The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano

Flügelhornduette Vol. 1 (Partitur 2 Stimmenhefte). Par . The duet booklet ?WEISENBLÄSER - Flügelhorn Duette Vol. 1? is the newest publication for folk music by Symphonic Dimensions Publishing. For practice or if your duet partner is not available, you can also enjoy playing with the play along tracks on Youtube and Spotify. / Date parution : 2023-06-01/ Recueil / 2 Bugles

Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one act Details Edition no.: BA 8811-90 ISMN: 9790006542826 Editor: Betzwieser, Thomas / La Salvia, Adrian Arranger: Müller, Karl-Heinz / Schellevis, Hans Language(s) of work: German, Italian Language(s) of text: German, English Product format: Piano reduction, Urtext edition Comments: Replaces BA 7698-90 Binding: Paperback Pages / Format: XVI, 199 S. - 27,0 x 19,0 cm A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. The Italian court singers and musicians performed Mozart?s Schauspieldirektor whilst Antonio Salieri?s Prima la musica e poi le parole was performed by a German Singspiel ensemble. This charming opera satire belongs to the genre of ?metamelodrama? in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the writer, composer and prima donna, appear as characters on the stage and are presented in a humorous mirror image. In this ?theatre about theatre? Salieri parodies the music from Giuseppe Sarti?s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of that time. By reflecting on the musical-dramatic style of that time and discussing whether ?the word? or ?the music? should take priority, this masterpiece is considered to be a forerunner to Richard Strauss?s Capriccio. This new edition of the score is published as part of OPERA ? Spectrum of European Music Theatre in Separate Editions. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into the newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti?s Giulio Sabino have also been incorporated. - Urtext edition based on the historical-critical hybrid edition OPERA-Spectrum of European Music Theatre in Separate Editions edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).- Original Italian libretto with singable German translation- Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodrama and intertextuality- Includes an extensive appendix to the quotations taken from Giuseppe Sarti?s Giulio Sabino- Idiomatic piano reduction

Voulez-vous le Shred série grave est pour les guitaristes qui développent une technologie étonnante et combiner cela avec des idées musicales intéressantes. Chaque numéro de la série contient du matériel des guitaristes de renom déchiqueter et les enseignants, chacun comme un paquet de DVD et le livre, y compris les notes et TAB. Apprenez tout ce dont vous avez besoin directement à partir du virtuose mieux déchiqueter, à nous permettre d'être un maître de ce sujet bientôt.Dans ce numéro Shredmeister allemande Schauss montre leçons avancées avec le trémolo, la cueillette de vitesse, la cueillette de balayage, le taraudage, l'échange modal, échelles exotiques et du phrasé. Donc vous pouvez voir la musique que vous avez composé dans ma tête déjà, jouer avec vos doigts, allemand Schauss vous montre des exercices pour améliorer la technique et le calendrier de la main droite et à gauche. Le DVD qui l'accompagne montre les exercices et avec Schauss allemands. / Guitare

For Double Wind Quintet. Par DUPERTUIS GAUTHIER. Dystopia a été commandée à Gauthier Dupertuis par le chef d’orchestre suisse Felix Hauswirth, à l’occasion du festival aVENTura de Lucerne en septembre 2023 dédié aux compositeurs suisses. En octobre 2018, Gauthier Dupertuis a eu l’occasion d’accompagner l’harmonie La Landwehr de Fribourg (Suisse) en tant qu’instrumentiste lors d’une tournée de concerts en Inde. Les déplacements entre les différentes villes étaient rythmés par les klaxons des différents véhicules sur la route, qui rivalisaient de créativité. Le bus de l’harmonie ne dérogeait pas à cette règle, et Gauthier Dupertuis a fini par se laisser inspirer par ce motif de cinq notes qui, à force de répétitions, a fini par s’ancrer profondément dans son cerveau, cela jusqu’à servir de matériau musical de base pour cette œuvre. Dystopia exploite la notion de dualité : en deux parties (I. Preludio et II. Toccata), l’œuvre utilise le double quintette à vent tantôt comme une entité unique, tantôt comme deux ou trois groupes en constant conflit rythmique, harmonique ou d’écriture. Telle dans une dystopie où le héros lutte constamment contre une société oppressante, le groupe thématique lié au motif A (celui du klaxon, exposé au début du Prélude) affronte celui lié au motif B (exposé à la mesure 25) tout au long de la pièce. De même, la forme libre du Prélude contraste avec la structure plus définie de la Toccata où les ambiances liées aux deux groupes thématiques s'alternent. Deux courts épisodes mettent en évidence un troisième motif, plus arioso, faisant office de divertissement et d’apaisement rythmique au sein de la Toccata. / Date parution : 2023-10-31/ Répertoire / Double Quintette à Vents

