At last ... a collector's edition fit for Queen! The new Queen Platinum Collection is a hardcover edition featuring full-band transcriptions for nearly 50 classics from the iconic band. Every instrument, every note, every lyric, and every nuance of every song is carefully transcribed. It's beautifully packaged in a protective sturdy slipcase. Songs include: Another One Bites the Dust ? Bicycle Race ? Bohemian Rhapsody ? Crazy Little Thing Called Love ? Don't Stop Me Now ? Fat Bottomed Girls ? The Great Pretender ? I Want It All ? I Want to Break Free ? Killer Queen ? Radio Ga Ga ? The Show Must Go On ? Somebody to Love ? Thank God It's Christmas ? Under Pressure ? We Are the Champions ? We Will Rock You ? You're My Best Friend ? and more.
Another One Bites The Dust
Barcelona
Bicycle Race
Bohemian Rhapsody
Breakthru
Crazy Little Thing Called Love
Don't Stop Me Now
Driven By You
Fat Bottomed Girls
Flash's Theme
Friends Will Be Friends
Good Old-Fashioned Lover Boy
The Great Pretender
Hammer To Fall
Headlong
Heaven For Everyone
I Want It All
I Want To Break Free
I'm Going Slightly Mad
Innuendo
The Invisible Man
It's A Hard Life
Killer Queen
A Kind Of Magic
Las Palabras De Amor
Let Me Live
Living On My Own
The Miracle
No One But You
Now I'm Here
One Vision
Play The Game
Princes Of The Universe
Radio Ga Ga
Save Me
Seven Seas Of Rhye
The Show Must Go On
Somebody To Love
Thank God It's Christmas
These Are The Days Of Our Lives
Too Much Love Will Kill You
Under Pressure
We Are The Champions
We Will Rock You
Who Wants To Live Forever
You Don't Fool Me
You're My Best Friend
/ Partitions variété - pop - rock / Variété internationale / Scores / HAL LEONARD

Laughter is a precious gift. In this heartwarming new nativity musical, the wise men bring joy a-plenty, along with their traditional gifts. Children will love the entertaining play and the seven catchy songs, including a hand-jiving finale and the cool backing tracks. Gold, Frankincense And Mirth! features all the favourite Christmas characters, from Gabriel to Herod, and creates a warm and uplifting end of term celebration for children, teachers and parents. It's another gem from Sheila Wilson, composer of 'Hosanna Rock!', 'Rock around the Flock!', 'Scrooge' and 'Christmas Stars (The Xmas Factor)'.This musical is for key stages: 1-2 (ages 5-11) and features songs in a variety of styles, including funky, rocky, a lullaby and a finale medley.This Music Book contains a Piano accompaniment, Guitar chords, Vocals, optional Harmonies, Kazoos, Handbells, Recorders, Glockenspiels and Sleigh bells. / Voix

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

100 ans de musique populaire chronique la plus grande musique du siècle dernier. Ce livre contient plus de 70 chansons des années 1940 arrangé pour piano, voix et guitare, fournissant un aperçu fascinant de la musique de l'époque. Une liste des nouvelles inventions d'abord vu pendant les années 1940 est également incluse. / Piano/Vocal/Guitare (PVG)

Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Facile / Répertoire / Quatuor à Cordes

Another brilliant Christmas spiritual from Jay Althouse. 'Run, run to Bethlehem. See the tiny baby lying in the hay.' The melody practically sings itself, the steady, even rhythms drive the piece forward, and dynamic changes add excitement. A contrasting middle section adds a different dimension before a return to the opening melody and a closing section in which each voice is added on to the men's melody. 'Baby born today!' / Choeur SSAB

When the naughty antics of the Elf family children cause yet another nanny to quit, who do you suppose will care for them while Mother and Father are too busy with their North Pole Christmas jobs' Why, Nanny Claus: The North Pole Nanny, of course! And she has just the right tricks up her sleeve. Three very special stocking stuffers, an amazing outing with a magical snowman, and surprise visits to the North Pole Sweet Shoppe and Santa's Workshop teach this family about taking time to enjoy the holidays together. A theatrical score and engaging script that are reminiscent of your favorite classic nanny story! * Recommended for grades 3 and up. * Performance time: approximately 45 minutes. * Staging Notes included. * Enhanced SoundTrax CD includes a reproducible PDF file of Cover Art. / 2 Parties Mixtes

Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Débutant / Répertoire / Quatuor à Cordes