| Supplique
En Français Violon ou violon baroque [Partition] - Intermédiaire/avancé Billaudot
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Beffa Karol et éditée par Billaudot cette partition est idéale pour les joueurs de Violon. Si l'instrumentation Violon correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violon / Partition
8.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The Library Of Baroque
Music Piano seul [Partition] - Intermédiaire/avancé Amsco Wise Publications
The Library Of Baroque Music is an enormously expansive collection of the greate...(+)
The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano
32.04 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Piano Duets: Baroque
Composers (ASTON MICHAEL) Piano Facile [Partition] - Facile Oxford University Press
Piano Duets edited by Michael Aston. Par ASTON MICHAEL. Cette collection variée...(+)
Piano Duets edited by Michael Aston. Par ASTON MICHAEL. Cette collection variée et passionnante duo est plein de nouveaux arrangements et accessible pour tous les joueurs en duo et amateur de musique baroque. Dans les éditions superbement préparée, vous trouverez éternels favoris ainsi qu'une foule d'autres classiques baroques et perles moins connues, les plus disposées que les duos de piano pour la première fois. Il ya beaucoup à ceux qui cherchent à éblouir un public, ainsi que des danses animées et plus intimes beautés.
Michael Aston organisé une exposition pour la musique à l'Université de Cambridge. Après une courte carrière dans la fonction publique, il s'installe à Leeds, en 1979, et a commencé une carrière de musicien à la pige. Un pianiste spécialisée dans l'accompagnement des duos et piano, il enseigne le piano et s'est impliqué dans la formation continue, présentant des cours pour les universités de Manchester, Nottingham, et de Cambridge. Il est un passionné de vie pour la musique de William Walton, et a donné de nombreuses conférences sur le sujet et a visité la propriété Walton en Italie. Il a écrit sur Walton pour le magazine de musique classique et a édité un volume de l'édition de William Walton, publié par Oxford University Press. Il est le compilateur de quatre volumes de duos piano, publié par Oxford University Press. / Niveau : Facile / Recueil / Piano
31.39 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Handbook Of Guitar And
Lute Composers (HANNU
ANNALA) Guitare - Débutant Mel Bay
Par HANNU ANNALA. Dans la compilation sourcebook de ce point de repère, les gui...(+)
Par HANNU ANNALA. Dans la compilation sourcebook de ce point de repère, les guitaristes finlandais Hannu Annala et Heiki Matlik consulté plus de 70 textes de musique ainsi que des dizaines de compositeur vitae acquis des centres d'informations musicales de plusieurs pays. Durant le processus de rédaction, qui a duré plus de trois ans, ils ont reçu des informations supplémentaires de nombreux compositeurs modernes, y compris Leo Brouwer et Reginald Smith Brindle parmi d'autres. En outre, plusieurs guitaristes scène renommés internationale fourni de précieux renseignements - notamment Magnus Andersson (Suède), Rémi Boucher (Canada), Margarita Escarpa (Espagne), Aleksander Frauchi (Russie) et David Tanenbaum (USA) entre autres. Objectif des auteurs était d'écrire un livre bien structuré avec des chapitres distincts pour chaque instrument, comme la guitare Renaissance et Baroque, le luth de la Renaissance et du Baroque, la vihuela, etc.. Cette structure unique permet au lecteur de découvrir facilement les compositeurs ont écrit pour certains un instrument durant tout donner... / Niveau : Débutant / Classic - Reference / Livre / Guitare Classique
22.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concertos By Baroque
Composer (BACH JOHANN
SEBASTIAN) Clavier et Piano [Partition] Dover Publications
by Baroque Composers. Par BACH JOHANN SEBASTIAN. Sixteen of Bach’s transcripti...(+)
by Baroque Composers. Par BACH JOHANN SEBASTIAN. Sixteen of Bach’s transcriptions for solo keyboard instruments (Piano and Harpsichord) of concertos for Violin and other non-keyboard instruments by Vivaldi, Telemann and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann./ Répertoire / Clavier et Piano
20.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Richard Jones: Baroque
Flute Pieces Book III:
Flute: Instrumental Album Flûte traversière ABRSM Publishing
Eleven pieces by baroque composers including Telemann Handel Stanley and C.P.E...(+)
Eleven pieces by baroque composers including Telemann Handel Stanley and C.P.E Bach. Edited for the ABRSM by Richard Jones.
