By Various. Arranged by Jeanne Cotter. For Voices: none. Piano. Piano; Coll Sacred. Level: easy/medium/difficult. 61 pages. Published by GIA Publications.

Viola (Viola)

SKU: HL.48182513

Composed by H.R. Benoî and t. Leduc. Classical. Softcover. Alphonse Leduc #AL23824. Published by Alphonse Leduc (HL.48182513).

Viola Method after Maurice Hauchard - Vol.2 is the second book of a method by Henri and Renee Benoit for beginners. This volume, quite progressive, follows on the first one and is aimed to upper beginners. Written in C key, this volume starts with some applications of what was learnt in the first book: some exercises on the use of the bow. It also includes some aspects such as chromaticisms, the technique of the staccato and the arpeggios among others. It also contains famous tunes arranged for the level of the book to start playing music. Written after the Complete Violin method by Maurice Hauchard, this method is really complete with explanations and advice to guide the players and is one of the best book to start acquiring the techniques necessary for Viola players Henri and Renee Benoit are both Viola professors, either at the Paris Conservatory or at the Normale School of music of Paris..

By Johannes Brahms. Edited by Seemann, Stephenson(Urt.). For piano. Variations,Piano Pieces,Studies:Variations (d)(from Op.18); Sarabandes and Gigues; Waltz,Op.39(easy); Hungarian Dances,Nos.1-10; Gavotte after Gluck; 5 Studies after Chopin,Weber and J.S.Bach; 51 Exercises. Published by C.F. Peters.

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Score. Composed 1726. BWV 35. 68 pages. Duration 31 minutes. Carus Verlag #CV 31.035/00. Published by Carus Verlag (CA.3103500).

(after the Suites for Violoncello solo BWV 1007, 1009). Composed by Johann Sebastian Bach (1685-1750). Arranged by Joachim Linckelmann. For flute. Stapled. Solissimo. After the Suites for Violoncello solo BWV 17, 19. Level 2. Performance score. Text Language: German/English/French. 15 pages. Published by Baerenreiter Verlag

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.114419980

Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980).

UPC: 680160681723. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.11441998S

Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S).

UPC: 680160681730. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Organ

SKU: SU.80101407

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101407. Published by Zimbel Press (SU.80101407).

Three Autumn Sketches after a Watercolor by Maria Willscher (2017) are dedicated to Hans-Peter Bahr. The music is inspired by a watercolor painting by Maria (Neumann) Willscher (1922-1998) entitled Herbststimmung. The three movements explore moods and colors of autumn as reflected in the painting. In the first movement, Herbststimmung (Autumn Mood), a musical line falls under gentle undulation. A central section is a wistful chorale. The second movement, Herbstfarben (Autumn Colors), reflects on the subtle variety and gradations of autumn colors with constantly shifting armonic colors. The final movement, Sonnenuntergang (Sunset), is inspired by the serenely beautiful colors of an autumn sunset, imagining the sun's departing rays illuminating the autumn landscape. Instrumentation: Organ Duration: 16' Composed: 2017 Published by: Zimbel Press.

(From Enchanted). By Carrie Underwood. Arranged by Ed Lojeski. (SAB). Disney Choral. 12 pages. Published by Hal Leonard.

Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by E.C. Schirmer Publishing

Niedermeyer,Berlioz,Gouno d,Viardot,Franck, Masse,Lalo,Saint-Saens, Delibes, Bizet,Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson,Debussy, Satie, de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For low voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

Harp

SKU: HL.48182311

Composed by Marcel Grandjany. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL23442. Published by Alphonse Leduc (HL.48182311).

UPC: 888680787066. 9.25x12.25x0.055 inches.

Written by Marcel Grandjany on a tune of Haydn, Fantasy is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others..

Low voice and piano

SKU: HL.49019816

After poems by Jakob Haringer. Composed by Arnold Schoenberg. Edited by Jacques-Louis Monod. This edition: Saddle stitching. Sheet music. Vocal. Softcover. Composed 1933. Op. 48. 52 pages. Duration 6'. Schott Music #ED 21738. Published by Schott Music (HL.49019816).

ISBN 9790001195294. UPC: 841886020849. 9.0x12.0x0.224 inches. German - English.

