| Anton Stepanovich
Arensky: Slumber Song:
SSAA: Vocal Score Chorale SSAA [Vocal Score] Bosworth
Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored ...(+)
Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.
3.99 GBP - vendu par Musicroom GB |
|
| Georg Friedrich Händel:
Xerxes (Serse): Opera:
Vocal Score Opéra [Partition] Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...(+)
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
34.99 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Georg Friedrich Händel:
O come let us sing HWV
253 - Chandos Anthem
No.8: Voice: Soli, choeur mixte et accompagnement Soli, chÂœur mixte et piano [Partition] Barenreiter
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My s...(+)
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale
17.00 GBP - vendu par Musicroom GB |
|
| Georg Friedrich Händel:
O Praise The Lord With
One Consent HWV 254:
Mixed Choir: Klavierauszug - Soli (STTB),
Gemischter Chor (SA²TB) und
Klavier [Partition] Barenreiter
Handel?s three anthems (My song shall be alway HWV 252 O come let us sing HWV 2...(+)
Handel?s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the ? Chandos Anthems? from the owner of the estate the First Duke of Chandos .The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London a standard procedure for this composer who reused particularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for ?O come let us sing unto the Lord?.The anthems present the Urtext from the ?Halle Handel Edition? and include uncomplicated and easy-to-play piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.?The clarity found in these Bärenreiter scores and the excellent keyboard reductions make them very attractive for performers.?(Church Music Quarterly Sept. 2008)
14.00 GBP - vendu par Musicroom GB |
|
| Georg Friedrich Händel:
The Lord Is My Light HWV
255: Mixed Choir: Vocal
Score Klavierauszug - Soli (STT),
Gemischter Chor (SATTB) und Klavier [Partition] Barenreiter
The Lord Is My Light (HWV 255) Chandos Anthem No.10From 1717 to 1718 Handel was ...(+)
The Lord Is My Light (HWV 255) Chandos Anthem No.10From 1717 to 1718 Handel was resident composer at Cannons a country estate to the north of London. During this time he wrote the so-called Chandos Anthems a set of eleven “Anglican cantatas” with instrumental accompaniment.“The Lord is my light” (HWV 255) with its eleven movements is not only the longest composition in the set it also has the largest proportion of newly composed material.This anthem published with the Urtext of the Halle Handel Edition is especially noteworthy for its varied and self-sufficient orchestralaccompaniment which lends a fitting backdrop to the festive chorus and equally festive solo numbers.Both the full score and the vocal score contain a German translation alongside the original English.Scoring: Soloists (STT) chorus (SATTB) 2 recorders oboe strings continuo- Full score & parts (BA4268) and vocal score (BA4268-90) available for sale- Urtext at the forefront of musical scholarship- First separate edition for performance purposes- Based on the Urtext from the Halle Handel Edition- Straightforward and easy-to-play Piano reduction
19.00 GBP - vendu par Musicroom GB |
|
| Georg Friedrich Händel:
O Praise The Lord With
One Consent HWV 254:
SATB: Score Soli (STTB), Gemischter Chor (SATB),
Orchester [Partition] Barenreiter
Handel?s three anthems (My Song Shall Be Alway HWV 252 O Come Let Us Sing HWV 2...(+)
Handel?s three anthems (My Song Shall Be Alway HWV 252 O Come Let Us Sing HWV 253 O Praise The Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the ?Chandos Anthems? from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London a standard procedure for this composer who reused particularly successful pieces as starting points for his later works. The scoringfor solo Voices Chorus Oboe Strings and Continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for ?O Come Let Us Sing Unto The Lord?.The anthems present the Urtext from the ?Halle Handel Edition? and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.
31.50 GBP - vendu par Musicroom GB |
|