The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par SCHINELLI / BACH J.S.. Faites selon les versions traditionnelles et les interprétations de J.S.Bach / Hymnes et chorals / Recueil / Choeur

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB

Carmina Mundi. 10 original compositions for female choir. Unlike many countries in which music was passed on by word of mouth over generations, Israel possesses no such tradition. Nevertheless the various ethnic groups which have emigrated to Israel have taken their musical traditions there with them. 'Open the Gates' offers - along with two pieces from Morocco and the Yemen - arrangements of classical Israeli songs for female choir./ Répertoire / SSA

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines.'Every Stone Shall Cry' sets words by Richard Wilbur and is very energetic. The jazzy block chords and added 9th harmony reflect the joy of the Christmas message. The syncopated choir rhythms also make the text bounce along. / Choeur Mixte (SATB) Et Piano

Par ESENVALDS ERIKS. Born in 1977 in Latvia, Eriks Ešenvalds is an original and sought-after voice of the Baltic music tradition. These two new collections, following on from the first four anthologies of his choral music, contain a selection of more recent sacred and secular works./ Recueil / Choeur Mixte SATB

Latvian composer U?is Prauli?? ' striking setting of the Mass has attracted considerable attention following a recording by The Choir of Trinity College, Cambridge, under Stephen Layton. (Baltic Exchange, Hyperion CDA67747) Scored for SATB unaccompanied and soloists and well within the reach of most choirs, it is by turn devotional, bold, intimate, intense and, ultimately, thrilling, from a choral tradition outside the more familiar Western forms. Ugis Praulins - Missa Rigensis by musicroom / Choeur SATTB

Par MAW NICHOLAS. Morning Hymn, Pastoral Hymn and Evening Hymn: Extending the British choral tradition in a challenging, yet approachable way, Nicholas Maw's potent settings are a thrilling sing for competent choirs./ Recueil / Voix Mixtes

Arr. Jacob De Haan. Par TRADITIONAL. Vier weihnachtliche Hirtenlieder (“Quatre noëls des bergers”) est une suite de quatre noëls traditionnels allemands : Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten et Ihr Hirten, erwacht. Cette pièce peut également être interprétée avec un Choeur mixte (texte en allemand). / Niveau : 2 / Répertoire / SATB

Le but principal de cette rencontre entre chercheurs et enseignants provenant d'horizons divers (sociologues, musicologues, compositeurs, musiciens, etc,) porte sur les thématiques suivantes :- Interaction oral-écrit, étude des processus et stratégies créatifs, implication de la mémoire collective et individuelle dans la création et dans la réception musicales,- Répercussions de la tradition orale dans le domaine de l'improvisation et remise en cause des conceptions concernant l'acte créateur, laquelle soulève des problématiques utiles à étudier : liens entre composition et performance orale, processus cognitifs mis en jeu, etc, - Rapports entre oralité et écriture, oralité et création, oralité et performance, oralité et improvisation, oralité et mémorisation et et oralité et perception,- Questionnements au sujet de l'impact de l'oralité sur le rapport subjectif à la création et à l'objet artistique,- Mémoire en acte dans les interactions humaines (entre musiciens, maître et disciple) - processus d'improvisation en tant que porteurs d'attitudes et contenus créatifs spécifiques,Ces interrogations seront traitées selon des approches différentes et engageront, par ailleurs, des disciplines voisines de la musicologie autour de l'acte créateur en musique et de son interaction avec la culture, l'identité, la société, l'épistémologie, etc, Il s'agit d'interroger en effet l'histoire du bassin méditerranéen, l'anthropologie de l'oralité, la géopolitique, etc, SOMMAIRE Michel Imberty ?Introduction : L'oralité, une réalité musicale oubliée Alessandro Arbo?Qu'est-ce qu'une oeuvre musicale orale ?Jean During?Montage, officialisation et démontage de quelques répertoires d'Asie intérieure Jean-Marc ChouvelTradition et création?Mondher Ayari ?L'acte créateur entre culture de l'oralité et cognition musicale Jacques Viret ?L'oralité retrouvée d'un corpus : chanter le grégorien aujourd'hui Marcel Pérès?Le chant vieux-romain révélerait-il le ' corpus de l'oralité ' du chant grégorienDamien Poisblaud?La restauration du chant grégorien : comment imaginer des sons à partir de l'écrit Ignazio Macchlarella?Su trazzu e su Te Deum : créativité musicale contemporaine dans un village sarde Antonio Lai ?La nouvelle musique sarde entre tradition écrite et tradition orale Anne-Florence Borneuf?Composer avec le chant, composer avec les hommes : performances au pays de la ganga (Croatie, Bosnie-Herzégovine) Francis Gayte?Archéologie Vocale du Misteri d'Elx Jean-Claude Chabrier?Analyse de musiques d'Orient : des majorités aux liturgies des chrétiens Lara Molaeb?Sketching Models of Arabic Violin Traditional Interpretations of Precomposed Instrumental Phrases in the Age of Nahda Hefedh Lejmi?Oralité et scripturalité dans l'enseignement de la musique tunisien Fikret KarakayaLa tradition turque du taksim Bar?? Bozkurt?Pitch Histogram based analysis of Makam Music in Turkey Olivier Lartillot?Nécessités et principes d'une analyse musicale systématisée et informatisée Xavier Hascher ?Propositions théoriques pour l'analyse de la monodie modale : une introduction à l'étude du répertoire tunisien traditionnel  Livre en français et anglais Collection Culture et cognition musicale / Formation Musicale

SAM-Klang. Par . Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Recueil / SAM a Cappella

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)

Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 secular choral works in on volume, carefully selected to cater for a wide variety of performance contexts - whether joyful, reflective, or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto, this unique collection of best-loved classics and new pieces is a must-have resource for all school, community and church choirs./ Recueil / Voix Mixtes