Fender Special Edition G-DEC Guitar Play-Along Pack-This book/SD Card series lets you play your favourites songs just like the artists who recorded them by plugging into your Fender G-DEC 3 and playing along with the sound-alike recordings. Each book features 8 songs with an SD card that includes tone presets along with high-quality backing tracks. Just follow the tab in the songbook listen to the tracks to hear how the Guitar should sound and then play-along using the separate backing tracks. The melody and lyrics are also included in the book so you can sing along too. The play-along recordings can be accessed by simply inserting the card into the G-DEC 3 amp's card slot. In addition custom G-DEC 3 tonepresets are included so guitarists can easily enjoy playing the right Guitar tones and effects for each song. Students and teachers who use G-DEC 3 amplifiers will find their lesson experience greatly enhanced by these convenient tools.SD card details:Compatible with Fender G-DEC 3 Thirty and G-DEC 3 Fifteen amplifiers or card reader on computerFull-fidelity demo and play-along audio tracks (.wav format)G-DEC 3 tone presets are included so guitarists can create the right tones and effects for each song in the bookSD card has additional storage capability allowing guitarists to save additional presets backing tracks phrase samples or lessons.This volume features 8 Nirvana classics including: All Apologies • Come As You Are • Dumb • Heart Shaped Box • In Bloom • Lithium • Rape Me • Smells like Teen Spirit.

The Logic Of Fretboard-The ability to improvise and create variations within a song is the essence of the guitar work of the great traditional acoustic blues guitarists such as Blind Blake Robert Johnson Big Bill Broonzy Rev. Gary Davis and Blind Lemon Jefferson. By exploring the ways that chords melodies and rhythms work Woody Mann presents practical and simple ways to create variations in your playing. Woody teaches a new approach to seeing the fretboard and techniques for 'breaking down' chord blocks into smaller 'pieces' and connecting them throughout the fretboard. As he teaches the repertoire of the masters of acoustic blues he demonstrates how melodies andharmonies can be derived from simple moveable chord shapes. The Logic Of Fretboard is a method for relating the entire fretboard to the basic first position chord shapes that we all learn as beginners and using them to create new chords melodies and variations in your music. Studying the songs and concepts that Woody presents in this program will help students to break out of ruts and begin playing up-the-neck without relying on bar chords or scale patterns. Woody's approach to varying melody and bass lines against each other will also help students to develop a more syncopated and stronger picking technique. This simple and effective method allows students to increase their chord vocabulary by relying on logic instead of memorization.Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively performed throughout the world and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music having taught countless guitarists through his popular books and videos.

ShowTrax CD-All the wonder and joy of the holiday season are clearly present in this fresh new work for schools community and church choirs everywhere! Scored in a ?Holiday Pops? style for orchestra choir and optional soloist this 30-minute work is divided into nine sections each titled for a letter in the word C-H-R-I-S-T-M-A-S. Combine your SATB and/or SSA choirs with orchestra a smaller chamber group or with the spectacular CD accompaniment for a wonderful salute to the season. Sections and songs include: C - It Must Be Christmas; H - Hark! Hear the Children Sing (Sing We Now of Christmas What Child Is This Masters In This Hall); R - Rejoice! Rejoice! (O Come Emmanuel Rise Up Shepherd and Follow); I - I Hear the Bells (I Heard the Bells on Christmas Day Carol of the Bells); S - Snow!; T - 'Twas the Night; M - Merry Merry Christmas (Deck the Hall Bring a Torch Ding Dong Merrily on High Fum Fum Fum Hallelujah Chorus Jingle Bells); A - Angels We Have Heard On High Sheep May Safely Graze); S - Savior (Joy to the World Gesu Bambino).

