Nem Tudhatom was composed in 2013 by Danish composer Bent Sørensen for Clarinet and String Trio with optional ensemble ad lib. 'Sørensen’s music is not recycled; in no way does it rely on the yellowing pages of history for its musical nourishment. His musical language is undeniably of the present day both aesthetically and technically.'Karl Aage Rasmussen.

12 Stücke für Celloensemble. Par TIEDEMANN GUNTHER. 12 Stücke Für Celloensemble/ Recueil / Ensemble de Violoncelles

Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer' (in case you wondered) is one of many nick-names we had for a much loved family dog - officially named 'Heavy Hetty' from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer 'sat you yer bum' writing at a desk and (in those pre-computer years) writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called 'Sophie' (my first love) who accompanied Pat and I on our honeymoon acrossScotland. Thirty years later we were privileged to enjoy the company of three therapeutic beasts; 'Merlin' (a prize winning Pyrenean Mountain Dog) 'Gael' (an over energetic Scottish Border Collie) and 'Hetty' (a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a 'kennel-maid's Accident'). Hetty (see picture) is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though right through to the age of nearly 10 - speciality: chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her but this is the first instrumental work that she has inspired! The pervading thematic motive of the piece (heard from the outset) cheekily alludes to an (over) famous Saint-Saëns work for double bass (but no insult is intended to Hetty!). The increasingly roving tonality and unusually sudden shifts of key combined with the use of jazz chords combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with simply by just being

Ultimate Collection of Puzzles and Games-Music MasterMINDS challenges children to learn more about the 'fun'damentals of music – rhythm melody tempo harmony form timbre style expression and musical careers as they connect musical learning across thecurriculum to reading language arts spelling math science social studies history art and foreign language. And through play children develop such life-learning skills as observation reasoning decision-making andproblem-solving skills! Designed for Grades 1-6 each section of this creative resource focuses on a musical element and the puzzles are sequenced in order from easiest to most challenging. Use Music MasterMINDS as asupplement to regular music lessons or as activities for the sub or for those days that need a special activity! Share these puzzles with classroom teachers for ongoing cross-curricular integration. Puzzles include: Find theHidden Instrument Spell a Story Fast and Slow Match-Up Find the Music Alphabet Loud and Soft Match-Up State the States Music Symbol Crossword Composers' Word Search World Instrument Quest Meet Mr. Mozart Connect theMusic Careers and many more intriguing challenges! Available: Activity Book. For Gr. 1-6.

MusicWorks ? Grade 5 Commissioned by the 2004 Jefferson County Honor Band Denver CO and drawing musical inspiration from the awe-inspiring surrounding mountain peaks this major work from Richard Saucedo exploresa wealth of colors and emotions possible with today's wind orchestra. At times sensitive and delicate with soloistic passages and alternately incessantly rhythmic and powerful this composition displays complete command of theidiom and a creative sense of harmony and form. The scoring includes an important part for piano as well as expanded parts for mallet percussion. (5:50)

Description Solos For The Oboe Player Selected and edited by Whitney Tustin. Fifteen pieces offer the player a variety of period and styles. Songlist Andante And Allegro (Sonata No.15) [Loeillet, Jean-baptiste] Aria (St. Matthew Passion) [Bach, Johann Sebastian] Concerto No. 8 In B Flat [Handel, George Frideric] Kuruka-kuruka [Yamada, Koscak] Largo [Fausch, Johann Friedrich] Mazurka [Debussy, Claude] Romance No.1 (Three Romances) [Schumann, Robert] Sonata In A Minor [Telemann, George Philipp] Song (Two Pieces) [Gliere, Reinhold] Theme (Symphony In C, 2nd Movement) [Bizet, Georges] Toadinha (A Little Song) [Berger, Jean] Traume [Wagner, Richard] Two Arabian Dances [Laurischkus, Max] Two Songs [Liszt, Franz] Vocalise Op.34 No.14 [Rachmaninov, Sergei]

Par . Le nouveau programme de guitare classique RSL vise à prendre en compte les goûts de plus en plus variés des jeunes en intégrant le travail de compositeurs confirmés et émergents, et en se positionnant à l\'avant-garde d\'un vaste et riche patrimoine musical allant de la période baroque à l\'époque contemporaine. Le répertoire se fonde sur quatre principes clés : des compositeurs issus d\'ethnies diverses, la représentation équitable des genres, la reconnaissance de l\'histoire et de la tradition de la pédagogie de la guitare, et la possibilité pour les élèves de se sentir à l\'aise dans l\'étude de la musique dans un environnement populaire et classique. Les recueils RSL Classical Guitar contiennent tout ce dont un élève a besoin pour se préparer à un examen : dix morceaux de répertoire variés de différents compositeurs, des exercices techniques et des exemples de tests de base, notamment la lecture à vue (ou des tests facultatifs d\'improvisation et d\'interprétation), des tests d\'écoute et des questions générales sur la musicalité. / Date parution : 2022-09-14/ Recueil / Guitare

Par . Pop Performer! offers budding pianists chart-topping and classic pop songs that have been expertly selected and arranged by some of the UK?s leading figures in piano and pop pedagogy. Complete with audio recordings of every arrangement, the Grades 4 and 5 book features diverse songs and acts from across the decades, including Adele, Dua Lipa, Elton John and Alicia Keys. The songs have been selected and arranged to align with ABRSM grade levels, making them ideal choices for Performance Grade exams, or simply to play for pleasure. ?I?m thrilled to see the publication of Pop Performer!. This beautifully curated collection gives pianists the rare opportunity to present expertly graded pop song arrangements in their piano Performance Grade.? Alexis Ffrench ? Artistic Director, ABRSM This publication includes demonstration audio for each track, which you can access online using the unique code inside the book. The audio files can be streamed or downloaded, and also includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-09-20/ Recueil / Piano

37 Electronic Dance Music Hits. 37 hits from the EDM genre are featured in this collection for piano, voice and guitar. Includes: 2U (David Guetta feat. Justin Bieber) - Closer (The Chainsmokers feat. Halsey) - Cold Water (Major Lazer) - Don't Let Me Down (The Chainsmokers feat. Daya) - Friends (Marshmello and Anne-Marie) - It Ain't Me (Kygo and Selena Gomez) - Let Me Love You (DJ Snake feat. Justin Bieber) - The Middle (Zedd, Maren Morris and Grey) - One Kiss (Calvin Harris and Dua Lipa) - Silence (Marshmello feat. Khalid) - Something Just Like This (The Chainsmokers and Coldplay) - Stay (Zedd and Alessia Cara) - This Is What You Came For (Calvin Harris feat. Rihanna) - Titanium (David Guetta feat. Sia) - Wake Me Up!(Avicii) - and more.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.