(Viola and Piano with marked and unmarked string part). Composed by Alexander Glazunov (1865-1936). Edited by Dominik Rahmer, Klaus Schilde, and Tabea Zimmermann. For Viola, Piano Accompaniment. Henle Music Folios. G. Henle #HN1241. Published by G. Henle

(With Marked and Unmarked String Parts). By Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. For Cello, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. 8 pages. G. Henle #HN563. Published by G. Henle

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Jerry Williams. Concert band. Young Concert Band. Elementary Series. Audio recording available separately (item CL.WFR342). Lighter. Grade 1.5. Score and set of parts. Composed 2000. Duration 1 minute, 10 seconds. Published by C.L. Barnhouse

By Andy Clark. Solo. Jazz Ensemble. Level: Grade 3. Score and set of parts. Composed 2000. Published by C.L. Barnhouse.

Cello and Piano

SKU: HL.14010055

Composed by Hakon Borresen. Music Sales America. Classical. Book [Softcover]. Composed 2005. Edition Wilhelm Hansen #WH15267. Published by Edition Wilhelm Hansen (HL.14010055).

ISBN 9788759869888. 8.25x11.75x0.074 inches.

Hakon Børresen's Élé gie Op. 17, No. 1 (from 'Deux Pieces Pour Violoncelle et Piano') for Cello and Piano.

 

 

Bass Clarinet and Piano

SKU: IS.BCP7289EM

Composed by Gabriel Faure. Arranged by Matt Johnston. Woodwinds - Bass Clarinet / Basset Horn. Metropolis Music Publishers #BCP7289EM. Published by Metropolis Music Publishers (IS.BCP7289EM).

ISBN 9790365072897.

The Élégie, Op. 24, of Gabriel Fauré was composed in 1880, intended to be the slow movement of a Cello Sonata he began to compose. The Sonata was never completed, and this work was first published in 1883 as a stand-alone piece. Included are a part for a standard-range instrument (to low E-flat), and for an extended range instrument (to low C), with the latter being identical to the original cello part.

Grade 2.5

SKU: CL.031-2379-01

Composed by A. Clark. Jazz Ensemble. Extra full score. Composed 1991. C.L. Barnhouse #031-2379-01. Published by C.L. Barnhouse (CL.031-2379-01).

Feature your young piano player on this classic Boogie Woogie by Andy Clark. Quite playable and tremendously appealing to audiences, this is a great way to let your pianist get out of the shadows of the band and into the limelight. The Piano solo will sound great on either acoustic or electric keyboards and the piano part is completely written out so that it requires no improvisation.

By Dorsey & Kincaide. Arranged by Andy Clark. Lighter. Concert Band. Big Band for Concert Band. Level: Grade 4. Score and set of parts. Composed 1995. Duration 0:03:32. Published by C.L. Barnhouse.

By Dorsey & Kincaide. Arranged by Andy Clark. Concert Band. Extra full score. Composed 1995. Published by C.L. Barnhouse.

By Franz Liszt (1811-1886). Edited by ́rpÌÁd Pejtsik and . For Cello, Piano Accompaniment (Score and Parts). EMB. 84 pages. Editio Musica Budapest #Z14768. Published by Editio Musica Budapest

Accordion Orchestra - Grade 2

SKU: BT.DHP-1002062-060

Composed by Jacob De Haan. Arranged by Uta Gerhardt. Accordion. Festive and Solemn Music. Set (Score and Parts). Composed 2000. De Haske Publications #DHP 1002062-060. Published by De Haske Publications (BT.DHP-1002062-060).

With Adagietto Jacob de Haan demonstrates his ability to write in all kinds of styles. A sense of pure calm emanates from the flowing main melody. The tasteful orchestration fully supports the harmonic suspense as the piece progresses towards a fantastic climax at the end.

Met het werk Adagietto bewijst Jacob de Haan eens te meer dat hij kan schrijven in allerlei stijlen. De vloeiende hoofdmelodie van Adagietto straalt niets anders dan rust uit. De smaakvolle instrumentatie ondersteuntde harmonische spanning op weg naar een goed in het gehoor liggend hoogtepunt aan het slot.

Mit seinem Werk Adagietto demonstriert Jacob de Haan seine besondere Fähigkeit, in den unterschiedlichsten Musikstilen zu komponieren. Die flie�ende Hauptmelodie des Adagietto strahlt ein Gefühl der absoluten Ruhe aus. Vor allem die geschmackvolle Orchestrierung unterstützt die spannungsgeladenen Harmonien und führt diese bis zum genüsslichen Höhepunkt am Ende des Werkes.

Lâ??Adagietto de Jacob de Haan témoigne de sa parfaite aisance dans la composition de pièces de styles très divers. De la fluidité du thème, écrit dans le style de la musique baroque, naît un incomparable sentiment de quiétude et la finesse de lâ??orchestration vient pleinement soutenir la tension sonore qui émane du cheminement progressif vers un finale intense et brillant.

