cis-Moll-Louis Vierne's Messe solennelle en ut dièse mineur (Op.16; cis-Moll) for SATB and Organ.The Messe solennelle op. 16 for mixed choir and two organs by Louis Vierne was composed in 1899. At its world premiere in St. Sulpice in December 1901 Charles-Marie Widor played the main organ and Vierne the choir organ. The work belongs to the highlights of the late Romantic organ masses and more-over is comfortable for the choir to sing.The present edition is based upon the first edition that was published in 1900 by Pérégally & Fils in Paris. Due to practical reasons a performance with two organs is often not possible therefore parallel to the original edition the publishers have also published an arrangement for choir and one organ by Zsigmond Szathmáry.

Louis Vierne ist bekannt als berühmter Organist und Orgelkomponist. Was nicht ins Bewusstsein gelangte da es nicht Teil seines öffentlichen Wirkens war sondern weitgehend der Intimität privater Zirkel vorbehalten blieb: Louis Vierne war auch ein hervorr

Louis Vierne (1870-1937) studied privately with Cesar Franck and was appointed titulaire organist at Notre-Dame (Paris) in 1900. Numerous concert tours throughout Europe and the USA made him well-known outside France.Vierne?s Organ works are masterpieces of Organ music and are firm favourites in the virtuoso Organ repertoire. In particular Vierne raised the form of the Organ symphony to a stylistic peak.The famous collection of ?Pieces de Fantaisie? comprising 24 fantasy pieces in four volumes (Livres I-IV) has become internationally known. With their varying degrees of difficulty the pieces are suitable for bothprofessional organists as well as advanced pupils and students.The collection comprises mainly individual movements which are suitable for use on many different types of occasion.The ?Pieces en style libre pour orgue ou harmonium? comprising 24 pieces in two volumes are shorter and technically easier. These are ?miniatures? of a rather meditative character equally suitable for Organ teaching or concert use.- Evaluation of all available autograph manuscripts first printed editions and previously unpublished letters.- Editorial clarification superseding the long-standing international correction lists.- Critical Commentary (Fr/Eng/Ger) and foreword (Fr/Eng/Ger) with detailed performance practice tips.- Numerous illustrations and facsimile pages.

Louis Vierne (1870 1937) brought symphonic French organ music to its stylistic climax. Besides being a productive composer he also gained a reputation as a brilliant improviser at his place of employment the Notre Dame Cathedral in Paris and throughout the world.In 1928 Vierne one of the best-known organists of his day made one of the earliest organ recordings playing Bach works and his own improvisations in Notre Dame.This scholarly practical edition is based on the critical examination and evaluation of all the autographs engravers’ copies and first prints available as well as on his writings and previously unpublished letters. It endeavours tobe philologically consistent in solving the editorial problems which have surfaced.The edition includes all Vierne's works those published during his lifetime those previously unpublished and those attributed to him.- New source material incorporated- Extensive trilingual Foreword (Fr/Eng/Ger) with detailed notes on performance practice- Comprehensive Critical Commentary (Fr/Eng/Ger)- Illustrations and facsimiles

Louis Vierne (1870 1937) was a student of César Franck and got nominated in 1900 as titular organist at Notre-Dame (Paris). Numerous concert-tours through Europe and the US made him famous all over the world. To the circle of his students belong Marcel Dup

SATB-Louis Vierne's work has been carefully transcribed and edited making it accessible to a wide range of choral groups. Scored for SATB and organ accompaniment Solemn Mass is rich and satisfying.

Messe Solennelle In C sharp Minor Op.16 for 4-part Mixed-Choir (SATB) with 2 Organs composed by Louis Vierne (1870-1937). This is the chorus part for this work and does not include the two organs parts.Part of the the Alphonse Leduc catalogue this work has been produced to the highest editorial and printing standards.

Par VIERNE LOUIS. Three majestic lyrical works from French organist and composer Louis Vierne. A student of Franck and Widor, Vierne was organist at Notre-Dame, Paris./ Répertoire / Orgue

Par VIERNE LOUIS. Messe Solennelle In C sharp Minor Op. 16 for 4-part Mixed-Choir (SATB) with 2 Organs, composed by Louis Vierne (1870-1937). This is the chorus part for this work and does not include the two organs parts. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards. / Musique religieuse / Répertoire / Choeur sans Accompagnement

Par HORST MICHAEL. Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition. Vierne's 'Symphony” #4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information. The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B” minor. In general terms, Franck's influence was already singled out by reviewers of the first performance. - Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work's genesis and notes on performance practice - Comprehensive Critical Commentary (Fr/Eng/Ger) - New source material - Many illustrations and facsimile pages/ Livre / Livre

Vierne's six symphonies are stylistic highlights of the French organ symphony taking César Franck as their starting point. Vierne's sixth and last Organ Symphony op. 59 was written in summer 1930. In this work his well-known chromatic style verged on the traditional major-minor tonality.Evaluation of all available autograph manuscripts first printed editions and previously unpublished lettersWith a comprehensive critical commentary (Fr/Eng/Ger)Foreword (Fr/Eng/Ger) with detailed performance practice tipsNumerous illustrations and facsimile pages

Quel que soit votre niveau, novice ou confirmé en Orgue mais surtout amateur de Livres, Revues, DVD, Logiciels Et Accessoires et avec un peu de volonté, vous trouverez votre bonheur en piochant dans cette partition 3 préludes et fugues (DUPRE), Pièce Héroïque (FRANCK), 2ème symphonie (VIERNE) [CD Audio] éditée dans les années 2000. Elle fait partie du catalogue des éditions Delatour. / Orgue

Belgian-born Swiss composer Henri Gagnebin (1886-1977) studied Organ with Louis Vierne. Composing pieces and studies for a wide range of instruments  23 Pièces Récréatives Et Progressives for Flute contributes to a substantial catalogue. These 23 Gagnebin studies for Flute demonstrate a variety of features. These include articulation performance directions dynamics phrasing use of a wide tessitura accidentals differing rhythms chromaticism. Each study becomes progressively more technically challenging providing the flautist with the opportunity to improve in all aspects. Forall advanced flautists Gagnebin's 23 Pièces Récréatives Et Progressives is an imperative aid to technical progression.

Original Works and Arrangements For Church Service and Concert-Original Works and Arrangements for Church Service and Concert Organ Score with parts in C B-flat E-flat F The organ plus one series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation including some composed by Martin Luther. Enclosed in each edition are solo parts for C B-flat E-flat and Fwhich can be played by violin flute oboe clarinet trumpet and horn in F. For use in church services the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. The present volume brings this successful series to its conclusion. It contains freely-composed pieces by composers such as Edvard Grieg Eugène Gigout Théodore Dubois Charles-Marie Widor and Louis Vierne as well as chorale settings such as Sigfrid Karg-Elert’s “Wie schön leuchtet der Morgenstern” Johann Gottfried Walther’s “Nun bitten wir den Heiligen Geist” Johann Ludwig Krebs’s “Komm Heiliger Geist Herre Gott” and Karl Hoyer’s “Geist des Glaubens Geist der Stärke”.