Composed by Dmitri Shostakovich (1906-1975), edited by K. Fortunatow. Set of performance parts for violin duet and piano accompaniment. With standard notation, piano accompaniment, fingerings and bowings. 23 pages. Published by C.F. Peters.

Composed by Alexander Borodin (1833-1887). 5 or More; Masterworks; Solo Small Ensembles; String Quintet (Piano Quintet). Kalmus Edition. Masterwork; Romantic. Book. 92 pages. Kalmus Classic Edition #00-K09658. Published by Kalmus Classic Edition

Composed by Robert Schumann. 5 or More; Masterworks; Solo Small Ensembles; String Quintet (Piano Quintet). Kalmus Edition. Masterwork; Romantic. Book. 108 pages. Kalmus Classic Edition #00-K09652. Published by Kalmus Classic Edition

Composed by Edvard Grieg and Michael Finnissy. For piano quintet (piano, violin 1, violin 2, viola, cello). Score and parts. 100 pages. Duration 30 minutes. Published by Oxford University Press

Composed by Robert Schumann (1810-1856). Opus 44. For violin I, violin II, viola, cello and piano. Format: set of performance parts (includes separate pull-out string parts). Romantic period. Eb Major. 109 pages. 9x12 inches. Published by C.F. Peters.

By Various. Arranged by Daniel Kelley. Piano quintet, strings and piano. For Violin, Viola, Cello, Piano. Quintet, quartet. Rags and Waltzes. Intermediate/Advanced. Set of 5 parts. Published by Last Resort Music Publishing

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.

For Piano and String Trio. Composed by Danny Elfman. Performance Music Ensemble; Piano Quartet (For Piano and String Trio). Contemporary. Book. Faber Music #12- 0571542360. Published by Faber Music

By Ludwig van Beethoven. For 2 violin, 2 viola, violoncello. Op.4(E|,after Wind Octet,Op.103); Op.29(C); Op.104(c,after Piano Trio,Op.1,No.3); Op.137(D,Fugue). Published by C.F. Peters.

(For Piano and String Quartet). By Peter Schickele. For piano and string quartet. Score and parts. Standard notation