E-Z Play Today Volume 221-This 2nd Edition contains large-print easy arrangements of 13 of Carly Simon's best: 'All I Want Is You' 'Anticipation' 'Coming Around Again' 'Jesse' 'Let the River Run' 'Mockingbird' 'Nobody Does It Better' 'The Right Thing to Do' 'That's the Way I've Always Heard It Should Be' 'You're So Vain' more.

These original arrangements of favourite Christmas tunes have a real authentic jazz flavour and are sure to be a hit around the Christmas tree. With 10 songs including Last Christmas, Little Drummer Boy and Santa Claus is Coming to Town, as well as more traditional carols such as Silent Night, the collection has something for everyone. Now electric guitar too can join in the fun of playing Christmas music! / Guitare Electrique

100 ans de musique populaire chronique la plus grande musique du siècle dernier. Ce livre contient plus de 70 chansons des années 1980 arrangé pour piano, voix et guitare, fournissant un aperçu fascinant de la musique de l'époque. Une liste des nouvelles inventions d'abord vu durant les années 1980 est également incluse./ Recueil / Piano, Chant et Guitare

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Quatre-vingt-deux chansons - des ballades, des berceuses, des cris de bataille, chansons d'amour, des chansons satiriques, des jeux de chant pour enfants et plus - de célébrer les hauts et les bas de colons, des bûcherons, cow-boys, les mineurs d'or, des cheminots, hors la loi, et d'autres aventuriers début. Paroles complètes, partition vocale, arrangements pour piano simples et symboles d'accord. Notes historiques et 127 illustrations d'époque.Réimpression de la Société Macmillan, New York, édition de 1967. / Chant, Accords Et Piano

A huge collection of over 100 classics by the greatest rock and pop talent in the world, ever! From The Byrds' pioneering folk-rock of Eight Miles High and The Kinks' wry Dedicated Follower Of Fashion through to Radiohead's anthemic Creep and the cheeky Girls And Boys by Blur...just a handful of the memorable and celebrated songs that are featured within. Every song has been arranged for Voice and Guitar, complete with the full lyrics and a comprehensive chord guide. / Paroles Et Accords (Avec Grilles D'Accords)

Novello New Choral Series-Craig McLeish writes of The Negro Speaks of Rivers; Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays short stories novels and his poetry was widely read. He was also a journalist columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history particularly in the fight against slavery.The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo. The Mississippi mentions New Orleans so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music.Craig McLeish began his musical life as a chorister at St Paul’s Cathedral. As a bass guitarist conductor musical arranger and composer he has worked with a wide variety of groups in several genres and scored a hit with the cult pop band ‘Fat & Frantic’. He is musical director of Young Voices UK and conducts several youth and community choirs in and around Milton Keynes. Listen to an excerpt from Craig McLeish's The Negro Speaks Of Rivers:  

La plus grande collection de musique country catalogue ! Presque 200 chansons, tous en facile à jouer format de ' busker '. Comprend ' Achy Breaky Heart ', ' Crazy ', ' Prendre ces chaînes de My Heart ', 'I Can ' T Stop Lovin' vous' et bien plus encore ! / Chant Et Guitare / 128 pages / Partition

100 leichte Weihnachts-Hits von Händel bis Mariah Carey. Tout ce que je veux pour Noël, c'est... Pianotainment ! Après le grand succès des deux volumes de chansons réguliers, l'auteur renommé Hans-Günter Heumann présente dans ce volume les pièces pour piano les plus connues et les plus populaires autour de Noël. Une fois de plus, il se sert habilement de tous les genres connus de la musique pour piano - des airs classiques, pop et rock aux airs de Noël jazzy pour piano. Tous les arrangements sont faciles, sonnent bien et peuvent être joués sans problème par tout débutant au piano. / Niveau : très facile à facile / Recueil / Piano

Transcriptions guitare (symboles et grilles d'accords) de 52 chansons de Johnny Cash + paroles / Chant Et Guitare / Partition