Le livre Berklee de l'harmonie jazz
Série : Berklee Guide Éditeur : Berklee Press Format : Couverture souple Audio en ligne Auteurs : Joe Mulholland, Tom Hojnacki
Apprenez l'harmonie du jazz, comme enseigné au Berklee College of Music. Ce texte fournit une base solide dans les principes harmoniques, soutenant une étude plus approfondie de la composition, de l'arrangement et de l'improvisation de jazz. Il couvre les types d'accords de base et leurs tensions, avec des démonstrations pratiques de leur utilisation dans des contextes caractéristiques du jazz et un enregistrement d'accompagnement qui vous permet d'entendre comment ils peuvent être appliqués. Le prix de ce livre comprend l'accès aux pistes audio en ligne, en téléchargement ou en streaming, en utilisant le code unique à l'intérieur du livre. L'audio comprend PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio sans changer la hauteur, de définir des points de boucle, de changer les touches et de faire un panoramique à gauche ou à droite - disponible exclusivement chez Hal Leonard.
Avenants
« Lorsque les êtres futurs découvriront les artefacts de notre culture, le Jazz Harmony Book se démarquera comme le résumé le plus complet de l'harmonie diatonique moderne utilisée dans le jazz et la musique populaire de cette époque. Ce livre est détaillé, sophistiqué et étonnamment branché. J'ai particulièrement apprécié le chapitre sur le blues ainsi que la façon dont les auteurs ont noté l'effet du placement des battements sur les choix harmoniques. Cette phrase m'a frappé : « Nous pouvons entendre et sentir un accord fonctionner dans un sens lorsqu'il arrive, mais notre interprétation de cet accord peut également s'ajuster rétroactivement ». Le livre regorge de descriptions similaires donnant à ce sujet compliqué une vie propre, au-delà des mathématiques et de la terminologie habituelles. -Dave Liebman
« Le Berklee Book of Jazz Harmony est éminemment lisible et convivial. Les auteurs présentent les principes de l'harmonie jazz et de la théorie des gammes d'accords de manière claire et invitante. ? Keith Waters, pianiste de jazz, théoricien et auteur de The Studio Recordings of the Miles Davis Quintet, 1965-68
« Clair, complet et pratique, le Jazz Harmony Book est en effet une clé bienvenue pour comprendre non seulement la richesse et l'ordre de l'harmonie jazz, mais aussi les nombreux styles musicaux profondément touchés par la large influence de l'harmonie jazz. ? Michael Rendish, président fondateur de l'harmonie, Berklee College of Music
/ Partitions jazzandblues / Tous instruments par tonalité / Tous instruments / BERKLEE

Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies for any melody. Starting from the most basic harmonic situations and progressing to contemporary jazz harmony, this book is a serious study of the fundamentals of jazz harmony. It will help you to uncover the best choices for chords to accompany any melody, to better understand and create the \'right\' chord progressions to standard tunes, to re-harmonize songs freely in the manner of great jazz artists like Hank Jones, Thelonious Monk, Art Tatum, Oscar Peterson, Bill Evans, Chick Corea, Brad Mehldau, Herbie Hancock, Duke Ellington, Gil Evans, Thad Jones, Joe Pass, Jim Hall and John Scofield. Topics covered include: basic functional harmony, diatonic substitutes, secondary dominants, passing chords, diminished harmony, tritone substitutes, non-functional approaches to harmonizing melodies including quartal harmony, color chords, harmonizing basslines, pedals, slash chords, unavailable tensions and more. Includes 2 CDs of the author playing many of the written examples in the 206-page book. / Methods and Tutors / Théorie / Tout Instrument

Learn jazz harmony as taught at Berklee College of Music. The Berklee Book Of Jazz Harmony will give the reader the skill set needed to create brilliant jazz compositions. The Berklee Book Of Jazz Harmony is the most complete summary of diatonic harmony used in jazz and popular music but presented clearly and invitingly.

