| Richard Rodney Bennett: Reflections On A 16th Century Tune (Score) Music Sales
Wind Ensemble Wind Quintet SKU: HL.14002568 Composed by Richard Rodney Be...(+)
Wind Ensemble Wind
Quintet SKU:
HL.14002568 Composed
by Richard Rodney
Bennett. Music Sales
America. Post-1900.
Score. 48 pages. Music
Sales #NOV95332601.
Published by Music Sales
(HL.14002568).
10.25x14.25x0.53
inches. Work for
Double Woodwind Quintet,
based on the sixteenth
century French popular
song A l'ombre d'un
buissonet, first printed
in La Couronne et Fleur
(1536). $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Richard Rodney Bennett: Reflections On A 16th Century Tune (Score/Parts) Music Sales
Wind Ensemble Wind Quintet SKU: HL.14003982 Composed by Richard Rodney Be...(+)
Wind Ensemble Wind
Quintet SKU:
HL.14003982 Composed
by Richard Rodney
Bennett. Music Sales
America. Post-1900. Set.
100 pages. Music Sales
#NOV953326. Published by
Music Sales
(HL.14003982).
10.5x14.5x0.399
inches. Work for
Double Woodwind Quintet,
based on the sixteenth
century French popular
song A l'ombre d'un
buissonet, first printed
in La Couronne et Fleur
(1536). $130.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now Is the Time of Christmas Chorale 3 parties SAB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on
a 16th century English
carol, music by Jay
Althouse. Choir Secular.
3-Part Mixed Choir (SAB).
Choral Octavo. Choral
Designs. Christmas;
Winter. 12 pages
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Now Is the Time of Christmas Chorale SATB SATB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on
a 16th century English
carol, music by Jay
Althouse. Choir Secular.
Women's Choir. Choral
Octavo. Choral Designs.
Christmas; Winter. 12
pages
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Now Is the Time of Christmas Chorale SATB SATB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on
a 16th century English
carol, music by Jay
Althouse. Choir Secular.
SATB choir. Choral
Octavo. Choral Designs.
Christmas; Winter. 12
pages
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar Music from the 16th-18th Century Guitare Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU:
BR.DV-32095 Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 64 pages.
Deutscher Verlag fur
Musik #DV 32095.
Published by Deutscher
Verlag fur Musik
(BR.DV-32095). ISBN
9790200426403. 9 x 12
inches. The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitare Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU:
BR.DV-32004 Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 68 pages.
Deutscher Verlag fur
Musik #DV 32004.
Published by Deutscher
Verlag fur Musik
(BR.DV-32004). ISBN
9790200425024. 9 x 12
inches. The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitare Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32060 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU:
BR.DV-32060 Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 72 pages.
Deutscher Verlag fur
Musik #DV 32060.
Published by Deutscher
Verlag fur Musik
(BR.DV-32060). ISBN
9790200425826. 8.5 x 11.5
inches. The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitare Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32023 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU:
BR.DV-32023 Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 76 pages.
Deutscher Verlag fur
Musik #DV 32023.
Published by Deutscher
Verlag fur Musik
(BR.DV-32023). ISBN
9790200425109. 9 x 12
inches. The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Motets from the 16th Century Chorale SATB Wilhelm Hansen
Choral (SATB) SKU: HL.14030971 (Motetter Og Lauder). Music Sales A...(+)
Choral (SATB) SKU:
HL.14030971
(Motetter Og
Lauder). Music Sales
America. A Cappella,
Classical, Latin, Motet.
Book [Softcover]. 20
pages. Edition Wilhelm
Hansen #WH26882.
Published by Edition
Wilhelm Hansen
(HL.14030971). ISBN
9788759854402.
7.0x10.25x0.084
inches. A wonderful
selection of motets from
the 16th century which
are suitable for SATB a
capella. $3.95 - Voir plus => Acheter | | |
| Guitar Music of the 16th Century Guitare [Partition + Accès audio] Mel Bay
Composed by Keith Calmes. Editiones Classicae. Renaissance. Book and online audi...(+)
Composed by Keith Calmes.
Editiones Classicae.
Renaissance. Book and
online audio. 294 pages.
Published by Mel Bay
Publications, Inc
(MB.95375M).
