Par SCOTT ANDY. Paquito pays homage to the brilliant composer/saxophonist/clarinetist Paquito D'Rivera. It is a fast salsa, based around a two-three clave pulse that comes in at about 3 minutes duration. This arrangement for Flute and Guitar was undertaken by James Girling, in conjunction with the composer. Paquito is perfect as an opening or closing piece for your programme, or as a fiery encore! / Date parution : 2021-11-03/ Répertoire / Flûte Traversière et Guitare

Enrich your drumming with world rhythms and sounds. World music presents many learning opportunities and challenges especially for drums and percussion. Learning grooves from Africa Latin America South America and otherregions will make you a more complete musician and give you more ideas for creating your own sound and solos.Many jazz greats have been inspired by world traditions: Miles Davis John Coltrane Herbie Hancock JohnMcLaughlin and so many others. Follow in their footsteps and discover how to use these elements to inspire your own music.You will learn to:Incorporate world instruments into a standard drum kit.Coordinatestick foot hand techniques to enrich your palette of articulationsPlay dozens of world groovesTake inspiration from world grooves for your own improvisationsPerform advanced concepts such as odd time signatures andmetric modulationBe prepared for many creative musical situations through knowledge of more styles and greater mastery of drumming fundamentalsThe accompanying CD includes groove examples and play-along tracks of MarkWalker's original music featuring guest artists including Paquito D'Rivera!Mark Walker is a multiple-Grammy Award winning artist who is currently a member of Oregon and the Paquito d'Rivera Quintet. He is an associateprofessor of percussion at Berklee College of Music.

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra the title refers to Mario'sdog Piro (“Para Piro” in English is “For Piro”). It was ultimately recorded on a tribute album to Mario by the band Cubarama produced by Paquito D'Rivera on Termidor Records. This new edition iscompletely re-edited and engraved with explicitly written out rhythm section parts. (Recorded by Cubarama)

This composition is in its own way meant to be a tribute dedicated to Paquito D'Rivera showing the author's appreciation for this musician as an exponent of Cuban music of the past and present century, who represents a stronghold and example for all musicians - in particular for saxophonists and clarinetists - not only in his capacity as a performer and composer but also as a cultivator of both sound worlds, the so-called classical music and its popular counterpart in its most ample interpretative spectrum. The piece consists of four movements: Allegro Moderato, Lento, Allegretto and Allegro con Fuoco. Its outstanding feature is the fusion of elements of jazz (such as the improvisation in the first and fourth movements, parts of which are accompanied by the piano with its interpretation being based on concepts characteristic of jazz or the 'tumbaos” to be found in Cuban music) and classical music. The second movement starts off with a short recitativo, followed by a mixture of phrases borrowed from contemporary music, Afro-Cuban styles and jazz, whose distinctive rhythmic cells and articulations clearly define the character of the movement and finally culminate in tempo primo. The third movement shows a certain 'casualness” and tranquility in its melody as well as in its accompaniment, including a cadenza the musician may execute at will - the movement then culminates either in an improvisation ad lib or in the mere execution of the melody as notated. The fourth movement is charged with spiritual energy. Saxophone and piano frequently trade phrases, and there is an abundance of improvised passages and jazz phrases. The movement finally ends in unison forte together with the piano. / Jazz / Recueil / Saxophone Alto ou Baryton et Piano

Pour basse acoustique ou électrique. Comprend les CD d'enregistrements de Cubains historiques soit ou Carlos jouant chaque exercice. Nombreuses transcriptions de pièces bass complètes pour tunes dans différents styles cubains - les racines de la salsa est une sélection de styles qui demostspecific de technique d'exécution, ainsi que des interprétations individuelles et est plus représentative de la musique cubaine des années 1920 à aujourd'hui...Il s'agit d'un livre merveilleux ! Je le recommande à tous les joueurs de bass. (Paquito de Rivera) / cela améliorera votre pship avec la section rythmique latine. (Jimmy Haslip) / Guitare Basse

Pour une utilisation avec tous les Bb, Eb, C et instruments Colombie-Britannique, le JAZZ PLAY Along est l'outil ultime pour tous les musiciens de jazz. Grâce à des feuilles de plomb musicien de l'environnement, faciles à utiliser ainsi que plusieurs choix d'piste sur le CD inclus, cette première série de son genre permet d'apprendre à jouer du jazz plus facile que jamais. POUR UNE ETUDE, chaque morceau contient une piste split avec:, cue Melody avec style propre et de l'inflexion, pistes rythmiques professionnels, Chorus pour le solo, partie basse amovible, partie de piano amovible. Pour les performances, chaque morceau a aussi:, Un autre titre complet d'accompagnement stéréo (pas de mélodie), choeurs supplémentaires pour le solo. Songs: Blues Brésil, Bruxelles sous la pluie, Impressions de la place Tiananmen, la ville magique, Samba pour Carmen, Samba de neige, Song for Maura, Song à mon fils, Brenda (With Love), Who's Smokin '? Comprend deux CD! / Tout Instrument

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Sib

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est, / Rép International / Recueil / Instruments en Do

Composed in 2010 to honor the Ladies in White, a group of women whose white clothing protests their unjustly incarcerated relatives in Habana. / Clarinette, Violoncelle Et Piano