By Michael Burns, bassoon; InA!ra Zandmane, piano. By Various. For bassoon solo....(+)
By Michael Burns,
bassoon; InA!ra Zandmane,
piano. By Various. For
bassoon solo. Mark
Masters. Audio CD.
Duration 65:52. Published
by Mark Custom Music
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
Bassoon and Piano SKU: ST.C184 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C184
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C184. Published
by Clifton Edition
(ST.C184).
ISBN
9790570811847.
March of the
Day The
subtitle says it all, I
think. The piece has
three main ideas each in
the contrasting keys of
Bb, Eb and F majors. Can
you find a different
character for each one?
The danger for
bassoonists in this sort
of piece is that
everything can sound
accented, so be careful
to follow the
articulation marks as
closely as you
can.
Rondo
lettinetto Th
is is all about building
phrases through
repetition. It relies
largely, therefore, on
control of the sound. Try
to achieve a really
obvious contrast of
character between the
opening phrases and the
less refined con spirito
episode. This might be
played just a touch
faster than the opening
and closing sections, if
you wish. There is a hint
of gentle parody in this
piece if you can find a
way of expressing that
too.
Sand-
dance
Kid This
piece stretches the
compass and range of
expression even further.
There are very obvious
contrasts of staccato and
legato and the phrase
lengths of the middle
section are far from
regular. Try to scale
down the dynamics at the
end so that you end as
softly as you can
play. Three Pieces for
Bassoon and
Piano
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Basson [Partition + Accès audio] - Intermédiaire Hal Leonard
Book with Online Audio. Composed by Various. Edited by Linda Rutherford. Arrange...(+)
Book with Online Audio.
Composed by Various.
Edited by Linda
Rutherford. Arranged by
Leonard Sharrow. Master
Solos. Play Along.
Softcover Audio Online.
36 pages. Published by
Hal Leonard
Two Sketches [Set de Parties séparées] Theodore Presser Co.
For Woodwind Quintet. By Darius Milhaud. Wind quintet. For Flute, Oboe, Clarinet...(+)
For Woodwind Quintet. By
Darius Milhaud. Wind
quintet. For Flute, Oboe,
Clarinet, Bassoon, French
Horn. Set of parts. 10
pages. Duration 4:30.
Published by Theodore
Presser Company.
Bassoon duo SKU: P2.40012 Composed by Peter Simpson. Chamber music. Publi...(+)
Bassoon duo
SKU:
P2.40012
Composed by
Peter Simpson. Chamber
music. Published by
Potenza Music (P2.40012).
These duos are
designed to provide an
enjoyable and
pedagogically sound
context in the study of
orchestral excerpts for
bassoon. By learning both
parts of the duets, you
should develop a better
sense of the harmonies
and rhythms that are
present in other parts of
the orchestra. Each piece
is designed to have clear
beginnings, endings, and
transitions so that the
arrangement feels like a
short piece, rather than
a collection of
disjointed excerpts. In
order to accomplish this,
I have added and modified
some material based on
the original orchestral
parts. Volume 1 contains
music that is fairly
technically accessible,
while Volume 2 is
considerably more
challenging. If your goal
is to use these duos to
help familiarize yourself
with these excerpts
before you have all the
technical skills needed,
then you may try starting
with some of the easier
accompaniments or try
simplifying some of the
solos by changing tempos,
octaves, articulations,
etc.
18 Christmas Songs Basson, Piano (duo) [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Bassoon & Piano (Organ) or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-57...(+)
Bassoon & Piano (Organ)
or CD Play Back / Play
Along - Grade 2
SKU:
MA.EMR-57077
Composed
by Jerome Naulais. Score
and parts. Duration
29'52. Editions Marc
Reift #EMR 57077.
Published by Editions
Marc Reift
(MA.EMR-57077).
O Little Town
Of Bethlehem / Good King
Wenceslas / In Dulci
Jubilo / Joy To The World
/ Stille Nacht / Il est
ne le Divin enfant /
Jingle Bells / O Come,
Little Children / Kling /
Les anges dans nos
campagnes / O Holy Night
/ The First Nowell
etc...
Concert Band Bassoon SKU: AP.48558 Music-Reading and Performance Conce...(+)
Concert Band Bassoon
SKU: AP.48558
Music-Reading and
Performance Concepts.
Composed by Brian Beck,
Robert Sheldon, and Scott
Watson. Band Method;
MakeMusic Cloud;
Method/Instruction;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Sound
Sight-Reading. Book. 60
pages. Alfred Music
#00-48558. Published by
Alfred Music (AP.48558).
ISBN 9781470642891.
UPC: 038081554037.
English.
Sound
Sight-Reading by Brian
Beck, Scott Watson, and
Robert Sheldon is part of
the revolutionary Sound
Innovations for Concert
Band series. Sound
Sight-Reading provides
students with decoding
strategies to help with
reading music more
quickly and accurately.
Organized in six
progressively detailed
and expressive levels,
each section introduces
and reviews new notes,
rhythms, time signatures,
and other musical
elements through a
variety of performance
material. The teacher's
score is packed with
insights and ideas for
musical games to help
keep things fun and
challenging.
Experience the
many benefits of improved
sight-reading: *
Maximize the contact time
you have with students.
* Spend less time
learning notes and more
time learning expression,
phrasing, balance, etc.
* Achieve better
scores at festivals and
other assessments. This
title is available in
MakeMusic Cloud.