Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108F

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS108F. Published by Carl Fischer Music (CF.FAS108F).

ISBN 9781491151761. UPC: 680160909261. 9 x 12 inches.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie� �s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+5+5+2+5+2+8 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #FAS108. Published by Carl Fischer Music (CF.FAS108).

ISBN 9781491151396. UPC: 680160908899. 9 x 12 inches. Key: D major.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie� �s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

For Guitar. This edition: Easy Guitar Tab. Guitar Mixed Folio. The Boomer's Book. Rock. Book. 264 pages. Published by Alfred Music Publishing

(52 Titles to Play and Sing). Arranged by Willard A. Palmer, Morton Manus, and Dennis Alexander. For easy piano and voice. Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Classical and Folk. Difficulty: easy-medium. Collection. Easy piano notation, fingerings and lyrics (on some songs). 96 pages. Published by Alfred Music Publishing

By Morty Manus and Ron Manus. For Guitar. Guitar Method or Supplement. Alfred's Basic Guitar Library. Enhanced CD. Published by Alfred Publishing.

Composed by Charles Strouse, lyrics by Martin Charnin. For voice and piano. From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and easy piano notation. Broadway. 40 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

2-Part Choral (2-Part)

SKU: HL.379343

Discovery Level 2. Composed by Charles Strouse. Arranged by Mac Huff. Discovery Choral. Broadway, Musicals. Octavo. Duration 150 seconds. Published by Hal Leonard (HL.379343).

ISBN 9781705151198. UPC: 196288017820. 6.75x10.5x0.036 inches.

“It's the Hard-Knock Life,” from the musical, “Annie,” expresses the hardships children face living in a depression-era orphanage. As punishment for trying to escape from the orphanage during the night, Miss Hannigan has Annie and the other orphans clean their room all night.

Vocal Score. By Charles Strouse. Vocal Score. Size 9x12 inches. 128 pages. Published by Hal Leonard.

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. 48 pages. Published by Alfred Music

Arranged by John Brimhall. For voice and piano. From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and easy piano notation. Broadway. 32 pages. 9x12 inches. Published by Hal Leonard.

Composed by Charles Strouse, lyrics by Martin Charnin. For voice, piano and guitar chords. From the Broadway musical "Annie". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and color photos. Broadway. 56 pages. 9x12 inches. Published by Hal Leonard.

For voice and keyboard (right hand only). From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names, big note notation, introductory text and color photos. Broadway. Series: Hal Leonard E-Z Play Today. 56 pages. 9x12 inches. Published by Hal Leonard.

Composed by Annie Lennox. Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM937080. Published by Music Sales

Choral (ShowTrax CD)

SKU: HL.292705

By John Denver. By John Denver. Arranged by Alan Billingsley. Pop Choral Series. Concert, Medley, Pop, Seventies, Show Choir. CD. Duration 290 seconds. Published by Hal Leonard (HL.292705).

UPC: 888680931247. 5.0x5.0x0.169 inches.

Four iconic songs--Rocky Mountain High, Take Me Home, Country Roads, Annie's Song, Thank God, I'm a Country Boy--by one of America's most famous pop artists of the '70s and '80s. These songs will resonate with your students, and parents, and will be fun for your students to learn.

(A Collection of Favorite Encores) Performed by James Galway. Instrumental solo book for flute solo and piano accompaniment. With solo part, standard notation and piano reduction. 59 pages. Published by G. Schirmer, Inc.

Composed by Irving Berlin. For voice, piano and guitar chords. From the Broadway musical "Annie Get your Gun". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway and standards. 48 pages. 9x12 inches. Published by Hal Leonard.

Piano (Piano/Voice/Guitar)

SKU: HL.14003430

Composed by Carol Barratt. Arranged by Carol Barratt. Music Sales America. Exam Material. Book [Softcover]. 24 pages. Chester Music #CH60806. Published by Chester Music (HL.14003430).

ISBN 9780711932555. 9.0x12.0x0.073 inches.

Eighteen traditional and well-loved songs of England, Ireland, Scotland and Wales. Carefull arranged by Carol Barratt to sit comfortably under the hands of the young pianist and suitable for all players of Grade One Plus standard. Contents: All Through the Night * Annie Laurie * Auld Lang Syne * Barbara Allen * Blow Away the Morning Dew * Cockles And Mussels * David of the White Rock * Drink To Me Only * Early One Morning * Land of my Fathers * Londonderry Air * Scarborough Fair * The Ash Grove * The Blue Bell of Scotland * The Gypsy Laddie * The Harp That Once * When I Was a Tailor * Will Ye No Come Back Again?

(E-Z Play Today Volume 286). By Various. E-Z Play Today. Softcover. 344 pages. Published by Hal Leonard

Piano/Keyboard

SKU: HL.327506

By Various. Easy Piano Songbook. Pop. Softcover. 192 pages. Published by Hal Leonard (HL.327506).

ISBN 9781540081520. UPC: 888680989743. 9.0x12.0x0.416 inches.

If you're anxious to put those piano lessons to work, here are 50 calming pieces to play while you continue your studies! Songs are arranged for easy piano with lyrics and include: Bella's Lullaby • Blowin' in the Wind • Brian's Song • Chariots of Fire • (They Long to Be) Close to You • Dawn • Fields of Gold • Gabriel's Oboe • Imagine • Longer • Mia & Sebastian's Theme • New York State of Mind • Over the Rainbow • Tears in Heaven • Time After Time • The Wind Beneath My Wings • Yesterday • You've Got a Friend • and more!

About First 50

You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.

Arranged by Tom Gerou. Book; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. 24 pages. Published by Alfred Music (AP.44702).

Arranged by Tom Gerou. For Piano. Book; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. 24 pages. Published by Alfred Music

For voice duet (male/female) and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Wedding. 144 pages. 9x12 inches. Published by Hal Leonard.