Par ARMACOST TIM. The ultimate guide to playing saxophone, by NY jazz artist Tim Armacost ? for anyone from beginners to professionals. Rooted in practical skills and going far beyond theory, The Jazz Saxophone Book will improve your ability to construct beautiful, flowing solo lines. The book includes access to over 30 videos of the author demonstrating ideas in the book and hundreds of examples of solo phrases by the masters of jazz saxophone. For the beginning improviser, we cover: ? Creative ways to work on sound, time and building a jazz vocabulary ? Connecting your soloing with your internal singing voice ? Foundational jazz harmony - what you need to know! For intermediate players, the book offers: ? In-depth treatment of jazz harmony, with copious examples from the masters of the tradition ? Ideas for becoming a musical storyteller ? Skills needed to show up at a jam session and confi dently perform a tune For more advanced players, the book discusses: ? Using advanced harmony to build and release tension ? Taking jazz vocabulary, harmony and form into the realm of freedom ? How to practice efficiently to become a well-rounded, continually improving soloist / Date parution : 2022-04-26/ Méthode / Saxophone

Par CHRISTIANSEN COREY. Bill Evans (1929-1980) is one of the highest regarded jazz pianists in the history of jazz. His harmonic and rhythmic language in combination with superb taste and technical perfection places him in a category by himself. His style of harmonization and improvisation has been an inspiration to countless pianists as well as other instrumentalists in the field of jazz. This book of original musical studies and analyses by Corey Christiansen and Per Danielsson is designed to help you develop your own personal improvising style. It presents numerous musical lines with chord symbols in the style of Bill Evans, grouped by the harmony they can be used against. The accompanying play-along CD provides a rhythm section backup for each of the exercises. To help the player master all keys, each section also has a play-along on the CD that modulates around the circle of fourths. Some of the techniques used in the style of Bill Evans are discussed and examples shown, helping musicians analyze each of the ideas presented, further insuring mastery of these ideas. When assimilated into the student's musical vocabulary, these ideas will help students create their own original jazz solos. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Piano

Par JAFFE ANDY. Andy Jaffe?s Jazz Harmony, one of the most definitive texts on the subject, goes into its third edition in 2009. Over the years the book has proven equally useful for students of all backgrounds, whether self-taught, classically trained, or as a useful reference for working professionals. Also appropriate for use as a classroom text./ Recueil / Instruments Mélodiques

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

The transition from rock to jazz can sometimes be a bit intimidating to Guitarists young and old. Jazz Chords for Rock Guitarists by John G. Maione endeavors to take the 'mystery' out of jazzharmonies and make them accessible to every guitarist.More importantly this book logically progressively and practically builds on the knowledge attained by any guitarist competent in the rock genre and leads them in avery organized step-by-step way to learning and understanding the basic elements of jazz harmony and to using functional jazz guitar chord forms in their playing.Beginning with a review of basic power and 'bar' chords this text then proceeds to begin 'bridging the gap' to jazz by working on basic blues progressions usually familiar to all rock guitarists but this time using basic jazz chord voicings and forms.The student guitarist canthen build upon these newly discovered jazz forms learned through the blues by learning many more related jazz chord forms and voicings all built on the 6th string and 5th string roots the roots of learning rockguitar!This book is geared through logical step-by-step progression and clear explanations for any rock guitarist ready and eager to explore the exciting and unlimited world of jazz!

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

An introduction ot jazz harmony technique and improvisation. Includes a CD of over 60 minutes of demos and backing tracks. Perfect for the beginner guitarist who wants to learn more about Jazz this book provides a comprehensive introduction to the world of Jazz Guitar. Author Phil capone explains jazz harmony in a clear and accessible style from simple chordmchanges through to the II-V-I progression turnarounds and other classic jazz sequences. Building steadily throughout the book you'll learn authentic jazz voicings and accompaniment styles and as vital jazz theory. Packed with practical advice on getting to grips with improvisation Exploring Jazz Guitar unlocks the secrets of Jazz harmony allowing you to construct authentic jazz solos. Complete with accompanying CD containing demonstration solos and live jazz backing tracks.

For All Musicians-An encyclopedia of Jazz theory for all musicians. This one-of-a-kind book encompasses a wide scope of jazz topics for beginners and pros of any instrument. This extensive and comprehensive method works in three ways: as an encyclopedia for ready reference as a thorough methodology for the student and as a workbook for the classroom complete with ample exercises and conceptual discussion. Lessons and topics include:The basics of intervalsJazz harmonyScales and modesII-V-I cadencesHarmonic analysisPiano voicings and voice leadingModulations modal interchange and reharmonizationJazz piano compingJazz tune formsArrangingtechniques ImprovisationTraditional Jazz fundamentalsPractice techniques...and much more!

This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages. / Guitare