2000-2005 Best Movie Songs provides the music from some of the most successful movies released between 2000 and 2005. This book contains nearly 50 titles, including music from blockbuster hits like the Star Wars trilogy, Troy, the Harry Potter movies, The Lord of the Rings trilogy, The Aviator, Fantastic 4, Spider-Man, and many more! A Window To The Past; Across The Stars; Al Otro Lado Del Rio; America's Aviation Hero; Another Dumb Blonde; Battle Of The Heroes; Believe; Believer; Blue Morgan; Born To Ride; Breakaway; Can't Fight The Moonlight; Coming Home From The Sea; Corpse Bride; Corynorhinus; Double Trouble; Espacio; Everything Burns; Fawkes The Phoenix; Gollum's Song; Good Ol' Boys; Hedwig's Theme; Hero; Hogwarts' Hymn; I Decide; I'm Alive; I'm Not A Girl, Not Yet A Woman; In Dreams; Into The West; James Bond Theme; Magic Works; March Of The Penguins; Move On Up; Mystic River; Need To Be Next To You; Razzle Dazzle; Remains Of The Day; Remember; Satellite; Scooby Doo, Where Are You'; Secondhand Lions; Star Wars (Main Title); Syriana Theme; The Green Mile; The Notebook; There You'll Be; This Could Be Heaven; Try Again; Victor's Piano Solo; We Can; Wonka's Welcome Song; You Can't Walk Away From Love; You're A Mean One, Mr. Grinch.

A fairy tale in music freely after Wilhelm Hauff. Par NUTZENBERGER THOMAS. This is the bizarre and fantastic story of the boy Jacob who is transformed into a dwarf with a huge nose by an mysterious fairy. He spends seven years in the fairy’s palace, and during this time becomes a marvellous cook. The years go by as in a dream, and he does not imagine that he is in truth in the body of a loathsome dwarf. When he sees his parents again, they do not recognize him. He is mocked and rejected by everyone. But Jakob is not disheartened! He has to protect himself and survive setbacks and tests until at the end of the story he regains his true form.Zwerg Nase, based on the fairy tale of the same name by Wilhelm Hauff, is a story which gives courage and hope. It is a story which tells of self-confidence and friendship. There are the animals in the fairy’s palace, who stand alongside Zwerg Nase, and above all his girlfriend the goose Mimi who is herself an enchanted maiden and is saved from the oven by Zwerg Nase. Mimi knows which magic herb can give him back his true form. And everything turns out well in the end.The text and music convey the magical content of the fairy tale in a playful, yet convincing way. The libretto is catchy in its verse and rhyme, comic ideas alternate with touching and atmospheric passages.Classic and contemporary elements mix together in the setting, oriental borrowings stand alongside rhythmic pieces such as boogie-woogie, tango, and waltz. Written for chorus and solo voices, the Singspiel is suitable for children and young people from 6 to 14 years. It is about an hour in length.This is the bizarre and fantastic story of the boy Jacob who is transformed into a dwarf with a huge nose by an mysterious fairy. He spends seven years in the fairy’s palace, and during this time becomes a marvellous cook. The years go by as in a dream, and he does not imagine that he is in truth in the body of a loathsome dwarf. When he sees his parents again, they do not recognize him. He is mocked and rejected by everyone. But Jakob is not disheartened! He has to protect himself and survive setbacks and tests until at the end of the story he regains his true form.Zwerg Nase, based on the fairy tale of the same name by Wilhelm Hauff, is a story which gives courage and hope. It is a story which tells of self-confidence and friendship. There are the animals in the fairy’s palace, who stand alongside Zwerg Nase, and above all his girlfriend the goose Mimi who is herself an enchanted maiden and is saved from the oven by Zwerg Nase. Mimi knows which magic herb can give him back his true form. And everything turns out well in the end.The text and music convey the magical content of the fairy tale in a playful, yet convincing way. The libretto is catchy in its verse and rhyme, comic ideas alternate with touching and atmospheric passages.Classic and contemporary elements mix together in the setting, oriental borrowings stand alongside rhythmic pieces such as boogie-woogie, tango, and waltz. Written for chorus and solo voices, the Singspiel is suitable for children and young people from 6 to 14 years. It is about an hour in length.A piano version is also available (Carus 12.448/03). The choral score is identical for both versions. / Date parution : 2022-10-12/ Répertoire / Choeur d'Enfants (1-3 Voix) et Orchestre

The best in contemporary jazz from Europe. 430 pages of new, intriguing sounds from virtually every country in Europe. Available in C, Bb and Eb versions. Accurate, composer-approved charts plus sample bass lines, sample chord voicings, horn harmony lines, drum appendix, lyrics, and more! Over 100 of Europe's best jazz writers, including Claus Ogerman, Enrico Pieranunzi, Didier Lockwood, Amina Figarova, Victor Feldman, Nguyen Le, George Robert, Rene Thomas, Michel Petrucciani, Tim Garland, John Taylor, Philip Catherine, Richard Galliano, David Linx, Jesse van Ruller, Lars Jansson, Kenny Wheeler, Hendrik Meurkens, Enrico Rava, NHOP, Rosario Giuliani, Florian Ross, Antonio Farao, Ulf Wakenius, Joe Zawinul, Django Reinhardt, Barbara Dennerlein, Allan Holdsworth, Christian Jacob, Valery Ponomarev, Stefan Karlsson, Jacob Karlzon, Toots Thielmans, Bill Bruford, Niels Lan Doky, George Shearing, Bobo Stenson, Michiel Borstlap, Larry Vuckovich. / Ensemble Music, Instrumental Music / Recueil / Instruments en Mib

