| Scarlatti A. - Three
Cantatas With Recorders Green Man Press
Three Cantatas with Recorder Edited by Barbara Sachs For soprano (d'-a''), t...(+)
Three Cantatas with Recorder Edited by Barbara Sachs For soprano (d'-a''), two recorders and bc Augellin, vago e canoro Filli, tu sai s'io t'amo Mentre Clori la bella Augellin, vago e canoro, in D minor, has three da capo arias, all in triple metres, separated by recits. The recorders introduce or echo the voice in the first aria, and conclude the second aria which is without them, and provide a totally independent accompaniment throughout the last aria. Syncopations make the second and third arias as unpredictable as the vagaries of the little bird. Filli tu sai ch?io t?amo, in C major, reverses the structure, framing two da capo arias between three very short recits. In the arias the two recorders alternate with the solo voice, playing in very modern trio-style thirds (and in passages labelled unisoni). The singer is graciously insistent while berating Phyllis for not recognizing what it means to love. Mentre Clori la bella, in C minor, is strikingly without any hint of da capo aria form. It presents a Cloris determined to have no more to do with Fileno, who, however, is listening to this outburst. Her state of mind is not quite so linear, though, and the three-part structure explains her dilemma. The opening recit is mainly by the narrator, the first aria, with recorders echoing the voice and harmonizing the cadences, is sung twice, (warning him to expect nothing more of her), followed by an instrumental ritornello. A long recit and an aria ? repeated in its entirety, but without recorders, and followed by an instrumental ritornello ? states that she had loved him once, but that after whatever he has done, she can only hope now to be revenged. A short recit expresses some doubt, and the following aria with recorders has no repeat, though its four lines are set twice, promising a retraction of her disdain. In this cantata Neapolitan 6ths underline all the most dramatic words (sospiri; folle t?inganni; temprati i sdegni).
29.25 EUR - vendu par Woodbrass Délais: En Stock | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
5.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
18.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
4.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
47.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Draculissimo (SCHNEIDER
ENJOTT) Trompette et Réduction pour
Piano avec des Parties Schott
Concerto grosso for trumpet, tenor trombone and chamber ensemble. Par SCHNEIDER ...(+)
Concerto grosso for trumpet, tenor trombone and chamber ensemble. Par SCHNEIDER ENJOTT. The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su Tirgoviste” is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano” confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue” is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott Schneider/ Répertoire / Trompette et Réduction pour Piano avec des Parties
49.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto for flute and
orchestra (1985) Flûte traversière et
Piano [Partition] Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...(+)
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
42.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
5.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
44.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
4.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
4.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Luthermania Orgue Schott
This frenetic assortment of familiar chorale melodies by Martin Luther was compo...(+)
This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther's music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. The 2012 setting for organ duet has been arranged as a virtuoso work for organ solo in 2015. An organ with three manuals is required. / Orgue
19.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
4.69 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Erhalt Uns, Herr, Bei
Deinem Wort (BUXTEHUDE
DIETRICH) Choeur SATB, 2 Violons, Violon ou
Violoncelle et B [Partition] Carus Verlag
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei ...(+)
Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B
4.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
4.69 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
4.69 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Luthermania (SCHNEIDER
ENJOTT) Orgue à 4 Mains Schott
Par SCHNEIDER ENJOTT. This frenetic assortment of familiar chorale melodies by M...(+)
Par SCHNEIDER ENJOTT. This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece.
An organ with three manuals is required./ Répertoire / Orgue à 4 Mains
29.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
13.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Preise, Jerusalem, Den
Herrn (BACH JOHANN
SEBASTIAN) Solistes SATB, Choeur SATB, 4
Trompettes, Timbales [Partition] Carus Verlag
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cant...(+)
Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales
4.69 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Old Licks Bluesed Up -
Version for Concert Band Orchestre d'harmonie Norsk Musikforlag
Par AAGAARD-NILSEN TORSTEIN. The word 'old' and the title of each movement refer...(+)
Par AAGAARD-NILSEN TORSTEIN. The word 'old' and the title of each movement refers to music of the past. The word 'licks' comes from blues, rock and jazz. Licks can be arpeggio-figures, scales and riffs that is regularly used in improvisations. Toccata is a well known musical genre from the baroque keyboard music, a free flowing piece filled with energy. The ritornell can be described as a refrain, a recurring theme used in the ritornello form of the baroque era. / Date parution : 2023-10-31/ Répertoire / Concert Band
615.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Aria 'Alles Mit Gott
Und Nichts Ohn'
Ihn' (BACH JOHANN
SEBASTIAN) Divers [Partition] Barenreiter
Enthält CD mit Welt-Ersteinspielung von John Eliot Gardiner. Par BACH JOHANN SE...(+)
Enthält CD mit Welt-Ersteinspielung von John Eliot Gardiner. Par BACH JOHANN SEBASTIAN. Scored for Soprano solo, 2 Violins, Viola, Basso Continuo. In May 2005 the Leipzig-based musicologist Michael Maul made a sensational discovery in Weimar. While sifting through the Herzogin Anna Amalia library he unearthed the manuscript of a sacred aria by Johann Sebastian Bach which was previously completely unknown. It is the first time since 1935 that a new Bach Vocal work has been discovered. The aria consisting of twelve verses is written for solo Soprano, Strings and Basso Continuo and opens with the words “ Alles Mit Gott Und Nichts Ohn’ ihn ”. It was composed in 1713 to celebrate the 53rd birthday of DukeWilhelm Ernst of Saxe-Weimar who employed Bach as court organist from 1708 until 1717. This Vocal work is Bach ’s sole contribution to the genre of strophic aria. Each verse is accompanied by basso continuo and followed by a lively string ritornello, making this work a pièce d’occasion of exquisite quality. Full score & parts (BA5246) and facsimile (BVK1870) available for sale./ Répertoire / Divers
76.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| MISSA OMNIUM SANCTORUM IN
A-MOLL ZWV 21 (ZELENKA
JAN DISMAS) (ZELENKA JAN
DISMAS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Breitkopf & Härtel
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass...(+)
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the ?Das Erbe deutscher Musik? series, from which Breitkopf and Härtel also took over both its informative preface as well as the critical report. 'Zelenka?s artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us.' (Schweizerische Musikzeitung) 'Zelenka?s Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach.' (Die Welt) / Date parution : 2023-06-16/ Répertoire / Choeur Mixte SATB et Piano
36.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Bags Of Classics For
Cello (COHEN MARY) Violoncelle [Partition] Faber Music Limited
Par COHEN MARY. Bags of Classics for Cello is filled with favourite melodies fro...(+)
Par COHEN MARY. Bags of Classics for Cello is filled with favourite melodies from famous works of classical music, arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato. Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand, it introduces a wide variety of styles and sound worlds, from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work, sight-reading practice, or just for sheer musical enjoyment Contents: Allegro from Brandenburg Concerto #3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido's Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene's Notebook (Anon) Papageno's Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto #5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from 'The Bird' String Quartet (Haydn) Theme from Caprice #24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny #40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)/ Recueil / Violoncelle
8.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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