Featuring Songs of Greg & Steve-It's true! It's really true! Everybody does have music inside ... especially when it's the music of the nationally accalimed duo Greg & Steve! This all-school revue features 6 favorite Greg & Steve songs especially arranged topresent elementary performers at their best. And what's more John Jacobson has developed dialog staging and choreography that's easy to learn and fun to perform. The Teacher's Manual includes the accompanied songs the fullscript staging and choreography notes while the Singer's Edition includes the script and vocal lines only. The professionally-recorded ShowTrax CD features a performance of the show with young singers and a separateinstrumental track version for extra sparkle in your performance. So share the gift of music with your school and community today ... and fill the world with the sounds of children singing! Available: Teacher's Manual Singer'sEdition 5-Pak Performance/Accompaniment CD. Performance Time: 20 minutes. For gr. 1-6.

In Viking Times is a fun all-year-round musical presentation with six songs and narration. This work is especially suited to large groups since it requires up to 30 children for short sections of narration introducing each song(in addition to the singers). The teachers book contains illustrations to stimulate ideas for costumes. Duration: 25 mins. Script available in student book.You will require a license to perform this work at yourschool/youth theatre; please click here for more information and our application form.Professionally recorded demonstration and backing tracks areavailable to purchase and download here .

Jerry Garcia the lead guitarist singer and alleged leader of the Grateful Dead became an icon of the 60s youth movement. It was well-known that Jerry was a huge fan and probably considered himself a player of old-timeAmerican music from mountain fiddle and banjo music to English ballads to jug band music to bluegrass and blues and more. On the 'Shady Grove' recordings one can hear the deep commitment respect and love Jerry had for thistraditional American music. He's very faithful to the original artists' music. That may be surprising if you expect more of an ego-driven 'my version' approach from one the biggest rock stars ever. What you have here is a vibrantcollection of wonderful traditional American songs from a great variety of genres played in a style closely based on their traditional sources. Of course within those parameters we hear wonderful and personal readings of thetunes from both Jerry and mandolinist David Grisman. Dix Bruce has carefully transcribed many of Jerry's solos from the album trying to determine not just what he was playing but how he was playing it. Melodies tablature lyrics and chords are included in arrangements designed to be playable on the guitar while presenting the melodies as closely as possible. Jerry's banjo solos are transcribed here for guitar.

Par BERLIN IRVING. Irving Berlin a écrit des centaines de chansons qui ont résisté à l'épreuve du temps et sont tout aussi aimés et appréciés aujourd'hui comme ils étaient quand ils ont été d'abord effectués. Cette exceptionnelle collection comporte plus de 165 chansons de Berlin - de Broadway à hits de Hollywood - et devenue sans doute une référence propre incontournable pour tout musicien ou un fan de Berlin./ Recueil / Divers

Enfin Une Méthode Pour Apprendre À Jouer Du Metal Tout De Suite !. Par MICHIELON A.. Je débute le métal est la seule méthode de guitare metal qui propose d'apprendre aux débutants les bases du metal avec de vrais morceaux complets de groupes mythiques comme Slayer, Metallica, Sepultura, Pantera ou Lamb of God. Toutes les spécificités du genre y sont abordées dans une pédagogie agréable, qui privilégie le jeu et la musique : power chords, rythme, allers et retours, palm mute, en tablatures. L'auteur délivre ses nombreux conseils sur les effets, le choix du matos, comment trouver le bon son etc. Avec morceaux playbacks inclus sur le CD. Bref, l'indispensable de tous les métalleux !/ Méthode / Guitare

Per Nørgård's Symphony No.1 ' Sinfonia Austera ' Op.13 (1953-55) revised 1956 edition in full score. Programme Note: Although my first symphony plays for 30 minutes 2/3 of my third symphony the time for composing the work was the same: 3 years from 1953 to 1955 (Symphony No. 3: 1973-1975). One of the reasons probably was the challenge of a “symphonic work” for a 21 year old composer. And all the afterthoughts following every – more spontaneous sudden – bright idea in the long progress of forming thework. Important for the slow working process I remember that every section of the symphony came to me at strange moments in a ´complete vision´ like a sounding vision in time. The problem was in detail to analyze and notate my what I had actually had heard. For instance: with the polyphonic woodwind section in the first movement (with the “Tapiola”-birdcry a greeting to Jean Sibelius) I only knew in the beginning that it should be music in the high register and only for woodwinds. But of what they should play…I had no idea at all.  The severe character of the symphony (sinfonia austere) is with no doubt very juvenile. But as many things in both life and music has elements of youthfulness I think that my serious young symphony should live and stay the way it was composed in 1953-1955.  Per Nørgård   

