Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018512

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/12. Published by Carus Verlag (CA.4018512).

ISBN 9790007064310. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018511

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/11. Published by Carus Verlag (CA.4018511).

ISBN 9790007064303. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018519

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1832. MWV A 13. Duration 14 minutes. Carus Verlag #CV 40.185/19. Published by Carus Verlag (CA.4018519).

ISBN 9790007137847. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018514

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/14. Published by Carus Verlag (CA.4018514).

ISBN 9790007064334. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018505

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Choral Score. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/05. Published by Carus Verlag (CA.4018505).

ISBN 9790007064280. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018513

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/13. Published by Carus Verlag (CA.4018513).

ISBN 9790007064327. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 5

SKU: CA.2709426

Individual part, clarinet 2. Composed by Anton Bruckner. Edited by Felix Loy. Individual part. Composed 1893. WAB 28. 20 pages. Duration 60 minutes. Carus Verlag #2709426. Published by Carus Verlag (CA.2709426).

Key: F minor. Latin.

Brucknerâ� �™s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs.

The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024!

Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 5

SKU: CA.2709425

Individual part, clarinet 1. Composed by Anton Bruckner. Edited by Felix Loy. Individual part. Composed 1893. WAB 28. 20 pages. Duration 60 minutes. Carus Verlag #2709425. Published by Carus Verlag (CA.2709425).

Key: F minor. Latin.

Brucknerâ� �™s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs.

The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266

Composed by Mark Lortz. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+6+6+4+8+2+6+ 2+4+10+28 pages. Carl Fischer Music #CPS266. Published by Carl Fischer Music (CF.CPS266).

ISBN 9781491161296. UPC: 680160919888.

Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266F

Composed by Mark Lortz. Cps. Full score. 28 pages. Carl Fischer Music #CPS266F. Published by Carl Fischer Music (CF.CPS266F).

ISBN 9781491161760. UPC: 680160920457.

Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711500

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. This edition: Paperbound. Sacred vocal music, Mass sections. German title: Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Full score. Op. 110. 28 pages. Duration 5 minutes. Carus Verlag #CV 27.115/00. Published by Carus Verlag (CA.2711500).

ISBN 9790007092726. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018500

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Full score. Composed 1832. MWV A 13. 56 pages. Duration 14 minutes. Carus Verlag #CV 40.185/00. Published by Carus Verlag (CA.4018500).

ISBN 9790007064273. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018614

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Single Part, Viola 2. Composed 1830. MWV. 8 pages. Duration 12 minutes. Carus Verlag #CV 40.186/14. Published by Carus Verlag (CA.4018614).

ISBN 9790007064402. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018600.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018607

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut und Wunden. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Study score. Composed 1830. MWV. Duration 12 minutes. Carus Verlag #CV 40.186/07. Published by Carus Verlag (CA.4018607).

ISBN 9790007092573. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018600.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018605

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Choral Score. Composed 1830. MWV. Duration 12 minutes. Carus Verlag #CV 40.186/05. Published by Carus Verlag (CA.4018605).

ISBN 9790007064358. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018600.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018712

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/12. Published by Carus Verlag (CA.4018712).

ISBN 9790007064488. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018711

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/11. Published by Carus Verlag (CA.4018711).

ISBN 9790007064471. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018719

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all an einen Gott. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1831. MWV A 12. Duration 8 minutes. Carus Verlag #CV 40.187/19. Published by Carus Verlag (CA.4018719).

ISBN 9790007137861. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018713

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/13. Published by Carus Verlag (CA.4018713).

ISBN 9790007064495. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018714

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/14. Published by Carus Verlag (CA.4018714).

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711512

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Violin 2. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/12. Published by Carus Verlag (CA.2711512).

ISBN 9790007200695. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711519

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Set of Orchestra Parts. Op. 110. Duration 5 minutes. Carus Verlag #CV 27.115/19. Published by Carus Verlag (CA.2711519).

ISBN 9790007200725. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and parts available separately - see item CA.2711500.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711511

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Violin 1. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/11. Published by Carus Verlag (CA.2711511).

ISBN 9790007200688. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711505

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Choral Score. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/05. Published by Carus Verlag (CA.2711505).

ISBN 9790007128739. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score available separately - see item CA.2711500.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711513

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Viola. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/13. Published by Carus Verlag (CA.2711513).

ISBN 9790007200701. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711514

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/14. Published by Carus Verlag (CA.2711514).

ISBN 9790007200718. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

Orchestra AB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, cello, double bass, organ

SKU: CA.5528355

Composed by George Frideric Handel. Edited by Kerstin Hartinger, Benedikt Poensgen. Arranged by Felix Bartholdy Mendelssohn. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Choral Score. Composed 1829. HWV. Duration 40 minutes. Carus Verlag #CV 55.283/55. Published by Carus Verlag (CA.5528355).

ISBN 9790007162610. Language: German.

At the age of 20 Mendelssohn had already arranged some of Handel's great works for the Berlin Singakademie, including the Dettingen Te Deum, and he suited them to the tastes of his time. Thus, in large part he retained the original music and added wind parts, which were completely new. A special aspect is represented by Zelter's German text which, among other things, also proved how important and popular the Dettingen Ted Deum was during Mendelssohn's time. Score available separately - see item CA.5528300.

Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3; percussion 1, 2; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part included)
ADDITIONAL PARTS: clarinet 2 (doubles viola); bass clar)

SKU: WD.080689156472

Composed by Dave Williamson. Choral. Sacred Anthem. Orchestration (full). Word Music #080689156472. Published by Word Music (WD.080689156472).

UPC: 080689156472.

Marve lous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.

Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3; percussion 1, 2; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part included)
ADDITIONAL PARTS: clarinet 2 (doubles viola); bass clar)

SKU: WD.080689159473

Composed by Dave Williamson. Choral. Sacred Anthem, Eastertide. Orchestration (praise band charts). Word Music #080689159473. Published by Word Music (WD.080689159473).

UPC: 080689159473.

Marve lous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.

Concert Band Concert Band - Grade 2

SKU: FJ.B1825

Composed by Tyler S. Grant. Concert Band. FJH Young Band. Score and Part(s). The FJH Music Company Inc #98-B1825. Published by The FJH Music Company Inc (FJ.B1825).

UPC: 241444423424. English.

This invigorating fanfare seeks to convey the optimism and achievement associated with an anniversary celebration. Excitement and energy radiate into every section in the ensemble. A fantastic concert opener with limited technical demands, leaving your ensemble fresh and ready to tackle the rest of the program!

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5