genre imported from Trinidad in the nineteenthcentury.' The work is scored for mixed chorus with optional piano guitar and hand drum. The following is a translation of the Spanish text for this piece.We give you permission to copy and paste for your performance needs.Refrain:Goza mi calypso y ven a bailarenjoy my calypso and come to danceVerses:El calipso en venezuela es un canto popularThe calypso in Venezuela is a popular songQue a compana las comparsas en todito el carnavalThat accompanies the parades throughout carnivalEl calipso es de guayana tierra rica en mineralThe calypso is from Guayana a land rich in mineralsCantamos a todo el mundo te invitamos a bailarWe sing for everybody we invite you to danceSi vas a bailar calipso las cadera has de menear If you are going to dance the calypso the belly has to moveMoviendito la cintura todo el tiempo sin pararMoving the hips all the time without stoppingCon el repicar del cuatro con los toques del bumbacWith the sound of the cuatro with the strings of the bumbacSe despide mi calipso para luego retornarIt says goodbye to my calypso to return laterAsi suena mi calipsoMy calypso sounds like thisAqui tienes mi calipsoHere you have my calypsoCalipso calipso danceCalypso calypso danceIpara bailar!To dance!

This lovely piece for a combination of children and their mothers will immediately draw tears on mother's day/festival of the Christian home. The text alone is quite touching. Easily put together on limited rehearsal this is another great installment in the Accent On Young Series edited by Dr. Maribeth Yoder-White.

Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB

Jameson Marvin through his work with Harvard and Radcliffe has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat byPalestrina has been edited by Dr. Marvin to accommodate modern notation clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautifuland authentic performance to the stage.

Allegro Scherzando by Andre Messager and Molto Lento by Augusta Holmes. A series of short recital pieces which were originally sight-reading pieces for the examinations at the Paris conservatoire from the 1870s until the first World War researched and edited by the BBC's Andrew Lyle.