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lute Dances, 16th Century, Guitar Guitare Universal Edition
Lute Dances, 16th Century, Guitar by Cesare Negri (1536-1604). Standard notation...(+)
Lute Dances, 16th
Century, Guitar by Cesare
Negri (1536-1604).
Standard notation.
Published by Universal
Edition
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Coventry Carol Chorale SATB SATB, Clavier [Octavo] MorningStar Music Publishers
(Lully, Lullay). Composed by Hal H. Hopson. For SATB choir, solo voice or small ...(+)
(Lully, Lullay). Composed
by Hal H. Hopson. For
SATB choir, solo voice or
small ensemble, keyboard
(organ or piano).
Christmas, 21st Century.
Moderately Easy. Octavo.
Text Language: English.
Published by MorningStar
Music Publishers
$1.70 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU:
BT.EMBZ14732
Compiled and edited by
Soós András.
Classical. Book Only.
Composed 2012. 80 pages.
Editio Musica Budapest
#EMBZ14732. Published by
Editio Musica Budapest
(BT.EMBZ14732).
Hungarian-English-Germ
an-French. This
collection, similarly to
the publication entitled
111 bicinia from the 15th
century (EMB 14478),
contains longer and
shorter two-part excerpts
from polyphonic
ecclesiastical choral
works, for pedagogical
and liturgical use. As
teaching material, on the
one hand it introduces
and notes in brief
textual definitions the
characteristics of each
given excerpt: on the
other hand, it provides
easily usable examples
for teaching music
history, solfege and
counterpoint (practice of
intervals, score-reading,
dictation, stylistic
exercises, etc.) At the
same time the movements,
which also function as
independent units, can be
quickly learnt, and may
on occasions add colour
to themusical palette of
the liturgy by
introducing material that
can be performed even by
a children's choir. The
volume consists mainly of
excerpts taken from Mass
movements and Magnificats
by Palestrina, Lassus,
Gombert, Clemens non Papa
and others. A separate
chapter is devoted to
chorale-based bicinia in
German, which were
already popular in the
initial period of
Evangelical church music.
Ähnlich der
Ausgabe 111 Bicinia aus
dem 15. Jahrhundert (EMB
14478) präsentiert
diese Sammlung für
theoretisch- und
praktisch-pädagogische
, bzw. liturgische Zwecke
mehr oder weniger lange
zweistimmige Ausschnitte
aus geistlichen
Chorwerken Sie stellt als
Lehrstoff einerseits die
musikalische
Charakteristika des
jeweiligen Ausschnittes
vor und registriert diese
in kurzen textlichen
Definitionen,
andererseits liefert sie
Beispiele für den
Unterricht der
Musikgeschichte, der
Solfege- und der
Kontrapunkt- Lehre
(Intervallübungen, des
Lesens vom Blatt, für
das Diktieren, für
Stilübung usw.), die
sich leicht erarbeiten
lassen. Gleichzeitig
können die auch als
eigenständige
Einheitfunktionierenden
Sätze schnell erlernt
werden. Sie bereichern
die musikalische Palette
der Liturgie (Messe und
Offizium) mit dem
fallweise auch vom
Kinderchor
aufführbaren
Stoff. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 21st Century Guitar Theory 3 Guitare notes et tablatures [Partition] - Intermédiaire Alfred Publishing
By Sandy Feldstein and Aaron Stang. For Guitar. Guitar Method or Supplement. War...(+)
By Sandy Feldstein and
Aaron Stang. For Guitar.
Guitar Method or
Supplement. Warner Bros.
Publications 21st Century
Guitar Course. Level:
Level 3. Book. 32 pages.
Published by Alfred
Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| When Christ Was Born of Mary Free - SATB Chorale SATB SATB A Cappella Jackman Music Corporation
SATB chorus a cappella - Medium-difficult SKU: JK.01335 Composed by 16th ...(+)
SATB chorus a cappella -
Medium-difficult SKU:
JK.01335 Composed by
16th century English
carol. Arranged by Rob
Millett. Choral A
cappella, Choral SATB,
Difficulty Medium Hard,
Seasonal Music Christmas,
Christmas, Jesus Christ -
Birth. Christian,
Inspirational. Duration
3:00. Jackman Music
Corporation #01335.