((Includes Still Crazy After All These Years; 50 Ways to Leave Your Lover)). By Paul Simon. Arranged by Jay Dawson. For Marching Band (Score and Parts). Arrangers' Publ Marching Band. Grade 2.5. Arrangers' Publishing Company #M783. Published by Arrangers' Publishing Company

Glockenspiel

SKU: M7.VOGG-460

Composed by Martina Holtz. This edition: Ring/Spiral binding. Sheet music with CD. 80 pages. Voggenreiter #VOGG 460. Published by Voggenreiter (M7.VOGG-460).

ISBN 9783802404603. English.

The glockenspiel simply is one of the best instruments for the first contact with the fascinating world of music. With this book your child will play his/her first songs after a very short time.Everything you need to know about the basics of music is explained especially for little ones. Therefore, Voggy's Glockenspiel Book is the perfect start to begin a musical education. All the songs are recorded on the CD to listen and play along to.

For Flute and Piano/CD. Composed by Pam Wedgwood. Woodwind, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F057152270X. Published by Faber Music

Transverse flute, clarinet, piano solo

SKU: FV.FUE-10432

Composed by Diane Cemeryte. Contemporary. Score and parts. Furore Verlag #FUE 10432. Published by Furore Verlag (FV.FUE-10432).

ISBN 9790501827329.

â₠¬ËœMy Soul Waits…,‘ After Listening to Bach was a commission of the Muzikos ruduo festival in Lithuania, written during the first COVID-19 pandemic wave of 2020.

In the Stone, Got to Get You into My Life, After the Love Has Gone, September. Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053786-020. Published by De Haske Publications

Chamber Music Bass Clarinet, Bass Flute, Clarinet, Flute, Piano, Violin, Violoncello

SKU: CF.MXE24F

For Chamber Ensemble. Composed by Jason Eckardt. Spiral. Contemporary. Full score. With Standard notation. 84 pages. Duration 14 minutes, 30 seconds. Carl Fischer Music #MXE24F. Published by Carl Fischer Music (CF.MXE24F).

ISBN 9780825882951. UPC: 798408082956. 17 x 11 inches.

Serra's sculptures overwhelm the observer with their massive dimensions and sharply defined form. At the same time, they appear as if they might, with the slightest disturbance, collapse. As Serra's work disrupts the observer's sense of physical balance, After Serra similarly intends to undermine the listener's sense of temporal stability. My composition attempts to thwart expectations of formal and gestural continuity, juxtaposing a volatile and restless surface with steadily unfolding underlying processes. (Jason Eckardt).

For Flute. Composed by Marcel Mose. Leduc. Classical. Softcover. 37 pages. Alphonse Leduc #AL17461. Published by Alphonse Leduc

(Medium Voice and Piano). By John Harbison (1938-). Medium Voice. Vocal Collection. Softcover. 98 pages

Performed by Earth, Wind and Fire. Arranged by Paul Murtha. Performance/Easy Limited Edition. Size 6.75x10.5 inches. Published by Hal Leonard.

(for Violoncello, Strings and Basso continuo after BWV 593). Composed by Johann Sebastian Bach (1685-1750). Arranged by Joachim F. W. Schneider. For solo cello, string orchestra and basso continuo. Stapled. Nach BWV 593. Score. 20 pages. Published by Baerenreiter Verlag

By Frederick Silver. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Christmas; Novelty; Secular; Winter. 12 pages. Published by Alfred Music Publishing

Choral (Studiotrax CD)

SKU: HL.298330

Arranged by Kirby Shaw. Shawnee Press. Standards. CD. Published by Shawnee Press (HL.298330).

ISBN 9781540058331. UPC: 888680951993. 5.0x5.0x0.185 inches.

This gorgeous song has been recorded by some of the greatest singers of our time from 1918 to present. Kirby Shaw's arrangement gives us a slow swing, almost New Orleans-style feel and is a great show piece for any concert.

By Frederick Silver. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Novelty; Secular; Winter. 12 pages. Published by Alfred Music Publishing

Dur. 4:00. Composed by Robert Nathaniel Dett. Arranged by Dana Perna, Mark Rogers. Southern Music. Festival, Concert. Softcover. Southern Music Company #S975CB. Published by Southern Music Company