Jazz de guitare et de référence. Interviews en profondeur les caractéristiques avec 22 des joueurs plus notables de guitare industry¿s. Conversations avec franchise de Jim Carlton rendent astucieux aperçu vénérés guitaristes de jazz, l'histoire et le développement de la guitare jazz et la scène du studio qui a prospéré au cours de son ère dorée à nos jours. C'est un livre débordant d'anecdotes dans les coulisses, peu connu vignettes et les histoires derrière les nombreux enregistrements de succès. Un livre souvent hilarant qui transmet le sens de l'humour et l'iconoclasme qui est tellement répandue parmi les grands artistes. / Flûte A Bec Soprano / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11,75 X 8,75

Conversations * - for 2 clarinets composer: Bennett, Richard Rodney Éditeur: Universal Edition ISBN: 978-3-7024-2379-7 ISMN: 979-0-008-03981-2 Ref: UE17140 Difficulté: 2-4

Soprano, Alto 1 et 2, Tenor 1 et 2, Baryton. Par BRUNIAUX TH.. / Niveau : 3ème Cycle / Répertoire / Ensemble de Saxophones

Oper in 3 Akten aus dem mährischen Bauernleben. Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenufa at the Brno National Theatre in 1904, it has become one of the composer's most frequently performed works. Janácek was the first to succeed in transforming everyday speech directly into music. His method of using speech-melodic motives is clearly distinctive. It is known that the composer preserved everyday conversations in the form of little musical sketches: 'Jotting down genuine speech melody is, as it were, music's life class,' he said./ Répertoire / Opéra

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

David Lelait-Helo (Auteur) / " La chanson est une conversation ", se réjouissait Barbara, disparue en novembre 1997 à l'âge de soixante-sept ans, et c'est bien une conversation que renoue David Lelait-Helo en mêlant à son récit biographique les mots de celle qui se voulait une " murmureuse " - paroles de chansons, interviews, confidences... De Barbara il traduit les colères et le mal de vivre ; avec elle il feuillette le livre jauni de ses amours, il égrène les souvenirs d'une enfant juive que la guerre a jetée sur les routes, d'une fillette dont le père a sali l'insouciance, d'une femme qui a renoncé au couple pour chanter comme on prend le voile. " Refaire le chemin de sa vie, confie-t-il, c'est s'enfoncer dans des forêts profondes et tendre sa joue à des bruissements d'ailes. C'est aussi découvrir les fantaisies d'une espiègle dont les proches jurent qu'elle était la femme la plus drôle du monde, prête à tout pour une blague. "

I .Stride Piano Styles Cantankerous Chromatics Blues for Fats Basie's Beat Blood Brother II. Boogie Woogie Piano Basie's Boogie Prickly Pete Wobbly Waltz III. Gospel Piano Sanctified I'm In His Hands Holy Roller IV. Bebop Piano Styles A 624 Red's Blues T Time The Thing Yardbird Conversation V. Solo Ballad Styles For Art's Sake Song for Bill Evans Ballad VI. Harmonic Styles of 1960's and 1970's Centrifuge Waltz for Clare Memories Liberation VII. Latin and Ostinato Styles of the 1970's Autumn Song Winter Song Spring Song Summer Song VIII .Free Jazz Bent Vortex Mobile Anticipation Conclusion Appendix I Solo Piano Recordings of Interest Published Solo Piano Jazz Music Appendix II Publihsed Solo Piano Jazz Music

Par NORRIS TOMMY. This book contains 30 traditional to modern Celtic tunes arranged in either simple melodic lines with suggested accompaniment chords, or stand-alone melody/chord solos. From rollicking reels and jigs to tender ballads, these Celtic Gems will appeal to the intermediate to advanced mandolinist and their audiences. With a little imagination, the up-tempo melodic tunes could be effectively rendered with drums and electric bass a la Pentangle or Fairport Convention; conversely, three or four of the solo arrangements would provide a tasteful set within a mandolin recital. Take your pick! Presented in standard notation and tablature in mandolin and guitar-friendly keys, these settings provide a masterclass in 4-course instrumental arranging. The author?s online recording of each piece is included with this stellar collection. Includes access to online audio. / Date parution : 2021-12-09/ Tablatures / Mandoline

L'édition de livres et 2CD de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Baryton ou Basse 3

Vingt-deux des plus grandes chansons de 2002/3 en facile à jouer mélodie arrangements de ligne pour clavier électronique. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Facile-à suivre clavier diagrammes sont regroupés au début de la chanson et afficher tous les voicings gauche corde utilisés. / Clavier / 48 pages / Partition

Par DAVIES. Douze duos nouveau brillants spécialement écrites pour jeunes violonistes de jouir, plus trois trios avec une partie pour l'enseignant ou élève plus expérimenté. Les morceaux sont écrits dans un éventail de styles passionnants et concentré sur différents aspects de la technique du violon. Convient pour les catégories 1 à 3. S'incliner et doigté ont été délibérément réduits au minimum, afin de permettre des enseignants à ajouter dans leurs propres marques et encourager les joueurs moins expérimentés tenter de barrières. / Rép Classique / Recueil / 2 Violons

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Baryton ou Basse 3