Harp-Winter Bells is an orginal composition by Sylvia Woods. The sheet music is an exact transcription of the way Sylvia performed it on her recording 3 Harps For Christmas Volume 2. It is for intermediate to advanced players and is in the key of E minor (1 sharp). There is one accidental that can be left out if necessary. 4 pages with fingerings. Playable on lever harps and pedal harps.

Arranged for Harp-This sheet music includes two complete arrangements of the popular contemporary Christian Christmas song Mary Did You Know? Both 3-page versions are essentially the same except that the advanced beginner version has only1 lever (or pedal) change while the intermediate one has more extensive changes. Both are in the key of G with D# accidental(s). Feel free to “mix and match” the versions to meet your own abilities. The two versionscan also be played together as a duet. Fingerings chord symbols and lyrics are included in the music. Add this lovely meditative song to your Christmas repertoire. Playable on lever harps and pedal harps.

This edition of Asturias Sur Des Thèmes Espagnols Op. 84 by Henri Busser is an arranged version for Eb Alto Saxophone and Piano. Edited by Marcel Mule this piece can be played by advanced players in regard to its difficulty the Alto Saxophone score has 4 flats and some accidental alterations. It is divided into six distinctive parts including a Saxophone solo in Cadenza. Henri Büsser (1873-1972) was a French classical composer organist and conductor and Marcel Mule (1901-2001) was one of the greatest French saxophonists renowned worldwide for his work on the classicalSaxophone repertoire.

Written by Marcel Grandjany on a theme of Haydn Fantasie is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings arpeggios natural harmonies accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerouspieces for Harp of all levels: '3 Very Easy Little Pieces Op. 7' 'Divertissement Op. 29' 'Variation on the Londonderry Air Op. 20' and 'Two Duets for 2 harps Op. 26' among many others.

Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle

Contains scales chords and routines which are written for the technical advancement of the intermediate-level clarinetist. The material is presented with varied articulations meters rhythms and dynamics in order to enhance theexperience of the clarinetist. The emphasis for most of the book is placed on materials in keys through four accidentals using the major and minor scheme. More advanced keys and scale patterns are presented later in the bookalong with routines which may be used as daily warmup material. Each of the scales chords and routines have suggested dynamic markings and breaths in order to make each item a musical experience. The stylistic content of themusic in this book reflects the musical styles prevalent in the eighteenth and nineteenth centuries. Mastery of this materials will provide the clarinetist with good technical facility to play music written before the twentiethcentury and will give a good technical background for playing contemporary music.

Par UBER. American composer, trombonist, conductor and teacher, David Uber (b. 1921) is a virtuoso performer on the Trombone, as well as a popular music professor. His Concert Etudes remain significant for Tuba and Bass Trombone players. Uber 's Concert Etudes were compiled in 1984 and address advanced musical techniques, including unusual time signatures, complex rhythms, accidentals, variations in performance directions, breath control, unusual intervals, complex key signatures, ornamentation and articulation, amongst other aspects. For all advanced Tuba and Bass Trombone players, Uber 's ConcertEtudes ensure progressive technical studies./ Répertoire / Trombone Basse

Belgian-born Swiss composer Henri Gagnebin (1886-1977) studied Organ with Louis Vierne. Composing pieces and studies for a wide range of instruments  23 Pièces Récréatives Et Progressives for Flute contributes to a substantial catalogue. These 23 Gagnebin studies for Flute demonstrate a variety of features. These include articulation performance directions dynamics phrasing use of a wide tessitura accidentals differing rhythms chromaticism. Each study becomes progressively more technically challenging providing the flautist with the opportunity to improve in all aspects. Forall advanced flautists Gagnebin's 23 Pièces Récréatives Et Progressives is an imperative aid to technical progression.

French clarinetist and composer Hyacinthe Klosé (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in this book Studies and Exercises. With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies and Exercises for Clarinet covers articulation breath control rhythm intervals accidentals ornamentation range scales and arpeggios among other aspects. Containing input from a prominent and well-established clarinetist thisKlosé study and exercise book cannot be missed by aspiring advanced Clarinet players.

Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, the Ballet, Le Train Bleu, being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Le Train Bleu. Composed in 1924, Le Train Bleu is a Ballet based on a scenario by Jean Cocteau, and composed for the Ballets Russes. The title is taken from a night train called The Blue Train, which transported wealth passengers from Calais to the Mediterranean Sea. In hisreduction for Piano, Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Le Train Bleu is essential to all advanced pianists seeking modern and exciting repertoire./ Répertoire / Piano

Composed by Giacomo Miluccio (1928-1999)  Rhapsodie is a piece for Solo Clarinet lasting three minutes. Really melodious yet quite slow it requires an advanced level (8° 9°) and some strong technique and skills. This melodious piece starting Passionale with a part Scherzando followed by a Tranquillo one is using the high range of the instruments. It finishes A Tempo with a morendo sound. The work features numerous accidentals some opportunity of improvisation and some long phrases for which the player will need to master their breathing skills. It is a really nice work toplay in recitals and can also be used for contests.

French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded the Ballet  Le Train Bleu being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Le Train Bleu. Composed in 1924  Le Train Bleu is a Ballet based on a scenario by Jean Cocteau and composed for the Ballets Russes. The title is taken from a night train called The Blue Train which transported wealth passengers from Calais to the Mediterranean Sea. In hisreduction for Piano Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Le Train Bleu is essential to all advanced pianists seeking modern and exciting repertoire.

Following on from his hugely successful JustinGuitar.com Beginner’s Course and his songbooks for Guitar celebrated guitar tutor Justin Sandercoe and his friend and sessionguitar master Dario Cortese have created a detailed and comprehensive guide to reading music notation for guitarists. This book has been specially created for any guitarist who wants to learn note reading be theybeginners or more advanced players who have neglected this part of their musicianship. It starts with the very basics of written music and progressively introduces notes on each string one at a time until all notes in the 'openposition' (first five frets) of the Guitar have been mastered and up to 8th note rhythm subdivisions have been learned and applied. Also covered are sharps flats key signatures accidentals repeats and more. Each step includespractical exercises handy tips and tricks and a simple repertoire for students to put their reading skills into practice. Volume 2 will introduce the student to notes further up the neck position shifts and more complexrhythm subdivisions. Expected mid 2017.