Grade 1.5

SKU: CL.015-3088-01

Composed by J. Williams. Young Concert Band. Elementary Series. Audio recording available separately (item CL.WFR342). Extra full score. Composed 2000. Duration 1 minute, 10 seconds. C.L. Barnhouse #015-3088-01. Published by C.L. Barnhouse (CL.015-3088-01).

Not only is this appealing and entertaining little boogie tune going to be your beginning students favorite piece, it’s also a great exercise to help them learn to count rhythms. Playable with students who know only their first 6 notes. Tons of fun and it sounds really cool! Can’t be beat!

Grade 2

SKU: CL.031-3184-00

Composed by Neeck. Jazz Ensemble. Barnhouse Easy Jazz Series. Audio recording available separately (items CL.991-2002-01 & CL.991-2002-02). Score and set of parts. Composed 2002. Duration 4 minutes. C.L. Barnhouse #031-3184-00. Published by C.L. Barnhouse (CL.031-3184-00).

Just like the title says, this is one big bad boogie that is a terrific choice for younger bands... Playable with limited instrumentation (3 sax, 3 tpt, 1 trom + rhythm), it includes an open solo section over basic Bb blues changes which makes it the perfect for teaching young players how to improvise (written suggested solos are included). Also contains a guitar performance help sheet. A big solid sound with a lot of audience appeal makes this an exceptional choice for any concert or contest performance! HOT!

Trumpet / Flugel Horn / Cornet / Clarinet - intermediate

SKU: BT.0365-98-400-DHI

9 Boogie-Woogies for Windinstruments. Composed by Kurt Brunthaler and Markus Schenk. Jazz. Book with CD. Composed 1998. 16 pages. De Haske International #0365-98-400 DHI. Published by De Haske International (BT.0365-98-400-DHI).

ISBN 9789043101981. English-German-French-Ita lian.

Nine pieces in 1930’s boogie woogie style with play-along backingCD featuring a live band. Titles include: Best Friend Boogie, BlueNote Boogie, Cool Boogie and Game Boy Boogie!

Boogie Woogie, die Musik der 30er-Jahre, erlebt ihre Auferstehung in diesem Buch. Alle Stücke werden swingend von einer Live-Band auf der CD zuerst vorgespielt und dann begleitet.

Le Boogie-Woogie a fait danser l’Amérique puis l’Europe pendant toute une décennie, au point qu’il est difficile de se représenter les années 30 avec un autre fond musical. Avec Boogie for Winds, le Boogie-Woogie a gardé son cachet original. Sur le compact disc, chaque morceau est tout d’abord joué titre de démonstration. L’instrument soliste peut ensuite interpréter les 9 pièces ‘en direct’ avec l’accompagnement d’un ensemble orchestral.

Grade 3

SKU: CL.013-0790-00

Trombone Novelty. Composed by King. Band. Score and set of parts. Composed 1923. C.L. Barnhouse #013-0790-00. Published by C.L. Barnhouse (CL.013-0790-00).

Brass sextet - Grade 3

SKU: CL.103-0008-00

Arranged by Holmes. Ensemble. Composed 1935. C.L. Barnhouse #103-0008-00. Published by C.L. Barnhouse (CL.103-0008-00).

2 Cornets (Trumpets), Horn in F, Trombone, Baritone B.C. (or Baritone T.C.) and Bass.

Fanfare Band - Grade 2

SKU: BT.DHP-0981382-020

Composed by Jacob De Haan. Performance Series. Festive and Solemn Music. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981382-020. Published by De Haske Publications (BT.DHP-0981382-020).

With Adagietto Jacob de Haan demonstrates his ability to write in all kinds of styles. A sense of pure calm emanates from the flowing main melody. The tasteful orchestration fully supports the harmonic suspense as the piece progresses towards a fantastic climax at the end.

Mit Adagietto demonstriert Jacob de Haan einmal mehr seine besondere Fähigkeit, in den unterschiedlichsten Musikstilen zu komponieren. Die fließende Hauptmelodie strahlt ein Gefühl der absoluten Ruhe aus. Vor allem die geschmackvolle Orchestration unterstützt die spannungsgeladenen Harmonien und führt diese bis zum genüsslichen Höhepunkt am Ende des Werkes.

L’Adagi etto de Jacob de Haan témoigne de sa parfaite aisance dans la composition de pièces de styles très divers. De la fluidité du thème, écrit dans le style de la musique baroque, naît un incomparable sentiment de quiétude et la finesse de l’orchestration vient pleinement soutenir la tension sonore qui émane du cheminement progressif vers un finale intense et brillant.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-0981382-010

Composed by Jacob De Haan. Performance Series. Festive and Solemn Music. Set (Score and Parts). Composed 1998. De Haske Publications #DHP 0981382-010. Published by De Haske Publications (BT.DHP-0981382-010).