Move up to the next step of Jazz Conception with this terrific book by Lennie Niehaus! The exercises and pieces inside are of intermediate standard and build on the concepts and techniques found in the two previous Basic Level books. All 45 studies tackle a different Jazz feel with melodies that reflect the styles of swing cool bop and more.While focussing on technique this splendid method is one which clearly stresses the fundamental rhythms articulations and phrasings commonly used by Jazz groups. These are the keys that unlock proper Jazz conception and are the elements which usually requires the most time. This method can save you months or even years!The first section of this book consists of twenty Jazz exercises each stressing different rhythmic patterns which reinforce important elements. The second section consists of twenty-five tunes which utilise the material initiated within the exercises making this an invaluable source for the young saxophone player.

Uses:GeneralScripture: Jeremiah 17:5-10Get your toes ready to tap on this cheerful gospel standard. Arranger Stan Pethel perfectly captures the spirit of this call to prayer and the results are anoutstanding choice for anytime. The track is really amazing on this selection ideally capturing an authentic Appalachian bluegrass sound. Available separately: SATB LiteTrax CD. Duration: ca. 3:27.

The Trumpet Omnibook features transcriptions of solos as played by some of the world's leading jazz artists, including Dizzy Gillespie, Nat Adderley, Clifford Brown, Freddie Hubbard, Arturo Sandoval and others. Hi-Fly (Nat Adderley)Work Song (Nat Adderley)Rise (Herb Alpert)La Vie En Rose (Take Me To Your Heart) (Louis Armstrong)West End Blues (Louis Armstrong)Willow Weep for Me (Louis Armstrong)Comin' On (Chet Baker)There Will Never Be Another You (Chet Baker)Riverboat Shuffle (Bix Beiderbecke)Royal Garden Blues (Bix Beiderbecke)Falling in Love with Love (Randy Brecker)Cherokee (Indian Love Song) (Clifford Brown)Parisian Thoroughfare (Clifford Brown)Pent Up Horses (Clifford Brown)Seven Steps to Heaven (Miles Davis)So What (Miles Davis)After You've Gone (Roy Eldridge)Rockin' Chair (Roy Eldridge)Whisper Not (Art Farmer)Birdland (Maynard Ferguson)Cruisin' for a Bluesin' (Maynard Ferguson)A Night in Tunisia (Dizzy Gillespie)Salt Peanuts (Dizzy Gillespie)A String of Pearls (Bobby Hackett)Dewey Square (Roy Hargrove)The Nearness of You (Roy Hargrove)Strasburg St. Denis (Roy Hargrove)Invitation (Tom Harrell)When the Saints Go Marching In (Al Hirt)Byrd Like (Freddie Hubbard)Cantelope Island (Freddie Hubbard)Witch Hunt (Freddie Hubbard)Concerto for Trumpet (Harry James)Donna Lee (Ryan Kisor)Take the ?A? Train (Ryan Kisor)Feels So Good (Chuck Mangione)Delfeayo's Dilemma (Wynton Marsalis)What Is This Thing Called Love' (Wynton Marsalis)Ceora (Lee Morgan)Locomotion (Lee Morgan)Eb Pob (Fats Navarro)Nostalgia (Fats Navarro)Weather Bird (Nicholas Payton)Hot House (Arturo Sandoval)It's Only a Paper Moon (Jack Sheldon)Wild Man Blues (Rex Stewart)Mack the Knife (Clark Terry) / Trompette / Hal Leonard