Concert band

SKU: GI.G-M523

Full Score with MP3s. Composed by James Froseth. This edition: Teacher's Resource edition for Book 2. Band Method. Do It! Music Education. Book. GIA Publications #M523. Published by GIA Publications (GI.G-M523).

ISBN 9781579992378. English.

This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.

By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD. Text language: English. Published by GIA Publications . Sheet music CD. Music Education - Band Method.

By Graham Wade. For Guitar (Classical). Music history. Concise Series. Classic. Book. Size 5.5x8. 224 pages. Published by Mel Bay Publications, Inc.

Alto clarinet

SKU: GI.G-M498

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M498. Published by GIA Publications (GI.G-M498).

ISBN 9781579992255. English.

Now available on SmartMusic! The Alto Clarinet book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Albert Blaser (Cleveland State Unviersity) and Deborah Chodacki (Louisiana State University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Tuba

SKU: GI.G-M518

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M518. Published by GIA Publications (GI.G-M518).

ISBN 9781579992354. English.

Now available on SmartMusic! The Tuba book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Fritz Kaenzig (University of Michigan). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Bassoon

SKU: GI.G-M502

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M502. Published by GIA Publications (GI.G-M502).

ISBN 9781579992279. English.

Now available on SmartMusic! The Bassoon book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Richard Beene (Colburn School Conservatory of Music). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 pages. Published by GIA Publications.

(Now includes a multimedia CD). By James Froseth; Marguerite Wilder. Instrumental. Instructional Sacred. Easy. Text language: English. 48 pages

Baritone horn B.C.

SKU: GI.G-M516

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M516. Published by GIA Publications (GI.G-M516).

ISBN 9781579992347. English.

Now available on SmartMusic! The Baritone/Euphonium book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Brian Bowman (Duquesne University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Baritone horn T.C.

SKU: GI.G-M514

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M514. Published by GIA Publications (GI.G-M514).

ISBN 9781579992330. English.

Now available on SmartMusic! The Baritone/Euphonium book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Brian Bowman (Duquesne University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 pages

Recorder

SKU: GI.G-M585

Composed by James Froseth. Band Method. Do It! Music Education. CD only. GIA Publications #M585. Published by GIA Publications (GI.G-M585).

English.

This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up” and “listen up.”* An individualized format allows students to progress at different rates with a “themeand-variation ” format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play” exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.

By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 pages. Published by GIA Publications.

By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: Tri hora iz tragedii A. K. Tolstogo "Tsar' Feodor Ivanovich". Published by Musica Russica. (CMR 001)

Books and Journals; Harp

SKU: UT.LB-4

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 4. Published by Ut Orpheus (UT.LB-4).

ISBN 9788881094479. 6.5 x 9.5 inches.

â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.
Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.
The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.
Howev er, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.
Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.
In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !
In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven Provin­ces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..

SSAA Version - Piano Part

SKU: HL.345468

Piano Part. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (HL.345468).

UPC: 840126919462.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available.

Chamber Music Horn 1, Horn 2, Horn 3, Horn 4, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Tuba

SKU: PR.14440718S

For Brass Ensemble. Composed by David Felder. Full score. With Standard notation. 32 pages. Duration 7 minutes. Theodore Presser Company #144-40718S. Published by Theodore Presser Company (PR.14440718S).

UPC: 680160666966. 9 x 12 inches.

Having studied the music of the 16th century, Felder was taken with the canzonas of Gabrieli, in particular. His response, taking cues from the original canzona style, especially in the choral writing in the brass lines, is fused with his unique 21st century compositional techniques. For advanced performers.

For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book. 48 pages. Published by Alfred Publishing.

Jewish-American Wedding Music from the Repertoire of Dave Tarras. By Various Composers. Arranged by Joel Rubin. (Clarinet). Schott. Size 9x12 inches. 47 pages. Published by Schott.

SSAA and Opt. Piano

SKU: BT.WH33171

SSAA Version - Score. Composed by Phillip Faber. Contemporary Music. Vocal Score. Composed 2020. 16 pages. Edition Wilhelm Hansen #WH33171. Published by Edition Wilhelm Hansen (BT.WH33171).

ISBN 9788759841624.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33171A). Version for mixed voices also available.

SATB Choir and Piano

SKU: BT.WH33172A

SATB Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33172A. Published by Edition Wilhelm Hansen (BT.WH33172A).

ISBN 9788759894491.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33172. Version for upper voices also available.

SSAA and Opt. Piano

SKU: BT.WH33171A

SSAA Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (BT.WH33171A).

ISBN 9788759894484.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available.

SKU: CA.3550100

Composed by Giovanni Pierluigi da Palestrina and Johann Pachelbel. Edited by Barbara Wiermann. Arranged by Johann Sebastian Bach. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Messen und Einzelsatze. Sacred vocal music, Masses, Latin, Mass sections, Missa brevis in Latin. Full score. 112 pages. Carus Verlag #CV 35.501/00. Published by Carus Verlag (CA.3550100).

ISBN 9790007049188.

Duri ng his lifetime Johann Sebastian Bach compiled an extensive music library, which today can only be reconstructed in a fragmentary manner. It reflects Bach's continued curiosity to learn about compositions of various styles and eras, a curiosity which was already present in his younger years and into his advanced age. The two complete masses and six individual movements from the Mass by Palestrina testify to Bach's interest in compositions from the 16th century. During his Weimar years Bach initially used these works to study the stile antico, with its characteristic voice leading and modal harmonies. In the last years of his life, Bach planned performances of at least two of the masses. In this connection he added instrumental parts and a basso continuo to these works. The Palestrina masses arranged by Bach comprise an important document for the performance practice in the 18th century of works in the strict style.

(On a Theme from The Old Maid and the Thief). Composed by Gian Carlo Menotti (1911-). Edited by Albert Mendoza. For Piano. Book; Masterworks; Piano Solo. Alfred Masterwork Edition. Form: Toccata. 20th Century; Masterwork. Advanced. 16 pages. Published by Alfred Music

SKU: HL.49014462

Composed by John Horton. Edited by John Horton. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Student book. 78 pages. Schott Music #ED 11132-01. Published by Schott Music (HL.49014462).

ISBN 9790220129698. English.

SATB choir, chamber ensemble

SKU: MN.PMVS-103

Composed by Jonathan Willcocks. Multi-Movement/Large Choral Work. 21st Century. Octavo. Duration 12 minutes. MorningStar Music Publishers #PMVS-103. Published by MorningStar Music Publishers (MN.PMVS-103).

Commissioned by the Maidenhead Chamber Choir, first performed on 20th January 2001. The text is adapted from the 16th century Epithalamion by Edmund Spenser, a colourful celebration of the power of music. Performance time is approximately 12 minutes.

Instrumen tal Parts include: Two Oboes, Bassoon, Two Trumpets, Timpani, Percussion, Strings.

By Various Composers. Fentone Play Along Books. Book and CD Package. Size 9x12 inches. 36 pages. Published by Fentone Music.

SATB choir, optional keyboard - Intermediate

SKU: MN.50-3020

Composed by James Mccray. Lent, 21st Century. Octavo. MorningStar Music Publishers #50-3020. Published by MorningStar Music Publishers (MN.50-3020).

UPC: 688670530203. Scripture: Psalms 55.

Psalms 55:1-2 paraphrased by Jaroslav Vajda. Short practical motet by late 16th century Italian composer Giovanni Croce. Lent or General use. Latin and English.