Published by Jackman
Music Corporation
(JK.01335). Luke
2. A joyous
arrangement of the 16th
century English carol,
written for a cappella
mixed chorus
(SATB). Composer: 16th
century English carol
Arranger: Rob Millett
Difficulty:
Medium-difficult
Performance time:
3:00 Reference: Luke
2.
$1.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Libro de glosas Breitkopf & Härtel
Quintet (ob.clar.B-clar.A-sax.bsn .) SKU: BR.KM-2515 Set of parts....(+)
Quintet
(ob.clar.B-clar.A-sax.bsn
.) SKU: BR.KM-2515
Set of parts.
Composed by Jose Maria
Sanchez-Verdu. Chamber
music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
's-Hertogenbosch,
December 16, 2007
Music post-1945; New
music (post-2000). Set of
parts. Composed 2007. 40
pages. Duration 10'.
Breitkopf and Haertel #KM
2515. Published by
Breitkopf and Haertel
(BR.KM-2515). ISBN
9790004503355. 11 x 14
inches. Libro de
glosas is based on the
Trattado de glosas by
Diego Ortiz (1510 - ca.
1570). The
intertextuality between
different materials and
musical techniques and
processes of the 16th
century was one of my
main interests when I
wrote this piece for the
wonderful sound and
quality of the Calefax
ensemble.The intertextual
relationships are as
follows:Recercada I is
based on the first chords
of the chanson Doulce
memoire by Pierre
Sandrin. It is also used
in Trattado de
glosas.Recercada II is
based on the incipit of
the madrigal O felici
occhi miei by Jacques
Arcadelt. It is also used
in Trattado de
glosas.Recercada III is
based on the ostinato
Passamezzo antico. It is
also used in Trattado de
glosas.Recercada IV is
freely based on the tenor
La Spagna. It is also
used in Trattado de
glosas.Batalla (V) is a
free composition in form
of a battaglia and is
based on some ostinati of
Spanish origin as well as
on an anonymous theme
from the 16th century.
There are also some bars
of a batalla by Joseph
Ximenez (18th
century).Libro de glosas
esta basada en el
Trattado de glosas de
Diego Ortiz (1510 - ca.
1570). La
intertextualidad entre
diferentes materiales y
tecnicas y procesos de la
musica del siglo XVI era
uno de mis principales
intereses cuando escribi
esta pieza para el
maravilloso sonido y
calidad del Calefax
ensemble.Las relaciones
intertextuales son las
siguientes:Recercada I
esta basada libremente
sobre los primeros
acordes de la chanson
Doulce memoire de Pierre
Sandrin. Esta es
utilizada como ejemplo en
el Trattado de
glosas.Recercada II esta
basada libremente sobre
el incipit del madrigal O
felici occhi miei de
Jacques Arcadelt. Esta
pieza es utilizada
tambien como ejemplo en
el Trattado de
glosas.Recercada III esta
basada libremente sobre
el ostinato Passamezzo
antico. Tambien es
presentada en el Trattado
de glosas.Recercada IV
esta construida
libremente sobre el tenor
La Spagna. Tambien es
utilizado por Ortiz en el
Trattado de
glosas.Batalla (V) es una
libre composicion en
forma de battaglia sobre
ostinati de origen
espanol y sobre un tema
anonimo (siglo XVI).
Tambien aparecen
brevemente varios
compases de una batalla
de Joseph Ximenez (siglo
XVIII).(Jose M.
Sanchez-Verdu). $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir) SKU:
HL.277282 SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282). UPC:
840126915006. 6.75x10.5
inches. Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo. $7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ricercari Clavier Zimbel Press
Keyboard SKU: SU.80101342 For Keyboard. Composed by Carson Cooman....(+)
Keyboard SKU:
SU.80101342 For
Keyboard. Composed by
Carson Cooman. Keyboard,
Piano/Harpsichord,
Keyboard, Organ. Score.
Zimbel Press #80101342.
Published by Zimbel Press
(SU.80101342).
Keyboard
Duration: 8' Composed:
2013 Published by: Zimbel
Press Ricercari are three
pieces inspired by the
keyboard music of the
early and mid 16th
century. During this
time, the genre of the
ricercare developed as a
sort of instrumental
motet and a kind of
proto-fugue. Each work
here is a contrapuntal
ricercare in a modal
cast, each in a different
number of voices.