11.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Richard Jones: Baroque
Flute Pieces Book IV:
Flute: Instrumental Album Flûte traversière - Intermédiaire ABRSM Publishing
Pieces by nine baroque composers including John Stanley Telemann and C.P.E Bach...(+)
Pieces by nine baroque composers including John Stanley Telemann and C.P.E Bach. Edited for the ABRSM by Richard Jones. Continuo part provided.
11.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Hugh Benham: Baroque
Music In Focus: History [Livre] Rhinegold Publishing Ltd.
Second Edition-This book defines Baroque music simply and explains how it began ...(+)
Second Edition-This book defines Baroque music simply and explains how it began developed and influenced later musicians with chapters on major genres and a survey of the lives and music of the two leading composers of the late Baroque Bach and Handel.This book suggests listening viewing and further reading material to complement the main topics within the book and is an ideal resource for those wanting to explore the many aspects of Baroque music.This second edition has been fully revised and updated with expanded sections on the major genres and works of the Baroque era.Written to provide a solid foundation for pupils of all levels who are studyingBaroque music Baroque Music in Focus would also be useful for any readers with an interest in the topic.Hugh Benham read Music and English at Southampton University where he was awarded a Ph.D. for his study of the music of John Taverner. He is a chair of examiners for GCE Music an in-service trainer church organist and writer and formerly taught music in a sixth-form college.Hugh has contributed to Music Teacher and Classroom Music magazines and is the author of Baroque Music in Focus (Rhinegold 2007). His other writing includes two books on English church music including John Taverner: his Life and Music (Ashgate 2003) articles on early music contributions to The New Grove Dictionary of Music and Musicians (2001) and Die Musik in Geschichte und Gegenwart and a complete edition of Taverner for Early English Church Music.
13.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Achieving Guitar Artistry
- Contemporary Baroque
Etudes (WILLLIAM BAY) Guitare [Partition] Mel Bay
Par WILLLIAM BAY. The arts flourished in the Baroque period. Music from that tim...(+)
Par WILLLIAM BAY. The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the 'common' or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).
In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.
In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay 'Achieving Guitar Artistry' series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed./ Recueil / Guitare
26.13 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Les Danses Baroques A La
Guitare
En Français [Partition] Delatour France
Pour venir en aide aux guitaristes, nombreux, qui aiment le répertoire baroque ...(+)
Pour venir en aide aux guitaristes, nombreux, qui aiment le répertoire baroque mais ne possèdent ni guitare baroque, ni luth baroque, ni théorbe, il était nécessaire de réaliser cet ouvrage. Les danses de la suite française (Allemande, Courante, Sarabande, Menuet, Gavotte, Bourrée, Passacaille, Chaconne, Gigue?) y sont présentées d'abord globalement puis, pour chacune d'elles, on découvre l'origine qui date souvent de la renaissance, la structure rythmique type avec sa dynamique et une évaluation du tempo le plus raisonnable. De nombreux exemples courts (huit premières mesures) ou plus longs (premières parties) permettent de définir un archétype de chaque danse que l'on peut appliquer, à la fin de l'ouvrage, à une ' suite puzzle '. Cette suite est artificiellement construite avec des danses composées par des musiciens différents : Robert de Visée, Francesco Corbetta, François Lecocq, Ludovico Roncalli, Jacques Gallot, Henri Grénerin, Charles Mouton, François Campion? A l'évidence, cette recherche destinée aux guitaristes devrait aussi rendre quelques services à tout instrumentiste amoureux du grand siècle : claveciniste, flûtiste, violoniste, gambiste, etc. / Littérature Musicale
17.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Baroque Guitar Anthology Guitare Guitare classique [Partition + CD] - Intermédiaire/avancé Schott
Graded collection of Baroque repertoireFor students with 8-9 years playing exper...(+)
Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Bach, Weiss, Kellner and Corbetta amongst others, it presents a carefully selected range of works, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies and teaching notes on all of the works, and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience, or those of grades 7-8 level. / Guitare
21.65 EUR - vendu par LMI-partitions Délais: En Stock |
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| A Baroque Style Christmas Piano seul Alfred Publishing
10 Arrangements Inspired by Baroque Compositions. A Baroque-Style Christmas comb...(+)
10 Arrangements Inspired by Baroque Compositions. A Baroque-Style Christmas combines favorite Christmas carols with excerpts from beloved masterworks by Baroque period composers. / Niveau : Débutant à Avancé / Recueil / Piano
19.93 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Baroque Violin Anthology:
Violin: Instrumental
Album Violon [Partition + CD] Schott
Baroque Violin Anthology. The highly regarded early music specialist and violini...(+)
Baroque Violin Anthology. The highly regarded early music specialist and violinist, Walter Reiter, presents the first in a new series of four volumes dedicated to violin music from the Baroque period. Featuring 38 beautiful pieces scored for violin and keyboard accompaniment, this collection includes pieces by well known figures such as Bach, Handel and Purcell, as well as lesser-known and rarely available works from a range of other composers.Suitable for students of ca. 1-2 years of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Walter Reiter and Robin Bigwood.
