Par NIALL O\'CALLANAIN. Un tuteur de 48 pages, qui permet de facilement compris instructions pour jouer le bouzouki irlandais. Le bouzouki, ses origines, l\'histoire de l\'instrument et les styles de ses meilleurs praticiens sont analysés dans ce livre. Depuis l\'introduction du bouzouki, à l\'Irlande, elle a développé une personnalité et une identité irlandaise tous ses propres. L\'instrument et sa sonorité unique font maintenant partie intégrante de la musique irlandaise. Avec l\'aide de ce livre, vous pouvez ajouter une nouvelle dimension à la musique traditionnelle irlandaise. Mfg. Walton et UK produit # WM1093. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Methods / Méthode / Bouzouki

The Hal Leonard Irish Bouzouki Method is designed for anyone just learning to play the Irish Bouzouki. This comprehensive and easy-to-use beginner's guide focuses on teaching the basics of the instrument as well as accompaniment techniques for a variety of Irish song forms.The accompanying audio includes demonstrations of all the examples in the book and can be accessed online via streaming or download. Includes: purchasing an instrument; playing position; tuning; picking and strumming patterns; learning the fretboard; accompaniment styles; double jigs slip jigs and reels; drones; counterpoint; arpeggios; playing with a capo; traditional Irish songs;basic music reading; standard notation and tablature.

En Drøm was composed by Sunleif Rasmussen in 2015. Lyrics by Ursula Andkjær Olsen. Scored for Mezzo-Soprano 3 Voices Recorder Bouzouki Accordion and Violoncello. First performance: Sep 26 2015 at Nordic Music Days Copenhagen.

John McGann's Guide To Octave Mandolin And Bouzouki contains twenty tunes in styles from Irish to American, in a variety of tunings, melody and accompaniment, presented in standard notation and tablature, with a stereo audio download (left channel melody, right channel accompaniment). Left and right hand techniques and chord voicings are thoroughly discussed. For the first time, the Celtic style "woven texture" accompaniment, unique to the instrument, is fully notated. The book also contains melodic Irish ornamentation, blues, jazz, American fiddle tunes with variations and improvisations (all fully notated), and a chapter "Breaking Away From Block Chords" extending knowledge of the fingerboard. Audio tracks are included to download online.

John McGann's Guide To Octave Mandolin And Bouzouki contains twenty tunes in styles from Irish to American in a variety of tunings melody and accompaniment presented in standard notation andtablature with a stereo audio download (left channel melody right channel accompaniment).Left and right hand techniques and chord voicings are thoroughly discussed. For the first time the Celtic style 'woventexture' accompaniment unique to the instrument is fully notated. The book also contains melodic Irish ornamentation blues jazz American fiddle tunes with variations and improvisations (all fullynotated) and a chapter 'Breaking Away From Block Chords' extending knowledge of the fingerboard. Audio tracks are included to download online.

In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]

One of the best-known violin compositions by Gra yna Bacewicz. The work presents a number of technical problems: passages of semi-quavers playing in high positions on the G string and arpeggiated double- and triple-stopped chords.

30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano