Flute ou Sax Alto et Piano. Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Carrousel (flûte ou sax alto et piano) de Plays J.B. / Gras Christophe qui a été composé pour Flûte Traversière / Niveau : 1er Cycle, 1ère Année / Répertoire / Flûte Traversière ou Saxophone Alto et Piano

Par BURNETTE SONNY. Cliff Palace Ghost Dance is the first movement from the 'Stone Suite,' arranged for Alto Flute and Piano. The 'Stone Suite' is a four movement work for solo flute and flute choir, commissioned by Dr. Chris Potter, in which the soloist is to perform on a different flute for each movement. This work is inspired by the Cliff Palace in Mesa Verde National Park, located in southwest Colorado. The use of drums and rattles, as well as vocalizations based on Native American texts (in the flute choir version), is meant to capture the spirit of this ghost dance, which was performed in order to bring the buffalo back to life./ Répertoire / Flûte Traversière Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

 ' Habanera ' (pour alto et piano) - DLT2225? Cette pièce transcrite pour flûte et piano, est dédiée à Claire Panattoni, Elle a pour particularité, une écriture sur pédale de ' Do ', jouée par le piano - le balancement rythmique associé aux phrases mélodiques, permet aux deux instruments de créer une atmosphère lascive et sensuelle, avec des émotions parfois douloureuses dans certains passages, La dernière phrase, de tonalité majeure, contraste avec la tonalité mineure de l'ensemble de cette pièce dont l'interprétation reste assez difficile pour l'expression et le sentiment qui pourront ainsi être perçus et ressentis par l'auditeur,  / Flûte Et Piano

Par HAYDN FRANZ JOSEF / CASSIGNOL J. (Arr.). / Niveau : 3ème cycle / Répertoire / Flûte à Bec Alto ou Flûte Traversière et Piano

Arrangeur: Peter Spitzer. The Easy Classics books were written to provide beginning to intermediate instrumentalists with an enjoyable introduction to some of the greatest classic melodies. The flute, clarinet, alto sax and trumpet parts are fully compatible with this tenor sax edition. They may be played in any combination, with or without piano accompaniment. Selections include: Ode to Joy: Sleeping Beauty Waltz: Jesu, Joy of Man's Desiring: Radetzky March: The Trout plus 10 more by Bizet, Brahms, Mozart, Strauss, Rossini and others. Includes a 32-page pull-out part for the saxophonist. / Niveau : 1 / Classique / Recueil / Saxophone Ténor et Piano

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde, born in Belgium, is a composer and piano teacher. Christa's composition style is tonal, harmonious and melodic - wonderfully expressed in this tender Romance for Alto Flute and Piano, reminiscent of the Romances by Schumann. The lyrical solo line floats over the rolling triplet accompaniment in the piano part. / Date parution : 2022-11-29/ Recueil / Flûte Alto et Piano

Depuis 1938, les éditions Chant du Monde se sont attelées à produire des partitions de compositeurs d'origine slave ou de l'Europe de l'Est. C'est ainsi qu'ils ont pris la décision d'éditer la partition Sonate no2 op.94 de Prokofiev Sergei. Cette partition s'adresse aux joueurs de Flûte Traversière / Flûte Traversière Et Piano / Partition