ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117409

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. 1x 31.174/21 violin/oboe 1, 1x 31.174/22 violin/oboe 2, 1x 31.174/23 taille, 2x 31.174/31 horns 1 and 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/09. Published by Carus Verlag (CA.3117409).

ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

SKU: CA.1851900

Composed by Various. This edition: Paperbound. Stuttgart Urtext edition. German title: Kleine Klavierstucke um 1745. Instrumental arrangements of works by bach: Instrumental arrangements of works by bach. Collection. 48 pages. Carus Verlag #CV 18.519/00. Published by Carus Verlag (CA.1851900).

ISBN 9790007077457.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117449

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Organ. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/49. Published by Carus Verlag (CA.3117449).

ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117417

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, basso continuo. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/17. Published by Carus Verlag (CA.3117417).

ISBN 9790007209704. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117415

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violoncello solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Cello 1-3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/15. Published by Carus Verlag (CA.3117415).

ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117414

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola solo 1-3. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/14. Published by Carus Verlag (CA.3117414).

ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117403

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Vocal score. Composed 1729. BWV 174. 28 pages. Duration 23 minutes. Carus Verlag #CV 31.174/03. Published by Carus Verlag (CA.3117403).

ISBN 9790007183554. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117412

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 2. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/12. Published by Carus Verlag (CA.3117412).

ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117405

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Choral Score. Composed 1729. BWV 174. 2 pages. Duration 23 minutes. Carus Verlag #CV 31.174/05. Published by Carus Verlag (CA.3117405).

ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

Orchestra Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 Vl, Va, Bc

SKU: CA.3117407

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Study score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/07. Published by Carus Verlag (CA.3117407).

ISBN 9790007244996. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117411

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 1. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 1. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/11. Published by Carus Verlag (CA.3117411).

ISBN 9790007209643. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117413

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin solo 3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/13. Published by Carus Verlag (CA.3117413).

ISBN 9790007209667. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117416

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola. Composed 1729. BWV 174. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.174/16. Published by Carus Verlag (CA.3117416).

ISBN 9790007209698. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117400

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Full score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/00. Published by Carus Verlag (CA.3117400).

ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.

Soloists, Choir, Orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05084-01

Cantatas on the Purification of the Virgin Mary. Composed by Johann Sebastian Bach. Edited by Matthias Wendt and Uwe Wolf. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/28/1. Complete edition, Score, anthology. BWV 82, 83, 125, 200. Baerenreiter Verlag #BA05084_01. Published by Baerenreiter Verlag (BA.BA05084-01).

ISBN 9790006464005. 33.1 x 25.8 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Johann Sebastian Bach (1685-1750). Edited by Hans Ludwig Berger. Genres: Hymn settings; Choral Collections for Mixed Choir; Use / Occasion: Eucharist, Morning, Midday, Evening, Psalms, Mourning, Death; Use during church year: Special Days, End of the church year, Lent and Passiontide, Easter and Eastertide, Christmas. Choral collection. 24 pages. Published by Carus Verlag

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05019-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr and Arthur Mendel. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/14. Complete edition, Score, anthology. Baerenreiter Verlag #BA05019_01. Published by Baerenreiter Verlag (BA.BA05019-01).

ISBN 9790006461790. 33 x 26.5 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(The World's Most-Beloved Masterpieces). Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Piano Collection. Masterwork. Easy Piano. Book. 174 pages. Published by Alfred Music Publishing

ATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3103414

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Whitsun, Wedding. Single Part, Cello/Double Bass. Composed 1745. BWV 34. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.034/14. Published by Carus Verlag (CA.3103414).

ISBN 9790007042639. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and part available separately - see item CA.3103400.

Edited by Helen Marlais. For piano. Succeeding with the Masters. Methods and Solos. Advanced. Book and 2 CDs. Published by The FJH Music Company Inc

Chorus and piano (1. version: 0.0.0.0. - 2litui.0.corn.3.0 - db / 2. version: 0.2(ad lib.).ob.da cac(cor ang.)0.1 - 2litui. 0.0.0 - str - db)

SKU: BR.EB-7118

1st and 2nd Version - Urtext. Composed by Johann Sebastian Bach. Edited by Wolfram Ensslin. Arranged by Matthias (KA) Grunert. Choir; stapled. Edition Breitkopf. The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Have a look into EB 7. Motet; Baroque. Piano/Vocal Score. 12 pages. Duration 8'. Breitkopf and Haertel #EB 7118. Published by Breitkopf and Haertel (BR.EB-7118).

ISBN 9790004172728. 7.5 x 10.5 inches. German / English.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Basso (cello/double bass) (1. version: 0.0.0.0. - 2litui.0.corn.3.0 - db / 2. version: 0.2(ad lib.).ob.da cac(cor ang.)0.1 - 2litui. 0.0.0 - str - db)

SKU: BR.OB-4618-26

1st and 2nd Version - Urtext. Composed by Johann Sebastian Bach. Edited by Wolfram Ensslin. Choir; Softcover. Orchester-Bibliothek (Orchestral Library).

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Part. 2 pages. Duration 8'. Breitkopf and Haertel #OB 4618-26. Published by Breitkopf and Haertel (BR.OB-4618-26).

ISBN 9790004341568. 9 x 12 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

Violin 2 (1. version: 0.0.0.0. - 2litui.0.corn.3.0 - db / 2. version: 0.2(ad lib.).ob.da cac(cor ang.)0.1 - 2litui. 0.0.0 - str - db)

SKU: BR.OB-4618-16

1st and 2nd Version - Urtext. Composed by Johann Sebastian Bach. Edited by Wolfram Ensslin. Choir; Softcover. Orchester-Bibliothek (Orchestral Library).

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Part. 2 pages. Duration 8'. Breitkopf and Haertel #OB 4618-16. Published by Breitkopf and Haertel (BR.OB-4618-16).

ISBN 9790004341544. 9 x 12 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

Violin 1 (1. version: 0.0.0.0. - 2litui.0.corn.3.0 - db / 2. version: 0.2(ad lib.).ob.da cac(cor ang.)0.1 - 2litui. 0.0.0 - str - db)

SKU: BR.OB-4618-15

1st and 2nd Version - Urtext. Composed by Johann Sebastian Bach. Edited by Wolfram Ensslin. Choir; Softcover. Orchester-Bibliothek (Orchestral Library).

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Part. 2 pages. Duration 8'. Breitkopf and Haertel #OB 4618-15. Published by Breitkopf and Haertel (BR.OB-4618-15).

ISBN 9790004341537. 9 x 12 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.