Certains de la musique la plus brillante et virtuose de tous les temps a été rédigé pendant les périodes baroque, classique, romantique et des compositeurs comme Beethoven, Haendel, Vivaldi, Mozart, et Chopin. Beaucoup de ces oeuvres musicales passionnantes sont parfaits pour les broyeurs de toute époque et de prendre une toute nouvelle vie lorsqu'il a été adapté pour la guitare heavy metal. Cette collection de 10 oeuvres du répertoire classique pour guitare shred fournit une analyse théorique pour vous aider à appliquer ce que vous apprenez à vos propres compositions et en solo. Chaque pièce dispose des techniques et des idées novatrices pour apporter un éclairage nouveau sur ces compositions intemporelles et étirer votre jeu à de nouvelles limites. Le CD d'accompagnement démontre tous les exemples, ainsi que des pistes d'accompagnement à différents tempos pour vous aider à pratiquer et vous obtenez sur votre chemin vers la maîtrise de ce répertoire difficile. / Guitare

With 'The Techniques of Trombone Playing', Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called 'the unlimited expansion of new performance possibilities': micro-intervals, multiphonics and the combination of the trombone sound with the human voice ' all accurately described and illustrated with many annotated music examples. ' Includes many tables and music examples on the basics and expanded techniques of trombone playing ' Practical information on mutes, repertoire, etc. ' With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet?s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music?, BA 9600

Ouvertüre. Autograph: Biblioteka Jagiellonska Kraków. Par MENDELSSOHN-BARTHOLDY FELIX. An enchanted night, virtually fragrant dreams, floating fairies & the sensory associations evoked and fashioned by the music of Mendelssohn's overture ; A Midsummer Night's Dream are almost inexhaustible. Written by the composer in 1826 in a carefree summer spent between the summerhouse and his siblings, this is without doubt Mendelssohn's most popular concert overture. The renowned musicologist Friedhelm Krummacher shows in the introduction how finely Mendelssohn interwove motifs and themes. He also looks into the origins of the work, especially a conjectural firstsketch, which is reproduced in facsimile in the appendix. To mark the 200th anniversary of Mendelssohn's birth, Bärenreiter in cooperation with the Biblioteka Jagiellonska Krakó w published a high-quality facsimile designed for the bibliophile, vividly bringing the composer's delicate handwriting to life./ Répertoire / Orchestre

Rythmes latins auront les spectateurs à danser dans les allées que les élèves jouent ce duo fun! Parfaitement capturer l'ambiance des plus grands danses latines, cette pièce spectaculaire alterne entre sol majeur et sol mineur. La mélodie coloré, qui chante au-dessus rythme syncopé en 4/4, alterne entre les parties. Les élèves doivent prendre grand soin de perfectionner les lignes rythmiques difficiles à donner à la pièce son humeur et ambiance bon. Les acteurs devraient également accentuer les articulations pour effet supplémentaire. Enfilez vos chaussures de danse et de prendre un voyage musical vers l'Amérique latine! / Piano 4 Mains

Par HABICHT GUNTER. Günter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the ?Sinfonietta?, published in 1964 by VEB Breitkopf and Härtel Musikverlag Leipzig, and the award-winning ?Quartettino 1969? for wind instruments, created for a composition contest organized by the Association of Composers and Musicologists on the occasion of the GDR?s 20th anniversary. With an easy piano accompaniment, the sonatina for clarinet and piano ?Temperaments?, written in the same year, is particularly aimed at more advanced music students and amateur musicians. Each of the three movements represents one temperament (1. sanguine type, 2. melancholic type, 3. choleric type) that needs to be worked out during the rehearsals. From 1935 to 1939, Günter Habicht (1916?2010) studied with Herbert Viecenz and Boris Blacher (music theory and composition) and with Walther Meyer-Giesow and Ernst Hintze (conducting) at the Dresden Conservatory. In 1951, Günter Habicht taught at an elementary school in Leipzig, and in 1952, he was appointed specialist lecturer for music at the Zentralhaus für Volkskunst. From 1955 to 1981, he was a teacher of music theory and clarinet at the Leipzig City Music School. / Date parution : 2021-11-25/ Répertoire / Clarinette et Piano

For Guitar Vol. 2. Par BARRIOS MANGORE AGUSTIN. This is volume two of a landmark publication celebrating the life and works of the Paraguayan guitarist and composer Agustin Barrios Mangore. This book contains 65 original compositions in standard notation plus a unique audio download available online featuring Barrios himself playing 21 original works, including Danza Paraguaya, La Catedral, Un Sueo en la Floresta, Maxixe, Tarantella, Aire Popular Paraguayo and more. In addition to the music, The Complete Works Of Agustin Barrios Mangore: Vol. 2 also includes 82 pages of exhaustive critical notes that shed light on the Barrios catalogue, making this the definitive anthology of his work. More reliable, comprehensive and articulate than any previously published edition, this Mel Bay Publications compilation (524 pages in all) will make the entire world of Barrios more accessible. / Recueil / Guitare Classique