15.99 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Anthology A Vol.3: Piano:
Instrumental Album Piano seul [Partition] - Intermédiaire/avancé Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...(+)
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - vendu par Musicroom GB |
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| Scarlatti And Weiss For
Guitar: Guitar:
Instrumental Album Guitare Guitare classique [Partition] Mel Bay
Born in the Italian city of Naples Giuseppe Domenico Scarlatti (1685-1757) was ...(+)
Born in the Italian city of Naples Giuseppe Domenico Scarlatti (1685-1757) was one of the few Baroque composers to transition into the Classical period. Scarlatti composed operas cantatas symphonias andliturgical pieces but his 555 keyboard sonatas are most well-known; a vast collection of single movements in binary form. Lily Afshar's arrangement of Sonata K. 11 (a favorite of Segovia) utilizes staccato articulationreminiscent of the harpsichord and othertechniques including cross-string trills and minimal slurs. The pair of sonatas work well together written in E minor and E major.Sylvius Leopold Weiss (1687-1750) wasthe most accomplished Lutenist of the Baroque period and the most prolific composer of Lute music writing over one thousand pieces for the instrument. The four pieces arranged in this book show the beautiful polyphony andfantastical writing of Weiss. Afshar utilizes campanella (cross-string) fingerings throughout to emphasize the musical line and produce a fuller sound on the instrument.
13.99 GBP - vendu par Musicroom GB |
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| The Baroque Violin
Collection: Violin: Score
and Parts Violon et Piano Schirmer
9 Pieces by 9 Composers-This volume in Schirmer's Library Of Musical Classics co...(+)
9 Pieces by 9 Composers-This volume in Schirmer's Library Of Musical Classics contains 9 Baroque pieces by 9 composers in arrangements for Violin with Piano accompaniment. Pieces include: J. S. Bach: Concerto In A Minor BWV1041 Arcangelo Corelli: Sonata In D Minor 'La Folia' Op.5 No.12 George Frideric Handel: Sonata In D Major HWV 371 Jean-Marie Leclair: Sonata In D Major Op.9 No.3 PietroNardini: Concerto In E Minor Georg Philipp Telemann: Sonatina In A Major Giovanni Battista Viotti: Concerto In G Major Tommaso Vitali: Ciaccona In G MinorAntonio Vivaldi: Concerto In E Major 'Spring' RV269
18.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Richard Jones: Baroque
Flute Pieces Book V:
Flute: Instrumental Album Flûte traversière ABRSM Publishing
The fifth book of Baroque Flute Pieces offers another selection of wonderful ear...(+)
The fifth book of Baroque Flute Pieces offers another selection of wonderful early and mid-eighteenth century flute music. It represents some of the finest works for the flute and demonstrates the changing vogue and technology of that period when a new instrument required new music. This series is part of the ABRSM repertory and has been superbly edited by Richard Jones. There is a substantial and informative introduction and extensive background performance and transposition notes for each piece. There are seven works here for Flute with Piano and a Continuo part by composers such as J.S. Bach Leclair Telemann and Michel de LaBarre— the first major figure in Baroque flute music. This volume offers the greatest challenge and is recommended for advanced flautists.