However, all three blend
elements of the 16th
century style with more
contemporary sounds.
These pieces may be
played on any keyboard
instrument (organ, piano,
harmonium/reed organ,
harpsichord, clavichord,
or electronic
keyboard). $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wedderburn's Carol and Kit Smart's Carol Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano reduction - Intermediate SKU: GI.G-7764 Composed by Ger...(+)
SATB choir, piano
reduction - Intermediate
SKU: GI.G-7764
Composed by Gerald
Custer. Christmastide,
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day. Evoking Sound. Music
Education. Octavo. 8
pages. GIA Publications
#7764. Published by GIA
Publications (GI.G-7764).
UPC: 785147776406.
English. Text Source:
“Kit Smart’s
Carol†by
Christopher Smart,
1722–1771,
“Wedderburn’
s Carol†by Martin
Luther, tr. John or
Robert Wedderburn, 16th
c. Text by Christopher
Smart. If you have
a college choir, or an
above-average high school
or church choir, and if
you've grown a bit weary
of the same or similar
Christmas repertoire year
after year, look at these
settings of two classic
carols: a 16th-century
translation of part of
Luther's Vom Himmel hoch
and an 18th-century work
by an under-appreciated
poet. Â . $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Preparatory Flute Repertoire Flûte traversière The Frederick Harris Music Company
Flute - Preparatory SKU: FH.FLR00 2010 Edition. Composed by The Ro...(+)
Flute - Preparatory
SKU: FH.FLR00
2010 Edition.
Composed by The Royal
Conservatory. Overtones:
A Comprehensive Flute
Series. Book/Piano
Accompaniment/CD. The
Frederick Harris Music
Company #FLR00. Published
by The Frederick Harris
Music Company (FH.FLR00).
ISBN
978-1-55440-288-5.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Polly
Wolly Doodle Traditional
American, arr. Akiko and
Forrest Kinney The
Birch Tree Traditional
Russian, arr. Akiko and
Forrest Kinney Royal
Ceremony Alan
Bullard The Cuckoo
Traditional Chinese
Flute Tea Paul
Harris Petite souris
(Little Mouse) Thierry
Masson Valse des trois
petits ours (Waltz of the
Three Little Bears)
Thierry
Masson Edinburgh
Castle Richard
Peat Tete-a-tete
(Head-to-head) Marine
Perez Menuet (Rondeau)
Francois Philidor, arr.
Kathleen Wood a la
claire fontaine (At the
Clear Fountain)
Traditional French
Canadian, arr. Akiko and
Forrest Kinney Huron
Carol 16th-century
French, arr. Akiko and
Forrest Kinney Syrian
Love Song Traditional
Syrian, arr. Judith
Pearce and Christopher
Gunning Graceful Waltz
Alan Bullard Seesaw
Christopher
Norton Labyrinth Susan
Piltch What Is a Day?
Philip Rosseter, arr.
Akiko and Forrest
Kinney Kojo no Tsuki
(The Moon Over the Ruined
Castle) Rentaro Taki,
arr. Mark
Mrozinski Polly Wolly
Doodle Traditional
American, arr. Akiko and
Forrest Kinney The
Birch Tree Traditional
Russian, arr. Akiko and
Forrest Kinney Royal
Ceremony Alan
Bullard The Cuckoo
Traditional Chinese
Flute Tea Paul
Harris Petite souris
(Little Mouse) Thierry
Masson Valse des trois
petits ours (Waltz of the
Three Little Bears)
Thierry
Masson Edinburgh
Castle Richard
Peat Tete-a-tete
(Head-to-head) Marine
Perez Menuet (Rondeau)
Francois Philidor, arr.
Kathleen Wood a la
claire fontaine (At the
Clear Fountain)
Traditional French
Canadian, arr. Akiko and
Forrest Kinney Huron
Carol 16th-century
French, arr. Akiko and
Forrest Kinney Syrian
Love Song Traditional
Syrian, arr. Judith
Pearce and Christopher
Gunning Graceful Waltz
Alan Bullard Seesaw
Christopher
Norton Labyrinth Susan
Piltch What Is a Day?
Philip Rosseter, arr.
