(Cantata for Alto and Tenor Soli, Speaker, SATB (divisi) and Orchestra). By Igor Stravinsky (1882-1971). Study Score. Boosey and Hawkes Scores/Books. 37 pages. Boosey and Hawkes #M060027062. Published by Boosey and Hawkes

By Sergei Rachmaninoff (1873-1943). Edited by Anthony Antolini. For SATB choir divisi (a cappella). General. Text: from Russian Orthodox Liturgy. 152 pages. Published by Galaxy Music Corporation General

By Anthony G. Petti. For SATB Choir, Piano Accompaniment. Renaissance, Choral. Sheet Music. 48 pages. Published by Chester Music.

For SATB Choir, Piano. Renaissance, Choral. Sheet Music. 48 pages. Published by Chester Music.

By H. Biggs. For SATB a cappella. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration ca.7'. Published by C.F. Peters.

SATB choir, trumpet in C & organ (SATB) - Moderately Difficult

SKU: OU.9780193511620

Composed by John Rutter. Sacred choral - mixed voices. Vocal score. 20 pages. Duration 7.5'. Oxford University Press #9780193511620. Published by Oxford University Press (OU.9780193511620).

ISBN 9780193511620. 11 x 7 inches.

for SATB, trumpet in C, and organ
This substantial anthem was composed in 2015 to celebrate the 800th anniversary of Magna Carta and to mark Salisbury Cathedral's stewardship of the charter since 1215. Rutter succeeds in weaving together passages from the books of Isaiah, Zechariah, and Amos with music that is both ceremonial and mysteriously intense to create a dignified and powerful work.

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.” It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

By Anthony G. Petti. For SATB Choir, Piano. Renaissance, Choral. Sheet Music. 52 pages. Published by Chester Music.

For SATB & Piano. (SATB). Secular Chorals. A Children's Garden Choral Suite. Vocal score. Published by Aspen Grove Music.

SATB choir, trumpet in C & organ (SATB)

SKU: OU.9780193419384

Composed by John Rutter. Sacred choral - mixed voices. C trumpet part. Duration 7.5'. Oxford University Press #9780193419384. Published by Oxford University Press (OU.9780193419384).

ISBN 9780193419384. 12 x 8 inches.

for SATB, trumpet in C, and organ
This substantial anthem was composed in 2015 to celebrate the 800th anniversary of Magna Carta and to mark Salisbury Cathedral's stewardship of the charter since 1215. Rutter succeeds in weaving together passages from the books of Isaiah, Zechariah, and Amos with music that is both ceremonial and mysteriously intense to create a dignified and powerful work.

By Robin Joseph. (SATB). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 8 pages. Published by Transcontinental Music Publications.

By Duckworth. For SATB a cappella. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration ca.4'. Published by C.F. Peters.

By Gustav Holst. For Two SATB choirs, SA semi-chorus and orchestra. Books and Study Scores. Published by Stainer and Bell Ltd. (U.K. Import).

SATB choir & organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193407176

Composed by Michael Berkeley. Sacred choral - mixed voices. New Horizons. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193407176. Published by Oxford University Press (OU.9780193407176).

ISBN 9780193407176. 12 x 8 inches.

For SATB and organ Setting a text taken from the Books of Sirach and Ezra, Build this House uses tonal shifts and alternating homophonic and polyphonic sections to create a piece that is both contemplative and joyous.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

A Cantata. By Benjamin Britten. (Full Score). Boosey and Hawkes Scores and Books. Book only. 122 pages. Published by Boosey and Hawkes.

Composed by George Emlen. Choral. Sacred Anthem, Advent, General. Octavo. Sacred Music Press #10/4984S. Published by Sacred Music Press

SATB choir

SKU: BP.1225

Composed by Eugene Butler. Arranged by Eugene Butler. Sacred octavos. Sacred. Octavo. Beckenhorst Press #1225. Published by Beckenhorst Press (BP.1225).

The books of James and Jude are joined together in a text reminding us to find joy in our struggles for they provide strength and wisdom. Written for SATB choir.

SATB choir

SKU: KJ.8908

Composed by Jean Berger. Special Books. Sacred, Choral. Octavo. Neil A. Kjos Music Company #8908. Published by Neil A. Kjos Music Company (KJ.8908).

Berger Reflects On Brazil. Portuguese & English Lyrics. SATB.

(SATB)

SKU: HL.50563699

SATB chorus. Composed by Benedetto Marcello. Editions Durand. Classical. Book only. Published by Editions Durand (HL.50563699).

Inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Organ, SATB choir

SKU: LO.10-5527S

Composed by Angela Kraft Cross. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5527S. Published by Sacred Music Press (LO.10-5527S).

ISBN 9780787771669.

Ange la Kraft Cross has created a truly distinctive setting of familiar words from the books of Micah and Matthew. The music begins quietly but very energetically, and it develops across contrasting moods towards a final resplendent conclusion: to seek justice and love mercy and walk humbly with your God..

By Joe Charupakorn. Guitar Educational. Size 9x12 inches. 216 pages. Published by Cherry Lane Music.

By Johann Cruger. Arranged by Lynn S. Lund. Text: Catherine Winkworth. For SATB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 2:00. Published by Jackman Music Corporation.

SATB choir

SKU: ST.EM31B

Composed by Michael East. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and Philip Brett. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM31B. Published by Stainer & Bell Ltd. (ST.EM31B).

ISBN 9790220205958.

CONT ENTS
But let all those SSAAT (verse) SSAATB (chorus)
Come shepherd swains (SS (verse) SSATB (chorus))
Dear love, be not unkind (SSAT)
Fair Daphne, gentle shepherdess (SS (verse) SSATB (chorus))
Farewell, sweet woods (SSAT)
Fly away, Care (SSAT (or A) T (or B) B)
God is gone up (SSTTB (verse &chorus))
Haste thee, 0 God (SSAATB (verse & chorus))
I did woo her (SSAA)
I heard three virgins (SSATB)
No haste but good (SSAA (or T) B (or T) B)
O clap your hands (SSTTB (verse and chorus))
O Lord of whom I do depend (SS (verse) SSATB (chorus))
Quick, quick, away, despatch! (SSAA (or T) B (or T) B)
Thyrsis, sleepest thou? (SSAA (or T) B)
To hear men sing (SSATB)
Weep not, dear love (SSATBB)
What heart such doubled force? (SSATB)
When David heard (SSATTB)
When I lament (SSAT)
Whenas I glance (SSAT (or A))
Why are our Summer sports? (SSAT (or A))
You meaner beauties (S (verse), SSATB (chorus))
Your shining eyes (SSAB)
Your shining eyes (SSATBB).

Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db)

SKU: BR.EOS-8047-15

Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softcover. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 24 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-15. Published by Breitkopf and Haertel (BR.EOS-8047-15).

ISBN 9790004789735. 8.5 x 11.5 inches.

Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729.
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.
My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.
My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.
(Martin Smolka).