| Frohliche Violinevol3 Violon - Facile Schott
Violin - easy SKU: HL.49015482 B-Tonarten, C-Dur, 2. und 3. Lage, Dopp...(+)
Violin - easy SKU:
HL.49015482
B-Tonarten, C-Dur, 2.
und 3. Lage, Doppelgriffe
und andere Kniffe.
Composed by Renate
Bruce-Weber. Arranged by
Mark Bruce. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 144
pages. Schott Music #ED
8432. Published by Schott
Music (HL.49015482).
ISBN 9783795754631.
9.0x12.0x0.42 inches.
German. Vol. 3 of
'Die frohliche Violine'
pursues the same musical
and technical goals as
the first two volumes. It
contains a detailed
introduction to the flat
keys, C major key as well
as the 2nd and 3rd
positions. The last
chapter takes up the
subject matter of the
first chapters again in a
more demanding form and
with longer charming
pieces, giving an insight
into 'virtuoso' violin
technique. $28.99 - Voir plus => Acheter | | |
| Bach: Chorale zum EG und GL [Partition] Carus Verlag
By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This editio...(+)
By Johann Sebastian Bach
/ Nikolaus Herman. Edited
by Klaus Hofmann. This
edition: paperbound. Hymn
Settings, Mass sections;
Use during the church
year: Advent, Special
Days, End of the Church
Year, Epiphany, Lent and
Passiontide, Ascension,
New Year, Holy Week,
Easter and Eastertide,
Pentecost, Trinity,
Christmas; Choral
Collections for Mixed
Choi. Choral collection.
88 pages. Published by
Carus Verlag
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bach: Chorals. Awake my heart Chorale [Partition] Carus Verlag
By Johann Sebastian / Herman Bach. Edited by Klaus Hofmann. Hymn settings, Mass ...(+)
By Johann Sebastian /
Herman Bach. Edited by
Klaus Hofmann. Hymn
settings, Mass Sections;
Choral Collections, Mixed
Choir; Occasions: Peace
and Justice, Morning,
Midday, Evening; Use
during church year:
Advent, Special Days,
Epiphany, Lent and
Passiontide, Holy Week,
Easter and Eastertide,
Ascension, Christmas.
Choral collection. 80
pages. Published by Carus
Verlag (German import).
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mastering the Violin A Comprehensive Study for the Adult Learner Violon [Partition + Accès audio] Mel Bay
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hope Remains Within - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Brake Drum, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum and more. -
Grade 2.5 SKU:
CF.YPS217F Composed
by Zachary Cairns. Sws.
Yps. Full score. 24
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217F.
Published by Carl Fischer
Music (CF.YPS217F).
ISBN 9781491156551.
UPC: 680160915095. 9 x 12
inches. Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.). $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hope Remains Within - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Brake Drum, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum and more. -
Grade 2.5 SKU:
CF.YPS217 Composed by
Zachary Cairns. Folio.
Yps. Set of Score and
Parts.
8+8+4+8+8+4+2+6+4+4+4+8+8
+8+8+6+6+6+4+6+4+2+2+4+6+
10+24 pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217.
Published by Carl Fischer
Music (CF.YPS217).
ISBN 9781491156544.
UPC: 680160915088. 9 x 12
inches. Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.). $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alfred's Basic Mandolin Method 1 Mandoline [Partition + CD] - Débutant Alfred Publishing
(The Most Popular Method for Learning How to Play). By Ron Manus & L. C. Har...(+)
(The Most Popular Method
for
Learning How to Play). By
Ron
Manus & L. C.
Harnsberger. For
Other Fretted. Book; CD;
Mandolin Method or
Supplement;
Method/Instruction.
Beginner.
64 pages. Published by
Alfred
Music Publishing
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 42 Chore und Chorale fur Blechblaser aus Bachs Kantatenwerk Carus Verlag
SKU: CA.2680100 Composed by Johann Kuhnau and Johann Sebastian Bach. Edit...(+)
SKU: CA.2680100
Composed by Johann Kuhnau
and Johann Sebastian
Bach. Edited by Gunter
Seidlitz. Arranged by
Seidiltz Gunter. This
edition: Paperbound.
German title: Chore Und
Chorale Aus Den Kantaten.
Instrumental arrangements
of works by bach:
Instrumental arrangements
of works by bach, Advent,
Ascension, New year,
Easter and Eastertide,
Whitsun, Christmas,
Wedding, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Collection.
60 pages. Carus Verlag
#CV 26.801/00. Published
by Carus Verlag
(CA.2680100). ISBN
9790007038496. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Keyboard Strategies Piano seul Schirmer
Master Text II. By Various. Piano Collection. 432 pages. Published by G. Schirme...(+)
Master Text II. By
Various. Piano
Collection. 432 pages.
Published by G. Schirmer,
Inc.
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate
SKU: MB.WBM58M
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M). ISBN
9781736363058. 8.75x11.75
inches. A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Logical Mandolin Method Mandoline [Partition + Accès audio] - Intermédiaire Mel Bay
Saddle-stitched, Tunebooks. Bluegrass. Book and online audio. 108 pages. Mel B...(+)
Saddle-stitched,
Tunebooks.
Bluegrass. Book and
online
audio. 108 pages. Mel Bay
Publications, Inc
#30970M.