11.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Baroque Music For
Clarinet (NORMAN HEIM) Clarinette - Intermédiaire Bill's Music Shelf
Par NORMAN HEIM. This collection of Baroque music is arranged for the intermedia...(+)
Par NORMAN HEIM. This collection of Baroque music is arranged for the intermediate-level clarinetist with the piano part being of equal difficulty. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. The piano accompaniment is available as a free download. / Niveau : Intermédiaire / Classic - Solos / Recueil / Clarinette
16.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| The Baroque Piano + 2cd
- Piano Solo Piano seul [Partition + CD] Alfred Publishing
The piano repertoire in this collection is supported by fascinating insight on t...(+)
The piano repertoire in this collection is supported by fascinating insight on the influence of society, style, and musical trends on the great keyboard composers of the Baroque period. Nancy Bachus brilliantly employs an integrated arts approach, creating an indispensable resource for every piano teacher, student, and music lover alike. The recordings are artistically performed by concert pianist Daniel Glover. This library-quality edition is a complete version of The Baroque Spirit Books 1 and 2 by Nancy Bachus, and is conveniently packaged with CDs in one volume.
32.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Succeeding With The
Masters: Baroque Era 2:
Piano: Instrumental Tutor Piano seul [Partition + CD] - Intermédiaire FJH
Compiled and edited by Helen Marlais Succeeding with the Masters is a series de...(+)
Compiled and edited by Helen Marlais Succeeding with the Masters is a series dedicated to the authentic keyboard works of Baroque Classical Romantic and 20th Century masters.This series provides a complete and easily accessible method for learning and performing the works of the masters. Each book presents the works in historical perspective for the student and provides the means and the motivation to play these pieces in the correct stylistic musical and technical manner. The easily understandable format of practice strategies and musical concepts make this series enjoyable for both students and teachers.To ensure authenticity all of these pieceshave been extensively researched. Teachers will find a wealth of excellent repertoire that can be used for recitals festivals competitions and state achievement testing. Many of these original compositions may be new to you while others will be familiar. This series brings together an essential and comprehensive library of the pedagogical repertoire of the great composers.Succeeding with the Masters: Baroque Era - Volume Two is a groundbreaking collection of 25 graded repertoire pieces by J.S. Bach G.F. Handel and D. Scarlatti.
8.50 GBP - vendu par Musicroom GB |
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| Succeeding With The
Masters: Baroque Era 1:
Piano: Instrumental Tutor Piano seul [Partition + CD] - Facile FJH
Compiled and edited by Helen Marlais Succeeding with the Masters is a series de...(+)
Compiled and edited by Helen Marlais Succeeding with the Masters is a series dedicated to the authentic keyboard works of Baroque Classical Romantic and 20th Century masters.This series provides a complete and easily accessible method for learning and performing the works of the masters. Each book presents the works in historical perspective for the student and provides the means and the motivation to play these pieces in the correct stylistic musical and technical manner. The easily understandable format of practice strategies and musical concepts make this series enjoyable for both students and teachers.To ensure authenticity all of these pieceshave been extensively researched. Teachers will find a wealth of excellent repertoire that can be used for recitals festivals competitions and state achievement testing. Many of these original compositions may be new to you while others will be familiar. This series brings together an essential and comprehensive library of the pedagogical repertoire of the great composers.Succeeding with the Masters: Baroque Era - Volume One is a groundbreaking collection of 22 graded repertoire pieces by J.S. Bach G.F. Handel and D. Scarlatti.
