100 Songs in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. 230 pages. Published by Hal Leonard.

Performed by Yanni. For piano. Format: piano solo book. New age. 96 pages. 9x12 inches. Published by Hal Leonard.

For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Movies. 288 pages. 9x12 inches. Published by Hal Leonard.

By Craig Courtney. For SAB choir and piano. Sacred: Christmas, Easter, General, Lent. Octavo. Published by Lorenz Publishing Company

By Craig Courtney. For SSA choir and piano. Sacred: Christmas, Easter, General, Lent. Octavo. Published by Lorenz Publishing Company

By Craig Courtney. For SATB choir (divisi) and piano. Dedication, General, Memorial, Sacred. Sacred Anthem. Published by Exaltation Publications. (10/3621L)

Composed by Craig Courtney. For 2-part mixed choir and piano. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4783L. Published by Lorenz Publishing Company

SSAA, a cappella

SKU: SU.80300293

For SSAA, a cappella. Composed by Eleanor Daley. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300293. Published by Treble Clef Music Press (SU.80300293).

O, when I was in love with you, begins the cheeky A.E. Housman poem about love that’s left behind—on purpose. Open fifth drones on la la la recall the sturdy peasant sound of a hurdy-gurdy, while the larky melody in 6/8 time is a modern tribute to medieval dance tunes. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

Arranged by Deborah Greenblatt. This edition: spiral-bound. Score book. Published by Greenblatt and Seay (GS.BSG4ASSU-S).

SATB Chorus, & Piano

SKU: SU.96010062

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010062. Published by Subito Music Corporation (SU.96010062).

Instrumentation : SATB Chorus, & Piano
Duration: 4'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.

By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published by Hal Leonard

By Amy Appleby. For Piano. Classical, Folk. Sheet Music. 194 pages. Published by Wise Publications.

Classroom

SKU: BT.9780713663440

Gospel & Spiritual. Book with CD. 96 pages. Collins Music Publishing #9780713663440. Published by Collins Music Publishing (BT.9780713663440).

ISBN 9780713663440. English.

This book contains 59 tried and tested songs about topics including the world, the seasons, being a friend and caring for animals. There are tuneful hymns and thought-provoking subjects, just what's needed to fill the musicslot in assembly or at Sunday school. Includes CD of backing tracks.

By John Denver. Guitar Chord Songbook. Softcover. 126 pages. Published by Cherry Lane Music

By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. For Tuba and Keyboard. Brass - Tuba Solo; Masterworks; Solo. Eighth Note Publications. Baroque. Part(s). Duration 00:01:45. Published by Eighth Note Publications

For voice, piano and guitar chords. Format: piano/vocal/chords songbook (spiral-bound). With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Broadway, vocal standards, standards and traditional pop. 479 pages. 9x12 inches. Published by Hal Leonard.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Concert Band. Concert Band; Masterworks; Score. Belwin Beginning Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 1. 12 pages. Published by Alfred Music Publishing