With Adagietto Jacob de Haan demonstrates his ability to write in all kinds of styles. A sense of pure calm emanates from the flowing main melody. The tasteful orchestration fully supports the harmonic suspense as the piece progresses towards a fantastic climax at the end.

Mit Adagietto demonstriert Jacob de Haan einmal mehr seine besondere Fähigkeit, in den unterschiedlichsten Musikstilen zu komponieren. Die flie�ende Hauptmelodie strahlt ein Gefühl der absoluten Ruhe aus. Vor allem die geschmackvolle Orchestration unterstützt die spannungsgeladenen Harmonien und führt diese bis zum genüsslichen Höhepunkt am Ende des Werkes.

Lâ??Adagietto de Jacob de Haan témoigne de sa parfaite aisance dans la composition de pièces de styles très divers. De la fluidité du thème, écrit dans le style de la musique baroque, naît un incomparable sentiment de quiétude et la finesse de lâ??orchestration vient pleinement soutenir la tension sonore qui émane du cheminement progressif vers un finale intense et brillant.

Fanfare Band - Grade 2

SKU: BT.DHP-0981382-120

Composed by Jacob De Haan. Performance Series. Festive and Solemn Music. Score Only. Composed 1998. De Haske Publications #DHP 0981382-120. Published by De Haske Publications (BT.DHP-0981382-120).

With Adagietto Jacob de Haan demonstrates his ability to write in all kinds of styles. A sense of pure calm emanates from the flowing main melody. The tasteful orchestration fully supports the harmonic suspense as the piece progresses towards a fantastic climax at the end.

Mit Adagietto demonstriert Jacob de Haan einmal mehr seine besondere Fähigkeit, in den unterschiedlichsten Musikstilen zu komponieren. Die fließende Hauptmelodie strahlt ein Gefühl der absoluten Ruhe aus. Vor allem die geschmackvolle Orchestration unterstützt die spannungsgeladenen Harmonien und führt diese bis zum genüsslichen Höhepunkt am Ende des Werkes.

L’Adagi etto de Jacob de Haan témoigne de sa parfaite aisance dans la composition de pièces de styles très divers. De la fluidité du thème, écrit dans le style de la musique baroque, naît un incomparable sentiment de quiétude et la finesse de l’orchestration vient pleinement soutenir la tension sonore qui émane du cheminement progressif vers un finale intense et brillant.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-0981382-140

Composed by Jacob De Haan. Performance Series. Festive and Solemn Music. Score Only. Composed 1998. De Haske Publications #DHP 0981382-140. Published by De Haske Publications (BT.DHP-0981382-140).

With Adagietto Jacob de Haan demonstrates his ability to write in all kinds of styles. A sense of pure calm emanates from the flowing main melody. The tasteful orchestration fully supports the harmonic suspense as the piece progresses towards a fantastic climax at the end.

Mit Adagietto demonstriert Jacob de Haan einmal mehr seine besondere Fähigkeit, in den unterschiedlichsten Musikstilen zu komponieren. Die fließende Hauptmelodie strahlt ein Gefühl der absoluten Ruhe aus. Vor allem die geschmackvolle Orchestration unterstützt die spannungsgeladenen Harmonien und führt diese bis zum genüsslichen Höhepunkt am Ende des Werkes.

L’Adagi etto de Jacob de Haan témoigne de sa parfaite aisance dans la composition de pièces de styles très divers. De la fluidité du thème, écrit dans le style de la musique baroque, naît un incomparable sentiment de quiétude et la finesse de l’orchestration vient pleinement soutenir la tension sonore qui émane du cheminement progressif vers un finale intense et brillant.

By Gayle Kowalchyk/E. L. Lancaster. Keyboard. Level: Late Elementary (2). Published by Alfred Publishing.

Piano - Level 2

SKU: LM.GD1520

Composed by Jean Hody. Classical. Score. Edition Delrieu #GD1520. Published by Edition Delrieu (LM.GD1520).

ISBN 9790231709315.

Nost algie d'hiver - Le Sapin blanc - L'Ecureuil et la pomme de pin - Les Oiseaux tourbillonnent - La Lune frissonne - La Chaumiere endormie.

By Gayle Kowalchyk/E. L. Lancaster. Keyboard. Level: Elementary (1B). Published by Alfred Publishing.

Grade 2

SKU: CL.011-2238-00

Composed by A. Clark. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR323). Score and set of parts. Composed 1990. Duration 2 minutes, 51 seconds. C.L. Barnhouse #011-2238-00. Published by C.L. Barnhouse (CL.011-2238-00).

Outstanding selection from the pen of Andy Clark. A perfection teaching tool for the entire band and your budding soloist. The solo part lies right in the heart of the Baritone’s range and the band parts are very playable. Outstanding!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.