Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple pourtant gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple pourtant faire plaisir à jouer et qui auront vraiment élèves écoute et effectuant musicalement, dès le début. Les pièces de ' Bravo ! Saxophone' prendre l'élève progressivement par le biais de l'école élémentaire. Ils consistent principalement du matériel original, avec quelques arrangements trop - certains bien connues, certaines plus inhabituel. Ces pièces sont destinées à encourager les étudiants à effectuer - plutôt que de simplement jouer - chaque fois que l'occasion se présente. Trop souvent, les premières étapes de l'apprentissage l'instrument peuvent être un processus solitaire. Dans la mesure du possible, ces pièces devraient être joués avec leurs accompagnements de clavier. Audition des parties de clavier donnera lieu à une sensibilisation et l'appréciation des différents styles musicaux et un sentiment d'harmonie, la mélodie non seulement. En outre, jouant avec un accompagnement développe la capacité de l'élève pour maintenir la h... / Saxophone Alto Et Piano / Partition

Par LOPEZ ALAIN. Rien de tel qu'une samba pour aborder la syncope de manière ludique! De plus dans un second temps l'interprète devra, articuler les syncopes pour être crédible. Enfin pour rendre cette samba plus envoûtante, on pourra ajouter les sons d'un reco-reco ou d'un pandeiro (Petites percussions Brésiliennes) - Alain LOPEZ - Formation : Musique de Chambre, Duo - Instrumentation :Duo de Saxophones : 1 Saxophone Alto 1 Saxophone Ténor - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 55 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Saxophone Alto et Saxophone Ténor

Cette nouvelle série importante fête des plus grands trésors dans l'opéra américain, avec arias, les favoris et les gemmes moins connues, de progrès de râteaux de Stravinsky, John Adam, Nixon en Chine, Trouble de Bernstein in Tahiti et autres grands opéras par Dominic Arg / Mezzo-Soprano Et Piano / Edition Avec Cd

Ce play-along nouveau livre contient une collection de 45 mélodies célèbres enfants de toute l'Europe. Le CD contient une variété fantastique de sons et de styles, certaines graves et drôle! / Flûte A Bec Soprano / 28 pages / niveau : Facile / Partition + Cd

Big Band Play-Along Volume 2. Ce nouveau recueil rassemble 10 thèmes célèbres, que vous pourrez jouer accompagné par un vrai Big Band grâce au CD joint ! Au sommaire : Ain\'t No Mountain High Enough - Copacabana (At the Copa) - I Heard it Through the Grapevine - On Broadway - Street Life - et bien plus encore./ Recueil / Saxophone Ténor

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view of England and the English people, King Paramount of the south sea island of Utopia decides that his people should adopt all English customs and fashions, and that the kingdom should become a company limited . Utopia Limited , or The Flowers Of Progress , is a Savoy Opera, with music by Arthur Sullivan and Libretto by W.S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on October 7, 1893 for a run of 245 performances. Available here is the vocal score of the Opera. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone

Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra

Les cinq livres de cette série actuelle de 100 chefs-d'oeuvre allant de début-intermédiaire par niveau avancé que les éditeurs croient pianistes en développement devraient étudier et exécuter. Chaque livre contient 20 morceaux choisis parmi les quatre périodes principales des styles ainsi que des suggestions supplémentaires pour le répertoire du 20e siècle. Livre 2 contient les sélections pour pianistes de niveau intermédiaire. / Piano

Pour Mezzo Soprano Ou Contralto. Par DIVERS AUTEURS / SEMELLAZ. Born in Laval, Françoise Semellaz studied in Le Mans and Paris before embarking on a successful teaching career. Currently a professor at the Lille Conservatoire, she devotes herself to classical singing. As a vocalist herself, this compilation of Decouvrir L'Opera Français is well-informed. Containing airs for Mezzo-Sopranos and Contraltos, the accompaniment is helpfully recorded on the CD included. Airs include those by Boië ldieu, Delibes, Gounod, Massenet, Offenbach, Saint-Saë ns and Thomas. With a detailed preface and wide selection of Airs, Semellaz 's Decouvrir L'OperaFrançais is essential to all aspiring, advanced Mezzo-Sopranos and Contraltos. / Opéra-opérette / Recueil / Mezzo-Soprano ou Contralto et Piano