Akiko and Forrest
Kinney Kojo no Tsuki
(The Moon Over the Ruined
Castle) Rentaro Taki,
arr. Mark Mrozinski.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Preparatory Saxophone Repertoire Saxophone The Frederick Harris Music Company
Saxophone - Preparatory SKU: FH.WS0 Saxophone Series, 2013 Edition...(+)
Saxophone - Preparatory
SKU: FH.WS0
Saxophone Series, 2013
Edition. Composed by
The Royal Conservatory.
Saxophone Series, 2013
Edition. Book/CD. 40/24
pages. The Frederick
Harris Music Company
#WS0. Published by The
Frederick Harris Music
Company (FH.WS0). ISBN
978-1-55440-549-7.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Rhythmi
c Repertoire: The
Birch Tree - Traditional
Russian, arr. Akiko and
Forrest Kinney The
Carman's Whistle -
William Byrd, arr.
Christine Donkin Alto
Affirmation - Eugene
Rousseau Menuet
(Rondeau) - Francois
Philidor, arr. Kathleen
Wood What Is a Day? -
Philip Rosseter, arr.
Akiko and Forrest
Kinney Polly Wolly
Doodle - Traditional
American, arr. Akiko and
Forrest Kinney The
Cuckoo -
Traditional Dance Time
- Paul Harris Lyrical
Repertoire: Evening
Song - Edwin Franko
Goldman Syrian Love
Song (Al Ya Zane) -
Traditional Syrian, arr.
Judith Pearce and
Christopher
Gunning Huron Carol -
16th-century French, arr.
Akiko and Forrest
Kinney At the Clear
Fountain (a la claire
fontaine) - Traditional
French Canadian, arr.
Akiko and Forrest
Kinney Trembling Aspen
- Christiaan
Venter The Moon over
the Ruined Castle (Kojo
no Tsuki) - Rentaro Taki,
arr. Mark
Mrozinski Lullaby
(Wiegenlied), op. 49, no.
4 - Johannes Brahms, arr.
Forrest
Kinney Beautiful Brown
Eyes - Alton Delmore and
Arthur Smith, arr. Andrew
Balent
Bb
Saxophone:
Rhythmi
c Repertoire: The
Birch Tree - Traditional
Russian, arr. Akiko and
Forrest Kinney The
Carman's Whistle -
William Byrd, arr.
Christine
Donkin Menuet
(Rondeau) - Francois
Philidor, arr. Kathleen
Wood Allemande - Franz
Joseph Haydn, arr. Jason
Noble Lyrical
Repertoire: Syrian
Love Song (Al Ya Zane) -
Traditional Syrian, arr.
Judith Pearce and
Christopher
Gunning Huron Carol -
16th-century French, arr.
Akiko and Forrest
Kinney Beautiful Brown
Eyes - Alton Delmore and
Arthur Smith, arr. Andrew
Balent Amazing Grace -
Traditional American,
arr. Forrest
Kinney The Moon over
the Ruined Castle (Kojo
no Tsuki) - Rentaro Taki,
arr. Mark
Mrozinski Calm Breezes
- Richard Johnston To
a Wild Rose - Edward
MacDowell, arr. Jason
Gray. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Recorder Consort 1 Ensemble De Flûte à bec Boosey and Hawkes
47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenber...(+)
47 Pieces for Recorder
Consort. By Various
Composers. Arranged by
Steve Rosenberg.
(Recorder). Boosey and
Hawkes Chamber Music.
Size 8.5x11 inches. 50
pages. Published by
Boosey & Hawkes.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do It! Play in Band - Book 2 CD for all instruments GIA Publications
All instruments SKU: GI.G-M522 Composed by James Froseth. Band Method. Do...(+)
All instruments SKU:
GI.G-M522 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book and CD.
GIA Publications #M522.
Published by GIA
Publications (GI.G-M522).
Now available
on SmartMusic! The CD for
Book 2 from the Do It!
Play in Band series by
James O. Froseth
includes: •
Modeling by all the
artists listed below.
• Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. • Music of
other times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. •
The repertoire and
recorded contexts are
motivating, informative,
and entirely musical.
• Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. • A
unique Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. • An
individualized format
allows students to
progress at different
rates with a theme and
variation format. •
Ear training and
improvisation are
integral parts of the
lesson format. •
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! •
Performers include:
Michael Henoch, Oboe
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra). This
CD is for all the
instruments for Book
2. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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