Eleven pieces for Violin and Piano edited by Richard Jones for the ABRSM. Includes works by Tartini Vivaldi and Albinoni.

La référence GB4100 de l'éditeur Billaudot dont l'auteur célèbre est Albinoni Tomaso, qui a pour titre SONATE Nø2, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

Révision: Tesson Compositeur/Auteur : ALBINONI Tomaso Discipline/Instrument : violon et piano Support : Partition Style/Genre : classique Date de parution : mai-60 Niveau de difficulté : 3 Nombre de pages : 7 2

Par ALBINONI TOMASO. Arrangé par Boulier / Niveau : Assez Facile / classique / Répertoire / Violon et Piano

Par ALBINONI TOMASO. Révisé par Picard / classique / Répertoire / Violon et Orgue

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin music. Tomaso Albinoni: Sonata op. VI n. 7 - Arcangelo Corelli: Follia op. V [n. 12] - Francesco Geminiani Sonata op. IV n. 11 H. 95 -Pietro Antonio Locatelli: Sonata op. VI n. 5 - Pietro Nardini: Sonata op. V n. 3 - Gaetano Pugnani: Sonata op. VII n. 1 - Giuseppe Tartini:Sonata op. I n. 10 B. g 10 [?Didone abbandonata?] - Francesco Maria Veracini: Sonata op. II n. 8 - Giovanni Battista Viotti: Sonata op. IV n. 4 W. V/4 - Antonio Vivaldi: Sonata RV 10

Les sonates en solo composées en Italie à partir des premières décennies du 17e siècle se distinguent par leur virtuosité instrumentale et l?originalité de la pensée baroque dont elles sont traversées. Ces deux aspects ont été pris en compte dans le choix des morceaux figurant dans cette série fascinante de recueils de musique italienne pour violon de la période baroque. Outre des sonates pour violon des maîtres italiens Arcangelo Corelli Antonio Vivaldi et Tomaso Albinoni le second volume de cette collection propose également la possibilité de découvrir des compositeurs encore méconnus notamment Carlo Farina et Michel Mascitti qui ont été les émissaires de la musiqueitalienne pour violon en Allemagne et en France. L?édition urtext permet une vision claire de quelques-uns des bijoux de la période baroque.

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

Baroque Violin Pieces is a four-volume graded anthology which acts as an introduction to the style and repertoire of Baroque music for solo Violin and Continuo. The editor's aim has been to select immediately attractive pieces which are at the same time of educational value in style and technique. The contents of each volume are arranged roughly in order of difficulty. The pieces in this volume book4 are of Grade 8 standard and above. This volume has been edited by Richard Jones.The solo violin part is also included on a separate insert.

Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32