Par SPARKE PHILIP. Christmas Wonderland rassemble six chants de Noël mondialement célèbres : Joy to the World, Fum, Fum, Fum, Go Tell It on the Mountain, God Rest Ye Merry Gentlemen, We Wish You a Merry Christmas et Jingle Bells. Christmas Wonderland est un excellent choix pour tous les ensembles à géométrie variable. Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 1 Eb ClarinetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 Bb BC Trombone, Baritone, EuphoniumPart 3 C Bassoon, Trombone, EuphoniumPart 3 Eb Alto Clarinet, HornPart 3 F HornPart 4 C' Bassoon, Trombone, Euphonium, Double BassPart 4 C'' BassPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Bass, EuphoniumPart 4 Eb TC Baritone Saxophone, BassPart 4 Eb BC Bass / Niveau : Intermédiaire / Noël / Recueil / Accordéon

Pentatonig. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Welsh Edition This volume closely follows the English Volume 1, substituting Welsh for English wherever words are used in speech or song. It should be used in conjunction with the English version, since only the sung and spoken parts are provided./ Répertoire / Voix, Flûte à Bec et Percussion

Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin virtuosos of the 19th century, and composers of a number of the most treasured masterpieces in the violin repertory. Here, in a comprehensive playing edition, are three of their most celebrated works for solo violin: Paganini's innovative Caprices, Op. 1 and Wieniawski's major collections of studies, l'Ecole Moderne, op. 10 and Etudes-Caprices, op. 18. Paganini's twenty-four Caprices are a virtual textbook of the phenomenal technical breakthroughs that he achieved, showing off his trail-blazing array of fingered octaves, double, triple and quadruple stop chords, and 'ricochet bowings'. Wieniawski's etudes fuse unmistakeableSlavonic colours with his already formidable technique and are, like Paganini's Caprices, among the most demanding works in the solo violin repertory, and essential parts of every professional violinist's training/ Répertoire / Violon

Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover.

Par RICKER RAMON. 'Suspended Animation' is a contemporary straight-eighth feel with sections that can be opened up for any player to solo. The entire composition is built on only two suspended chords, and is written in a manner that makes it easy for young bands to quickly get into the piece. With only two chords to worry about, much of the anxiety of wrong notes is eliminated and the student can immediately concentrate on making music. Professionals will also have fun with the chart when it is opened up for extended solos. The piece was inspired by an improvised solo and chord progression that is found in Volume 1 of the Ramon Ricker Improvisation Series. Beginning improvisers will find the brief Notes on the Improvised Sections helpful. But, a more thorough discussion can be found in Volume 1 of the Ramon Ricker Improvisation Series. Medium Easy Advance Music is proud to present our new Groovin' Easy Series. We've taken 10 tunes from two popular Advance Music publications (Reading Key Jazz Rhythms and The Ramon Ricker Improvisation Series) and asked our writers to give us creative and musically challenging charts that are also playable by young bands. To the normal big band instrumentation of 5 saxes, 3 trumpets, 3 trombones and rhythm section we've added optional parts for flute, clarinet, French horn, guitar and auxiliary percussion. In addition, each chart is written to sound full with a reduced instrumentation of only 3 saxes, 2 trumpets, 1 trombone and rhythm section. The brass ranges are reasonable with the lead trumpet never going above a written C and the rhythm section parts are carefully notated and thought out./ Répertoire / Big Band

Peter Kleine Schaars a sélectionné quatre des plus célèbres titres extraits de la comédie musicale Mamma Mia ! qui triomphe sur les scènes du monde entier. Le résultat est séduisant : un superbe arrangement qui séduira un public de 7 à 77 ans.Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel HornPart 1 Eb Clarinet, CornetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 Bb BC Trombone, EuphoniumPart 3 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 C Bassoon, Trombone, EuphoniumPart 3 Eb Alto Clarinet, HornPart 3 F HornPart 4 Bb BC Trombone, EuphoniumPart 4 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 4 C Bassoon, Trombone, EuphoniumPart 5 Bb BC Trombone, Bass, EuphoniumPart 5 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 5 C' Bassoon, Trombone, Euphonium, Double BassPart 5 C'' BassPart 5 Eb BC BassPart 5 Eb TC Baritone Saxophone, BassMallet Percussion (Optional)Timpani (Optional)Drum Set (Optional) / Quintette Variable / 16 pages / niveau : Elémentaire / Partition

für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today among Clara Schumann’s most popular chamber music works. For violinists and pianists, they’re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross’ scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann’s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists’ parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique./ Répertoire / Violon et Piano

12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7). The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel. This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue

12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7). The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel. This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue

Radiohead Complete is the definitive collection of Radiohead songs, including every song ever released by the British rock band (at time of publication). This artist-approved 400-page book comprises over 160 songs, including B-sides and rarities, all with lyrics and guitar chords. It also features 48 pages of artwork by the band's album artist Stanley Donwood, who also designed the exclusive cover artwork. (Nice Dream) 15 Step 2 2=5 4 Minute Warning A Punch Up At A Wedding A Reminder A Wolf At The Door Airbag All I Need The Amazing Sounds Of Orgy Anyone Can Play Guitar Backdrifts Banana Co. Bangers Mash The Bends Bishop's Robes Black Star Bloom Blow Out Bodysnatchers Bones Bullet Proof' I Wish I Was Burn The Witch The Butcher Climbing Up The Walls Codex Coke Babies Creep Cuttooth The Daily Mail Daydreaming Decks Dark Desert Island Disk Dollars And Cents Down Is The New Up Electioneering Everything In Its Right Place Exit Music (For A Film) Faithless, The Wonder Boy Fake Plastic Trees Faust Arp Feral Fitter Happier Fog Ful Stop Gagging Order Give Up The Ghost Glass Eyes The Gloaming Go Slowly Go To Sleep Harry Patch (In Memory Of) High and Dry House Of Cards How Can You Be Sure How Do You Do' How I Made My Millions How To Disappear Completely I Am A Wicked Child I Can't I Might Be Wrong I Promise I Want None Of This I Will Identikit Idioteque Ill Wind In Limbo India Rubber Inside My Head Jigsaw Falling Into Place Just Karma Police Kid A Killer Cars Kinetic Knives Out Last Flowers Let Down Lewis (Mistreated) Life In A Glasshouse Lift Like Spinning Plates Little By Little Lotus Flower Lozenge Of Love Lucky Lull Lurgee Man Of War Maquiladora Melatonin Million Dollar Question Molasses Morning Bell Morning Bell / Amnesiac Morning Mr Magpie Motion Picture Soundtrack My Iron Lung Myxomatosis The National Anthem No Surprises Nude The Numbers Optimistic Packt Like Sardines In A Crushd Tin Box Palo Alto Paperbag Writer Paranoid Android Pearly Permanent Daylight Planet Telex Polyethylene (Parts 1 and 2) Pop Is Dead Present Tense Prove Yourself Pulk/Pull Revolving Doors Punchdrunk Lovesick Singalong Pyramid Song Reckoner Ripcord Sail To The Moon Scatterbrain Separator Sit Down. Stand Up Skttrbrain Spectre Staircase Stop Whispering Street Spirit (Fade Out) Stupid Car Subterranean Homesick Alien Sulk Supercollider Talk Show Host There There These Are My Twisted Words Thinking About You Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief The Tourist Trans-Atlantic Drawl Trickster True Love Waits Up On The Ladder Vegetable Videotape We Suck Young Blood Weird Fishes/Arpeggi Where I End And You Begin Worrywort Yes I Am You You And Whose Army' You Never Wash Up After Yourself