Festivus Americas Ensemble de cuivres - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1165658-030 Composed by Stephen Bulla. C...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1165658-030
Composed by Stephen
Bulla. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165658-030. Published by
De Haske Publications
(BT.DHP-1165658-030).
English-German-French-
Dutch.
Dedicated to
the North American
Brass Band
Association, this is
music that is full of
energy and dynamic
extremes. In form it
draws from the overture
style, although the
themes are self-existing
and the piece is
programmatic. Working
well asa festival opener,
it sets a mood of
excitement. Following the
rhythmic fanfares of the
opening, the first theme
is presented in the
cornets followed by a
return to the same
rhythmic material. A
second theme appears in
the horn section and
isdeveloped, changing
into a darker and
sinister form of the same
motif. Eventually a
Maestoso section
is reached, full of
sustained block chords in
the cornets and
trombones, as the rest of
the band counters with
cascading lines that
weavestraight through the
brighter
instruments.
Dit
levendige werk vol
dynamische uitersten is
opgedragen aan de
North American Brass
Band Association. Qua
vorm is het geënt op de
ouverturestijl, hoewel de
thema’s op zichzelf
staan en het een
programmatische
compositie betreft. Het
is heelgeschikt voor de
opening van een festival,
want het creëert een
enthousiaste,
verwachtingsvolle
stemming. Na de ritmische
fanfares van de opening
wordt het eerste thema
gepresenteerd in de
cornetten, gevolgd door
een terugkeer naar
hetzelfderitmische
materiaal. Er verschijnt
een tweede thema in de
hoornsectie, dat wordt
doorontwikkeld en
overgaat in een duistere
en onheilspellende vorm
van hetzelfde motief.
Uiteindelijk komt er een
maestoso gedeelte tot
stand, vol aangehouden
akkoordenin de kornetten
en trombones, waarbij de
rest van het orkest
dalende lijnen produceert
die door de helder
klinkende instrumenten
heen zijn
geweven.
Dieses
MusikstĂĽck, das voller
Energie und von extremer
Dynamik geprägt ist,
wurde der North
American Brass Band
Association gewidmet.
Der formale Aufbau des
Werkes orientiert sich an
einer OuvertĂĽre, auch
wenn die Themen fĂĽr sich
selbst stehenund das
StĂĽck programmatisch
ist. Es eignet sich gut
als Eröffnungsstück
fĂĽr ein Festival, da es
das Publikum begeistern
wird. Auf den
Fanfarenrhythmus der
Einleitung folgt das
erste Thema, das von den
Kornetten vorgestellt
wird und schlieĂźlich
zumursprĂĽnglichen
rhythmischen Material
zurĂĽckkehrt. Das zweite
Thema wird von den
Hörnern gespielt und
weiterentwickelt, wobei
das gleiche Motiv in eine
dunklere und
unheimlichere Stimmung
wechselt. Danach erklingt
ein Maestoso-Teil mit
Akkordblöckenin den
Kornetten und Posaunen,
während das restliche
Orchester kaskadenartige
Melodielinien spielt, die
sich durch die helleren
Instrumente
schlängeln.
Composed by Josh Hummel. String ensemble. For string quartet (with optional oboe...(+)
Composed by Josh Hummel.
String ensemble. For
string quartet (with
optional oboe). String
ensembles. Christmas.
Intermediate. Score and
parts. SoundForth
#243352. Published by
SoundForth
Arranged by Jerry Brubaker. Conductor's score and set of performance parts for s...(+)
Arranged by Jerry
Brubaker. Conductor's
score and set of
performance parts for
string orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- viola, 5 - cello, 5 -
string bass). Series:
Belwin String Orchestra
Concert Level. Published
by Alfred Publishing.
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Arranged by Bob Phillips. Performance Music Ensemble; Single Titles; String Orch...(+)
Arranged by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Folk; Light
Concert. Part(s); Score.
80 pages. Duration 1:55.
Alfred Music #00-41245.
Published by Alfred Music
(AP.41245).
By Manfred Schmitz. For Strings. Ensemble (mixed). AMA Verlag. All Styles. Level...(+)
By Manfred Schmitz. For
Strings. Ensemble
(mixed). AMA Verlag. All
Styles. Level:
Intermediate. Book. Size
9x12. 20 pages. Published
by AMA Verlag. ISBN
393258743X.
(Score and Parts). Composed by Antonio Capuzzi. For String Quintet (Score and Pa...(+)
(Score and Parts).
Composed by Antonio
Capuzzi. For String
Quintet (Score and
Parts). G Schirmer String
Ensemble. Softcover.
Schott Music #ED21232.
Published by Schott Music
Christmas Quatrain Orchestre Ă Cordes [Conducteur] - Facile Carl Fischer
Angels We Have Heard On High, Coventry Carol, God Rest Ye Merry Gentlemen, O Com...(+)
Angels We Have Heard On
High, Coventry Carol, God
Rest Ye Merry Gentlemen,
O Come All Ye Faithful -
Full Score. Arranged by
Elliot Del Borgo. String
orchestra. Carl Fischer
Performance Series for
String Orchestra -
Concert String Orchestra,
Medium Easy/Medium. Full
Score - Large. 19 pages.
