Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

G-Dur. Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) - / Date parution : 1991-02-01/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

G-Dur. Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) - / Date parution : 1991-02-01/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

G-Dur. Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) -/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

G-Dur. Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) - / Date parution : 1991-02-01/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) - / Date parution : 1991-01-01/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

Par HOTTETERRE JACQUES-MARTIN. Suites 3 And 4/ Répertoire / Flûte Traversière ou Hautbois ou Violon et Basse C

Par BACH JOHANN SEBASTIAN. / Répertoire / Hautbois, Hautbois Da Caccia ou Violon) et Basse C

Par ALBINONI TOMASO. Also suitable for Violin/ Répertoire / Flûte Traversière ou Hautbois ou Violon et Basse C