Volume 9 of the new Urtext edition of Schubert'''s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D'rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart('''Grablied auf einen Soldaten''' and 'An mein Klavier''') the author of the words to one of his most famous songs '''Die Forelle'''/ 'The Trout''' (see Volume 2).Based on the Urtext of the '''New Schubert Edition'''Clear and uncluttered engravingForeword by Walther D'rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

Arrangeur: Richard Walters_Steven Stolen. Par SCHUBERT FRANZ. La collection plus utile de chansons de Schubert disponibles ! Contrairement aux éditions internationales, ces recueils de nouvelles chansons contiennent seulement quelques chansons préférées de Die Schöne Müllerin et Wintereisse Die, plutôt que les cycles de la chanson entière rarement utilisé - laisse place à de nombreuses chansons individuelles plus merveilleuses normalement pas trouvé dans les collections de Schubert. Comme dans les autres volumes dans la bibliothèque Vocal, chaque chanson comporte des notes introductives, y compris des informations sur la composition, le contexte biographique de la chanson dans la vie de Schubert, des performances précoce et des commentaires à propos de poètes. Le contenu des éditions voix haute et basse voix est presque les mêmes : le volume de la voix haute comprend typiquement Der Hirt auf dem Felsen (avec une partie de la clarinette amovible) et Auf dem Strom (avec une partie de la corne amovible) - le volume de la voix de basse comprend uniquement les Das Abendrot et Romanze. La couverture est ornée d'une aquarelle de 1821 charmant illustrant de Schubert et ses amis à une rassemblement à Atzenbrugg d'été. Toutes les chansons ont été nouvellement ed... / Rép Classique / Répertoire / Chant et Piano

L'Ave Maria de Schubert, arrangé pour trio de voix féminines (SSA) par Henry Geehl. / Voix / niveau : Intermédiaire / Partition

Par SCHUBERT FRANZ. Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos. The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also be performedwith organ accompaniment. - Urtext from the New Schubert Edition - Standard work in the church music repertoire - Can be accompanied by organ or wind instruments - No vocal soloists necessary/ Répertoire / Chant

Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ?Mass No. 2 in G major? in less than a week (March 2 to 7 1815). Schubert was an Austrian composer who was extremely prolific during his lifetime ? despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the mostfrequently performed composers of the early nineteenth century.

Aus: Winterreise. Par SCHUBERT FRANZ. “Der Wegweiser” for 8-voice men’s choir a cappella is the most recent of five Gottwald arrangements available in the Carus program – this is one of Schubert’s lieder from his “Winterreise' with bittersweet, melancholy character. The arrangement was commissioned by ChorWerk Ruhr and it will receive its world premiere performance by this ensemble, conducted by Peter Neumann on 23 November 2003 in Mühlheim/Ruhr [Germany]./ Répertoire / Choeur ATBarB/ATBarB

Schuberts Ave Maria Op.52 Nr.6-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier das Ave Maria von Franz Schubert op. 52 Nr. 6. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16157O.

Le cycle de poèmes 'Die schöne Müllerin' a été écrit par plusieurs auteurs, dont Wilhelm Müller, Achim von Arnim, Luise et Wilhelm Hensel et Ludwig Rellstab.Il a été publié sous sa forme définitive en 1820 par Wilhelm Müller dans la collection 'Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines Reisenden Waldhornisten'.A cette époque, le cycle comprenait 23 poèmes. Schubert omis trois poèmes ainsi qu'un prologue et un épilogue dans son cadre, annulant ainsi l'ironie et fin pessimiste prévu par le poète. La composition de Schubert a été publié en cinq livres entre Février et Août 1824.La première lieder du cycle sont heureux et composé avec un élan vers l'avant, des caractéristiques qui se reflètent aussi dans l'accompagnement de piano virtuose. La deuxième partie du cycle de la chanson se transforme en résignation, la mélancolie et la rage impuissante et est similaire à 'Winterreise' de Schubert dans son désir de mort.- Cycle de la célèbre chanson disponible pour la première fois dans une édition séparée.- Basé sur le définitif 'New Schubert Edition'- Avant-propos par Walther Dürr discuter de l'histoire de la composition et des sources de l'oeuvre (Ger / Eng)- Avec une traduction en anglais des textes de chansons de Richard Wigmore / Voix Elevée(s) Et Piano

Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the 'New Schubert Edition' (edited by Walther Dürr ') Do you know our performing edition of Schubert Lieder' 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. 'A Taste of Schubert' presents one to three pieces from each volume to create a cross-section of Schubert's complete lieder 'uvre. Lieder from his famous cycles are included as well as 'Sehnsucht', a Lied in different settings from his own pen. Contrasting genres have also been taken into consideration, beginning with simple strophic songs, via the ballad 'Der König von Thule' through to his long Ossian Lied 'Cronnan'. Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the 'New Schubert Edition' (edited by Walther Dürr ') ·Der König in Thule op. 5, 5 D 367 ·Wohin' op. 25, 2 D 795, 2 from Die schöne Müllerin ·Sehnsucht D 310 1st setting, 1st version ·Sehnsucht D 359 2nd setting ·Lied er Mignon op. 62, 4 D 877, 4 5th setting of Sehnsucht; from Gesänge aus 'Wilhelm Meister' ·An die Musik op. 88, 4 D 547 2nd version ·Wasserflut op. 89, 6 D 911, 6 from Winterreise ·Das Fischermädchen D 957, 10 from Schwanengesang ·Adelaide D 95 ·Die Sterne D 176 ·Die Mainacht D 194 ·Cronnan D 282 2nd version ·Die Nacht D 358 2nd version

Mittlere Stimme / Medium Voice-Schubert lieder for discerning musicians. The New Schubert Edition is the only scholarly-critical edition that will once completed include Franz Schubert's lieder in their entirety. In response to the rising expectations of performers and listeners alike all the lieder will be published over the next few years in performing editions containing the text of Walther Dürr the eminent Schubert scholar and former Managing Editor of the New Schubert Edition.Includes the definitive musical text from the New Schubert EditionNewly engraved with a spacious appearance and larger format (23 x 30 cm)Ideal page turnsEditorial decisions andconflicting readings from main sources are now identified in this performing editionAlternative versions are reproduced in the appendixIntroduction by Walther Dürr focuses on peculiarities in the genesis and performance history of each lied and provides solid information on performance practiceAdopts straightforward ordering principle from the New Schubert Edition: first by opus number then in chronological orderComplete transposition into three vocal registers finally allows every singer to work with the latest findings of Schubert scholarshipIncludes English translations of the lieder texts by Richard WigmoreThe edition is scheduled to consists of 13 volumes. Each volume will appear in three editions; one for high voice one for middle voice and one for low voice.

Schubert cycle de la dernière chanson en UrtextAprès la mort de Schubert en 1828, son frère Ferdinand transmis treize chansons basées sur des textes de Ludwig Rellstab et Heinrich Heine à la Haslinger éditeur. Schubert avait composé seulement les peu de temps avant sa mort, en Août 1828.Au cours de sa durée de vie de Schubert effectivement voulu publier les deux groupes de Lieder séparément. Toutefois, les chansons de Heine et Rellstab sont en effet étroitement liés. Haslinger ajouté quatorzième Lied, 'Die Taubenpost', basée sur un texte de Johann Gabriel Seidl, que Schubert avait composé un mois avant sa mort, mais qui en aucun cas met à nu toute relation à l'Rellstab et Heine Lieder.Cette collection a été publié à titre posthume par Haslinger au début de mai 1829, et il a été nommé 'Schwanengesang' - traditionnellement le terme donné à la dernière oeuvre d'un artiste avant sa mort.- Basé sur le Urtext de la 'Nouvelle édition Schubert'- Avant-propos par Walther Dürr sur la genèse et l'histoire des oeuvres etles sources disponibles pour chaque individu Lied (Ger / Eng)- Traductions en anglais des textes de Richard Wigmore Lied / Voix Moyenne(s) Et Piano

Tiefe Stimme / Low Voice-Continuing the new Urtext edition of Schubert?s Lieder editor Walther Dürr now presents Volume 6 for Low Voice. While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With ?Nachtgesang? (D 119) and ?Trost in Tränen? (D120) Schubert turns to the?Strophenlied? in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert during this period an assistant teacher at his father?s school orientated himself towards the so-called ?Berliner Liederschule? particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.- Based on the Urtext of the ?New Schubert Edition?- Newly engraved clearly presented musical layout- Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)- Includes English translations of lieder texts by Richard Wigmore

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.Urtext from the New Schubert EditionStandard work in the church music repertoireCan be accompanied by organ or wind instrumentsNo vocal soloists necessary

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.