Livre de poche qui regroupe tous les plus grands tubes des années 60 de `Good Vibrations` des Beach Boys en passant par `Respect` d'Aretha Franklin et `Hit the Road Jack` de Ray Charles. Partitions pour guitare (symboles et grilles d'accords) avec les paroles complètes. / Variétés Internationales / Partition /

16 Songs in zwei Versionen: Texte and Strummings / Noten and TAB. Par KLEINMAIER RICHARD. / Date parution : 2022-11-08/ Recueil / Ukulélé

Apprendre à jouer de quatre-vingts chansons classiques depuis les années 60 et 70. Complet avec paroles complètes, boîtes de corde de guitare et guide de jeu. Chansons notamment American Pie, I Will, Light My Fire, Massachusetts, les rues de Londres et plus encore. / Chant Et Guitare / 192 pages / Partition

A pocket-sized collection of songs by the biggest names in Soul presented in chord songbook format with chord symbols guitar chord boxes and complete lyrics. Including hits by Marvin Gaye Aretha Franklin TheFour Tops Dionne Warwick The Isley Brothers Fontella Bass Etta James Bill Withers Sam & Dave James Brown Rose Royce The Commodores Gladys Knight & The Pips Stevie Wonder Otis Redding Al Green Nina Simone Wilson Pickett.

For Chamber Organ-Commissioned for the 1990 Peterborough Festival and first performed by Nicholas Danby in July 1990. These preludes were composed for a new instrument by Kenneth Tickell and Co. recently installed in Peterborough Cathedral. Possessing one keyboard 5 stops (no 16-foot) no pedals and no swell-box dynamic levels can be realised by changes in registration only. The cresc. and dim. markings in brackets apply only when performance on a larger organ is envisaged. Duration c. 13 minutes.

Listen (1971) was commissioned by The Norwegian Broadcasting Corporation dedicated to Elisabeth Klein.Traveling through English-speaking countries I always meet people who ask me to listen. Now, listen they invariably say, listen to me, as they call for attention, warn me, or implore me. I want to say listen as it is seldom said - in a musical connotation. Listen to the sound of the piano. Our environment is full of living-room pianos of great value, beautiful to look at but never really intended to be listened to.In Listen I am trying to create a situation within the limitations of the piano, making some aspects of the sound from this black box truly audible. What I want to explore is the situation of people listening and in the process of listening having also the possibilities of choice. That is why the work is full of repeated passages: so many choices are advailable to the listener - enough choices of listening for everybody.The piece utilizes the differences in the length of strings and uses the extreme registers of the piano - very high and very low og right in the middle. The duration of the string vibrations creates a collision of echoes as the vibrations die away. Then the pianist stops playing this process of tonal blend, and disintegration continues within the piano itself, creating the moment of 'Listen'.Arne Nordheim

Monstrous pieces for beginners with pictures to colour in! Jurassic Blue follows on directly from Jackaroo it begins with a revision of the first finger and then moves on to second third and fourth fingers. Each piece introduces a new rhythmic or technical point with useful suggestion boxes for the teacher. There’s also the chance to create you own dinosaurs too inspired by Drew Hillier’s wacky illustrations. With Pam Wedgwood’s lively accompaniments and the addition of words you can even sing along to ‘Triceratops Rocks’!