Published by Carl
Fischer.
Composed by Bud Woodruff.
SWS. Full score. With
Standard notation. 16
pages. Duration 2
minutes, 55 seconds. Carl
Fischer Music #CAS98F.
Published by Carl Fischer
Music (CF.CAS98F).
ISBN 9781491146934.
UPC: 680160904433. 9 x 12
inches.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
The Four Quarters Quatuor Ă cordes: 2 violons, alto, violoncelle Faber Music Limited
Composed by Thomas Ades (1971-). Masterworks; Quartet; Solo Small Ensembles; Str...(+)
Composed by Thomas Ades
(1971-). Masterworks;
Quartet; Solo Small
Ensembles; String
Quartet. Faber Edition.
20th Century; Masterwork.
Score. Faber Music
#12-0571540112. Published
by Faber Music
(AP.12-0571540112).
Let Our Gladness Have No End Chorale SATB SATB, Cordes [Octavo] - Intermédiaire/avancé MorningStar Music Publishers
By Mark Sedio. For SATB divisi, Violin, and Harp or Keyboard. Advent/Christmas. ...(+)
By Mark Sedio. For SATB
divisi, Violin, and Harp
or Keyboard.
Advent/Christmas. Level:
Moderately Difficult.
Choral Score. Published
by MorningStar Music
Publishers.
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Expedition Orchestre Ă Cordes - Débutant Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass,...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1
SKU:
CF.FAS133
Composed by
Kathryn Griesinger. Fas.
Set of Score and Parts.
Duration 2 minutes, 44
seconds. Carl Fischer
Music #FAS133. Published
by Carl Fischer Music
(CF.FAS133).
ISBN
9781491164761. UPC:
680160923670. Key: D
major.
Written
within the range of the
D-major scale, this
adventurous piece uses
only quarter, half, and
whole notes. Frequent
unison rhythms will help
young players build
confidence as they
venture into independent
harmonic lines and
expanding dynamic range.
With Violin 2 doubling
Viola and Cello doubling
Bass, the simple scoring
and scale-based passages
will give even a small
ensemble a big, full
sound. Melodic material
is passed to all sections
and players can practice
maintaining a steady
tempo during a brief
pizzicato section. Have
fun exploring!
(Movement 2, Concerto
For Trumpet, Two Oboes
And Continuo).
Composed by Georg Philipp
Telemann. Arranged by
Steve Frackenpohl. Solo
or Ensemble. Apex String
Orchestra. Score and
parts. Kendor Music Inc
#9986. Published by
Kendor Music Inc
(KN.9986).
UPC:
822795099867.
This
arrangement of the second
movement of the Concerto
in D (43:D7) for Trumpet,
Two Oboes and Continuo is
arranged here for grade 3
groups. This exciting and
cheerful Baroque gem
keeps all the sections
engaged and features the
creativeness
inventiveness of Georg
Philipp Telemann.
Encompassing the typical
energetic Baroque style,
several inventive
contrasting sections are
included that clearly
point towards the early
Classical era. Duration
2:55. Available in
SmartMusic.
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS50 Composed by Matt T...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS50
Composed by Matt Turner.
Carl Fischer Young String
Orchestra Series.
Scalin’ Back is a
pop-rock string orchestra
piece. A section that
allows for solos has been
provided at m. 33.
Students are encouraged
to improvise a solo using
the pitches in the
C-major scale. Classical.
Score and Parts. With
Standard notation. 8
pages. Carl Fischer Music
#YAS50. Published by Carl
Fischer Music (CF.YAS50).
ISBN 9780825863561.
UPC: 798408063566. 8.5 X
11 inches. Key: C
major.
Another fine
rock-styled selection by
the gifted Matt Turner
that offers young players
the chance to perform
improvised solos with the
ensemble. The basic
framework of the piece is
a lively and inventive
use of simple rock
progressions and standard
rock rhythms.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Expedition Orchestre Ă Cordes - Débutant Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass,...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1
SKU:
CF.FAS133F
Composed
by Kathryn Griesinger.
Fas. Full score. Duration
2 minutes, 44 seconds.
Carl Fischer Music
#FAS133F. Published by
Carl Fischer Music
(CF.FAS133F).
ISBN
9781491165164. UPC:
680160924073. Key: D
major.
Written
within the range of the D
major scale, this
adventurous piece uses
only quarter, half, and
whole notes. Frequent
unison rhythms will help
young players build
confidence as they
venture into independent
harmonic lines and
expanding dynamic range.
With Violin 2 doubling
Viola and Cello doubling
Bass, the simple scoring
and scale-based passages
will give even a small
ensemble a big, full
sound. Melodic material
is passed to all sections
and players can practice
maintaining a steady
tempo during a brief
pizzicato section. Have
fun exploring!
By Bert Ligon. By Bert Ligon. For String Orchestra. String Orchestra. String Alt...(+)
By Bert Ligon. By Bert
Ligon. For String
Orchestra. String
Orchestra. String
Alternatives. Level: 3.5
(grade 3.5). Conductor
Score and Parts.
Published by Alfred
Publishing.