7.50 GBP - vendu par Musicroom GB |
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| Baroque Dances 2 Flûte à bec (duo) [Partition + CD] Schott
for Descant Recorder with additional 2nd part. A new selection of traditional da...(+)
for Descant Recorder with additional 2nd part. A new selection of traditional dance movements and arrangements for 1-2 recorders is now published in the successful 'Fun and Games with the Recorder' series. It contains the most important dance types and the most famous composers and dancing masters of the Renaissance and Baroque eras - from Praetorius, Handel and Lully to Purcell, Bach and Rameau. Even baroque operas are a must here. The attached CD includes recordings of the arrangements in two versions: with and without recorders./ Recueil / 2 Flûtes à Bec Soprano
18.31 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Baroque Music For
Clarinet (HEIM NORMAN) Clarinette - Intermédiaire Mel Bay
Par HEIM NORMAN. This collection of Baroque music is arranged for the intermedia...(+)
Par HEIM NORMAN. This collection of Baroque music is arranged for the intermediate level clarinetist with the piano part being of equal skill level. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. A separate clarinet solo pull-out part is included. / Niveau : Intermédiaire / Classique / Recueil / Clarinette
23.42 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 4 Saisons (Le quattro
stagioni) (VIVALDI /
VEILHAN) Flûte à bec Alto Leduc, Alphonse
Par VIVALDI / VEILHAN. As one of the great Baroque composers, Antonio Vivaldi 's...(+)
Par VIVALDI / VEILHAN. As one of the great Baroque composers, Antonio Vivaldi 's (1678-1741) compositions remain hugely popular to this day. The Four Seasons is his best-known work and therefore, Jean-Claude Veilhan 's transcription for Recorder was well-received for making the highly acclaimed work more accessible. Vivaldi 's Four Seasons were originally published in 1725 as a Violin Concerto. Each movement's texture varies depending on which season it depicts. Veilhan 's adaption for Recorder includes articulation, phrasing and performance directions necessary to the instrument. For all aspiring solo Recorder players of the Baroque genre, Veilhan 's transcription of Vivaldi 's Four Seasons cannotbe missed./ Répertoire / Flûte à Bec Alto
15.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| R.O. Morris: Figured
Harmony at the Keyboard
Part 1: Instrumental
Tutor Piano seul Oxford University Press
The first in a set of tutorials that introduce and cover the Baroque techniques ...(+)
The first in a set of tutorials that introduce and cover the Baroque techniques of figured harmony. Beginning with root-position chords this step-by-step guide gradually introduces inversions re-harmonisations passing tones and ornamentation. The short-hand figures are fully explained with specific reference to stylistic authenticity. Learn the most appropriate shapes how they move and how to apply them by sight in a manner true to the legacy of the Baroque composers.
23.75 GBP - vendu par Musicroom GB Délais: En Stock |
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| Antonio Vivaldi: Mottetti
A Canto Solo Con
Stromenti Vol. 2: SATB:
Score Voix de femme (Soprano ou Mezzo),
Cordes, Basse continue (Clavecin) [Partition - Matériel d'orchestre en location] Heugel
As one of the great Baroque composers Antonio Vivaldi's (1678-1741) composition...(+)
As one of the great Baroque composers Antonio Vivaldi's (1678-1741) compositions remain hugely popular to this day. His motets including Motetti A Canto Solo Con Stromenti continue to be popular large-scale performance works. Vivaldi is best remembered for his Four Seasons and for his Violin concertos. However his motets number to over 60. The second volume of Motetti A Canto Solo Con Stromenti contains the last three movements of the work. For all aspiring solo vocalists of the Baroque genre Vivaldi's Motetti A Canto Solo ConStromenti cannot be missed.
17.99 GBP - vendu par Musicroom GB |
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| Motetti A Canto Solo Con
Stromenti
Cordes/Cht/Continuo/Ption
Lp7/Vol.2 (VIVALDI /
BLANCHARD) Chorale SATB [Partition] Heugel
Par VIVALDI / BLANCHARD. As one of the great Baroque composers, Antonio Vivaldi ...(+)
Par VIVALDI / BLANCHARD. As one of the great Baroque composers, Antonio Vivaldi 's (1678-1741) compositions remain hugely popular to this day. His motets, including Motetti A Canto Solo Con Stromenti continue to be popular, large-scale performance works. Vivaldi is best remembered for his Four Seasons and for his Violin concertos. However, his motets number to over 60. The second volume of Motetti A Canto Solo Con Stromenti contains the last three movements of the work. For all aspiring solo vocalists of the Baroque genre, Vivaldi 's Motetti A Canto Solo ConStromenti cannot be missed./ Répertoire / SATB
23.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance Anthology A
Vol.4: Piano or Keyboard:
Instrumental Album Piano seul [Partition] Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
|
| M. Tanner: Renaissance
Keyboard Anthology 1:
Harpsichord or Piano:
Instrumental Piano seul Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
|