Published by Mel Bay
Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Piano Solos
Piano seul [Partition] - Facile Carl Fischer
Arranged by Paul Sheftel. Collection for Piano. This comprehensive volume for be...(+)
Arranged by Paul Sheftel.
Collection for Piano.
This comprehensive volume
for beginning piano
students offers the
player 132 original
masterpieces from
Beethoven to Bartok and
covers a wide range of
styles. Selected by noted
piano pedagogue Paul
Sheftel, this collection
will offer the beginning
student challenging
repertoire as well as
hours of enjoyment. 157
pages. Published by Carl
Fischer.
(2)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Morning Has Broken - Classic Hymns in Classical Settings Piano seul [Partition] - Intermédiaire/avancé FJH
By Shelley Helzerman Houser. For Piano. The FJH Sacred Piano Library. Level: Ear...(+)
By Shelley Helzerman
Houser. For Piano. The
FJH Sacred Piano Library.
Level: Early Advanced.
Book. Published by The
FJH Music Company Inc.
(2)$6.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Eine kleine Nachtmusik Piano seul [Partition] - Facile Schott
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Ha...(+)
(60 Classical
Masterpieces in Easy
Piano Arrangements). By
Various. Edited by
Hans-Günter Heumann.
Piano Collection.
Softcover. 184 pages.
Schott Music #ED20764.
Published by Schott Music
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Anthology of Easier Classical Piano Piano seul Hal Leonard
(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo...(+)
(174 Favorite Piano
Pieces by 44 Composers).
Composed by Various. For
Piano Solo. Misc. 326
pages. Published by Hal
Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Themes for Violin Duet 2 Violons (duo) Hal Leonard
Violin Duet SKU: HL.348319 Composed by Various. String Duet. Classical. S...(+)
Violin Duet SKU:
HL.348319 Composed by
Various. String Duet.
Classical. Softcover. 64
pages. Published by Hal
Leonard (HL.348319).
ISBN 9781540097354.
UPC: 840126930016.
9.0x12.0x0.201
inches. Classical
Themes for Violin Duet is
designed for violinists
familar with first
position and comfortable
reading basic rhythms. In
each two-page
arrangement, violin 1 and
violin 2 take a turn
playing the melody for a
fun and challenging
ensemble experience. It
includes 30 well-loved
melodies by J.S. Bach,
Beethoven, Debussy,
Gershwin, Grieg, Liszt,
Mussorgsky, Tchaikovsky,
Vivaldi, Wagner, and
more. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alfred's Basic Rock Guitar Method, Book 1 Guitare notes et tablatures [Partition + DVD] Alfred Publishing
(The Most Popular Series for Learning How to Play). Composed by Nathaniel Gunod,...(+)
(The Most Popular Series
for Learning How to
Play). Composed by
Nathaniel Gunod, L. C.
Harnsberger, and Ron
Manus. For Guitar. Book;
DVD; Guitar Method or
Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Basic Rock Guitar Method, Book 1 Guitare [Partition + CD] Alfred Publishing
(The Most Popular Series for Learning How to Play). By Ron Manus, L. C. Harnsber...(+)
(The Most Popular Series
for Learning How to
Play). By Ron Manus, L.
C. Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
(AP.4
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 1 for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Avancé Cherry Classics
Brass Quintet - advanced SKU: CY.CC3002 Composed by Carl Philipp Emanuel ...(+)
Brass Quintet - advanced
SKU: CY.CC3002
Composed by Carl Philipp
Emanuel Bach. Arranged by
Justin Bland. Classical.
Score and parts. 63
pages. Cherry Classics
#3002. Published by
Cherry Classics
(CY.CC3002). ISBN
9790530058220. Symp
hony No. 1 for Brass
Quintet by C. P. E.
Bach, arranged by Justin
Bland C. P. E. Bach
was an innovator as an
early Classical era
composer, helping to
develop the sonata form
that was refined by
Haydn, Mozart and
Beethoven. Like his
father, Carl Phillip
Emanuel was prolific and
showed signs of true
genius.
Symphony
No. 1, in three movements
(fast-slow-fast),
originally in D major,
has been transposed down
a step to C by arranger
Justin
Bland.
This very
fine arrangement (the
entire work) of about 12
minutes in length is
appropriate for advanced
performers and can be the
cornerstone of a recital
program.
Instrum
entation: Trumpets (parts
in C and B-flat), Horn in
F, Trombone and Tuba. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classical Repertoire for Recorder Flûte à Bec [Partition] - Intermédiaire Mel Bay
by Costel Puscoiu. For Recorder (Soprano). solos. Classic. Level: Intermediate. ...(+)
by Costel Puscoiu. For
Recorder (Soprano).
solos. Classic. Level:
Intermediate. Book. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
(3)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 2 Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My Favorite Classics - Level One Piano seul Santorella Publications
Composed by John Brimhall and Jonathon Robbins. Collection; Classical. Book. S...(+)
Composed by John Brimhall
and
Jonathon Robbins.
Collection;
Classical. Book.
Santorella
Publications #O114.
Published
by Santorella
Publications
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatas (3)(Original) 1 Piano, 4 mains Peters
By Johann Christian Bach. Edited by Weismann. For piano, 4 hands. Published by C...(+)
By Johann Christian Bach.
Edited by Weismann. For
piano, 4 hands. Published
by C.F. Peters.
(2)$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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