String Quintets op. 18 and 87-The genesis of Mendelssohn?s String quintets is closely connected to his friend Eduard Rietz and the latter?s brother Julius. Deeply affected by Eduard?s death in 1832 Mendelssohn exchanged the ?Minuetto?movement in his A major Quintet Op. 18 written six years previously for a newly composed adagio. It was in this form that the work was finally sent to the publisher. The Quintet in B flat major was onlypublished after Mendelssohn?s death; numerous unauthorized entries by Julius Rietz thus found their way into performance practice. An examination of the autograph allowed us to return the work to its original form thecommentary contains detailed information on this.

Par RIETZ JULIUS. Editeur(s) d'origine: Ledward, James/ Répertoire / Hautbois et Piano

Concert Overture-The Hebrides Op.26   Concert Overture   The Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The new Bärenreiter edition consist of two versions each containing additional material from further sources.   Version one the “Rome” version exists itself in two versions and has never beenpublished in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited by Christopher Hogwood  

Concert Overture-The Hebrides Op.26   Concert Overture   The Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The new Bärenreiter edition consist of two versions each containing additional material from further sources.   Version one the “Rome” version exists itself in two versions and has never beenpublished in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited by Christopher Hogwood  

Concert Overture-The Hebrides Op.26Concert OvertureThe Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.The new Bärenreiter edition consist of two versions each containing additional material from further sources.Version one the “Rome” version exists itself in two versions and has never been published in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Concert Overture-The Hebrides Op.26   Concert Overture   The Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The new Bärenreiter edition consist of two versions each containing additional material from further sources.   Version one the “Rome” version exists itself in two versions and has never beenpublished in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited by Christopher Hogwood  

Composer : Mendelssohn Bartholdy, Felix Edition : Piano reductionEditor : Rietz, Julius

Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Rietz, Julius/ Répertoire / Piano

Composer : Mendelssohn Bartholdy, FelixInstrumentation : KlavEditor : Rietz, Julius

Composer : Mendelssohn Bartholdy, Felix Edition : Piano reductionEditor : Rietz, Julius

Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Rietz, Julius/ Répertoire / Choeur Mixte, Soprano et Orchestre