Book 2. Par ARNE THOMAS AUGUSTINE. The second book of songs by Thomas Arne, completing the set of twelve selected for High Voice. Edited by Michael Pilkington. Book 1 - Catalogue No. SABB461./ Recueil / Chant et Piano

Par ARNE THOMAS AUGUSTINE. Eight wonderful sonatas for Keyboard instruments by English Classical composer, Thomas Arne, who composed many patriotic and Nationalistic works. Set for the ABRSM Grade 7 Harpsichord examination. / Niveau : Elémentaire / Répertoire / Piano

Par ARNE THOMAS AUGUSTINE. Facsimile of the First Edition (John Walsh, 1756), with introduction by Gwilym Beechey and Thurston Dart./ Répertoire / Piano

Par ARNE THOMAS AUGUSTINE. The first part of a collection of twelve songs by the celebrated British composer Thomas Arne, selected for High Voice and edited by Michael Pilkington. Book 2 - Catalogue No. SABB462/ Recueil / Chant et Piano

For SATB chorus with organ accompaniment. First performed in the autumn of 1980 by the choir of St. Augustine's Birmingham directed by Norman Dyson.Duration approx. 9 minutes.

Par BAEYENS AUGUST. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment./ Répertoire / Flûte Traversière et Violoncelle

Par KLOTZKE ERNST-AUGUST. Ernst-August Klötzke setzt sich in seinem 1996 für Klavier und Tonband entstandenen Dies Gesicht – facies nigra mit fremden, „geerbten“ und stückimmanenten Erinnerungen auseinander. Der Moment des Erinnerns beginnt für den Komponisten bereits in dem Augenblick, in dem man sich des „Jetzt“ gewahr wird. Alles Aufgenommene wiederum färbt und formt die weitere Wahrnehmung, die Erinnerungen leuchten wie Scheinwerfer nach vorne. Erste Fragmente einer Idee, die dem Stück zugrundliegen, entstanden beim Betrachten einer 1525 entstandenen Pinselzeichnung Albrecht Dürers eines ihm im Traum erschienenen apokalyptisch anmutenden Wolkenbruchs. Eine klare Präsenz von Erinnerung fordertauch Dies Gesicht vom Interpreten: Die Komposition ist so angelegt, dass der Pianist den zweiten Teil des Stückes nicht spielen kann, ohne sich Spuren zu vergegenwärtigen, die der erste Teil in seinem Gedächtnis hinterlassen hat./ Répertoire / Piano et Bande Magnétique-Disque

Par WILHELMJ AUGUST. August Wilhelmi est né à Usingen (Taunus) en 1845. À un âge étonnamment précoce, il a développé en virtuose du violon éminent. Il était sur ??la recommandation de Liszt qu'il avait reçu une éducation musicale au conservatoire de Leipzig entre 1861 et 1864e complets Pendant cette période, il a aussi joué au Gewandhaus. Ayant pris connaissance avec Richard Wager depuis 1862, il s'est transformé en son disciple ardent. Elle a été le principal à la première représentation de la 'Anneau du Nibelung' à Bayreuth. Au terme de ses études, il a commencé sa carrière comme soliste avec de nombreuses tournées l'ont emmené tout autour de l'Europe qui a d'abord et plus tard même à l'étranger. En 1871, Wilhelmi a reçu le titre de Royal professeur. Il a fondé son école de violon propre à Biebrich sur le Rhin. De 1886 jusqu'en 1893 il a enseigné à Dresde Blasewitz. En 1894, il a pris le poste de professeur de violon à la Guildhall School of Music de Londres où il mourut en 1908. Dans ses compositions, Wilhelmj suivi la nouvelle école allemande, qui - sous la direction de Franz Liszt - se démarquer du style du classicisme viennois. La Romance Op. 10 en mi majeur présenté ici a été écrit à l'origine pour violon et orchestre et a d'abord été publiée par Schlesinger en 1872./ Répertoire / Violon et Piano

Tonalité : G-Dur -. Par HOMILIUS GOTTFRIED AUGUST. Gattungen: Motetten - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Horn Play-Along Book with Online Audio. Par SWIFT TAYLOR. 14 songs from the two 2020 album releases by the ever-popular and musically prolific Taylor Swift in arrangements for instrumentalists with approximately one year of playing experience. Each of these books also includesdemonstration and play-along audio tracks online for download or streaming. Songs include: August · Cardigan · Exile · Gold Rush · Long Story Short · No Body, No Crime · Seven · Willow · and more./ Recueil / Cor

Dreams From The Islands is a selection of wonderful Irish and Scottish songs which have been arranged for the Panpipe in B Flat by Peter August.