Learning to play scales and arpeggios and other people's solos can be very interesting indeed, but learning to create a coherent, vibrant and impressive solo all on your own, which, in addition, fits the context perfectly, is much more exciting, and this is exactly what we strive for here. This coursebook will not simply teach you the necessary tools for melody writing (there are enough other courses available for this), but it will teach you the construction basics needed to build your own top-class guitar solos. The increasingly challenging pieces will be addressed in a simple and playful manner. For each of the 14 (4-, 8- and 12-bar) backing tracks you have a series of4 different solos of varying difficulty at your disposal, bringing the total to 56. The solos within a series feature the same basic structure, which is melodically, rhythmically and technically upgraded from one solo to another. Put simply: The first solo is elementary and easily accessible, while the fourth is much more demanding. Yet this does not mean that only the fourth solo is perfectly structured. You may rest assured that every solo in this coursebook is genuine and worthy of its name, whatever its degree of difficulty! On the data disk (the mp3 audios and mp4 videos) attached to the coursebook you will find demonstration videos for every single one of the 56 solos (first at actual, then at a slower playing speed), as well as their corresponding extra long backing tracks that will allow you to fully unfold without fear or restraints./ Etude / Guitare

Tagebucheintragungen, persönliche Botschaften. Par KURTAG GYORGY. The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way./ Etude / Piano

Students will want to play every duet in this exciting intermediate level collection! From roller coasters to water slides, the musical variety of each amusement park scene brings out students' natural enthusiasm and ensures their performance will be a rip-roaring success at the next recital! / Piano

The Heart network is the largest commercial radio network in the UK, comprising 33 regional stations reaching more than 7.3 million people in the UK every week. Heart's phrase is 'More Music Variety', playing a mix of pop tracks and upbeat classics. This songbook, arranged for voice and piano with guitar chord boxes, features 30 pop favourites from artists including Take That, Duffy, Leona Lewis, Michael Buble, Robbie Williams and many more./ Recueil / Piano, Chant et Guitare

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazzandblues / Tous instruments par tonalité / Tous instruments / BERKLEE

Le livre et CD 2 Edition de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs.Comprend le Cabaret, meilleur ami des diamants sont une fille, Don't Cry For Me Argentine, mémoire, envoyer dans les Clowns et plus encore./ Recueil / Mezzo-Soprano 1

Toy Box - Very First Pieces For Piano contains 26 simple yet impressive Piano songs composed by experienced teacher June Armstrong. This book is ideal for a beginner to put theory into practice with a wide variety of pieces in a number of styles.Each title in this songbook is evocative of the way the piece is meant to be played, with songs like Ballerina, Hula Hoop and Kaleidoscope suiting the instructions that Armstrong has provided like ?Daintily? and ?Steadily?. Unique touches like this make Toy Box perfect for a young child who is working their way towards grade one standard, as the composer has skilfully attempted to represent the nature of various toys through the medium of music. This will help a young musician to learn the basic concepts of musical theory in a fun and familiar context, with songs like Jumbo and Slinky sure to entertain all who are within earshot through humour and musicality. If you would like to listen to audio recordings of all the songs included in Toy Box, they are all available to download free of charge from the author's website.What sets this songbook apart from other beginner books is the personality and dedication that June Armstrong brings to her compositions, noting that her pieces are all inspired by her own Piano students and giving detailed and informative notes for each song at the beginning of the book. For the song Dinosaur, Armstrong writes that ?You will want to create a very scary atmosphere?The right hand note heads are strange bird calls in the forest. The left hand Ds, Es and Fs are the dinosaur??. The care that has been put into creating this sheet music shows that Armstrong is acutely aware of the best way for students to learn, and that she truly wants students to learn effectively, but in a fun and light-hearted way.Each song in Toy Box occupies a single page making it easy for a player to track their progress and learning, while there are additional helpful bits of information peppered throughout to clarify anything that may be unfamiliar to the student. Armstrong is keen on developing a student's ear for tone and atmosphere, so these extra notes not only reinforce how to play the piece physically, but also how to include emotion and feeling in music, for example how to conjure imagery like that of Blowing Bubbles. The songbook will be perfect for a child who already understands basic musical terms, will be able to play in a few keys other than C Major and is able to play in simple time signatures. As a first step into new compositions, Toy Box will introduce new concepts as well as reinforce what a student is already accustomed to, nevertheless, Armstrong's message is clear - ?Have fun!?. / Piano

60 original compositions transcribed and edited by Pascal Wetzel. Leadsheets generally follow the latest recording to show the evolution of the tune and maturation of the artist. Counterlines, codas, chord extensions and chord changes for improvisation are included. Added features are lyric versions of 10 tunes, 3 essays about Bill Evans' life and music, photographs, and discography.

Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Polish. That suggestion meant that I did not immediately come to a decision, since folklore had not been (with the exception of a few works for accordion) the object of my interest. However, in defiance of my aesthetic outlook at that time, I decided to take up this interesting invitation and tackle what was for me a difficult problem. Ultimately, I found a way out of this rather ambiguous situation by employing a sort of dodge: I gave the new work a title. In a way, ‘The time that has passed’ substantiates the current to which I referred while writing this composition. The title and the subtitles of the work’s movements, which sound quite exotic in our day and age (there are as many as nine movements), justify the curious marriage between the somewhat nostalgic past and a present that has not yet been particularly well ‘assimilated’. I hope that these feuilles d’album will discharge their ‘toning’ function well. - Zbigniew Bargielski/ Répertoire / Quatuor à Cordes