14 des plus grands succès du trio de Buffalo note reproduite par note, avec l'onglet: Before It's Too Late - Better Days - Big Machine - Black Balloon - Broadway - Dizzy - Feel the Silence (Remix) - Voici Gone - Iris - Let Love In - Nom (Nouvelle Version) - - Glissez rester avec vous - sympathie. / Guitare / 104 pages / Partition

The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! This Bb mini edition includes 400 songs: Ac-cent-tchu-ate The Positive (from the Motion Picture HERE COME THE WAVES) After You After You've Gone (from ONE MO' TIME) Ain't Misbehavin' (from AIN'T MISBEHAVIN') Ain't That A Kick In The Head Aisha All My Tomorrows All Or Nothing At All All The Way (from THE JOKER IS WILD) Allanjuneally Alone Too Long (from BY THE BEAUTIFUL SEA) Along Came Betty Always And Forever Among My Souvenirs Amor (Amor, Amor, Amor) Antigua Aquellos Ojos Verdes (Green Eyes) Aren't You Glad You're You As Long As I Live At Long Last Love (from YOU NEVER KNOW) At Sundown Autumn In 3 Baia (Bahía) Ballad For Trane Bark For Barksdale Be Careful, It's My Heart (from HOLIDAY INN) Bein' Green Bernie's Tune Bésame Mucho (Kiss Me Much) The Best Thing For You (from the Stage Production CALL ME MADAM) The Best Things In Life Are Free (from GOOD NEWS!) Between The Devil And The Deep Blue Sea (from RHYTHMANIA) Beyond The Blue Horizon (from the Paramount Picture MONTE CARLO) Bijou Bitches Brew Blackberry Winter The Blessing A Blossom Fell Blue Bird Blue Champagne Blue Prelude Bolivia Born To Be Blue Bossa Antigua Brazil Breakin' Away The Breeze And I Bud Powell Buzzy By Myself (from BETWEEN THE DEVIL) Bye Bye Baby (from GENTLEMEN PREFER BLONDES) Caldonia (What Makes Your Big Head So Hard') Careful Cariba Celia Change Partners (from the RKO Radio Motion Picture CAREFREE) Cheek To Cheek (from the RKO Radio Motion Picture TOP HAT) Cheetah Cheryl Chicago (That Toddlin' Town) Come Fly With Me Continuum Copenhagen A Cottage For Sale Crazy Crazy She Calls Me The Creole Love Call Cry Me A River Dark Eyes Day Dream 'Deed I Do Dig Diminushing Don't Ever Go Away (Por Causa De Voce) Don't Know Why Don't Take Your Love From Me Don't Worry 'Bout Me (from COTTON CLUB PARADE) Dream Dancing A Dreamer's Holiday Dreamy Drop Me Off In Harlem Early Morning Mood East Of The Sun (And West Of The Moon) East St. Louis Toodle-oo East To Wes Easy Street Eleven Four Elogie The End Of A Love Affair Ev'ry Time We Say Goodbye (from SEVEN LIVELY ARTS) Everything Happens To Me Ev'rything I Love Exactly Like You The Face I Love Falling In Love Again (Can't Help It) (from the Paramount Picture THE BLUE ANGEL) Feel Like Makin' Love Fields Of Gold Fine And Mellow For Every Man There's A Woman (from the Motion Picture CASBAH) Freckle Face From This Moment On (from OUT OF THIS WORLD) Full Moon And Empty Arms Funkallero Get Happy (from SUMMER STOCK) Glad To Be Unhappy (from ON YOUR TOES) The Glory Of Love (featured in GUESS WHO'S COMING TO DINNER) Gone With The Wind A Good Man Is Hard To Find Good Morning Heartache Got A Match' H and H Happy Hunting Horn (from PAL JOEY) Hard Hearted Hannah (The Vamp Of Savannah) Harlem Nocturne (featured in the Television Series MIKE HAMMER) Haunted Heart (from INSIDE U.S.A.) Heart And Soul (from the Paramount Short Subject A SONG IS BORN) Heat Wave (from the Stage Production AS THOUSANDS CHEER) Here's To My Lady High Hopes Hit That Mess Hooray For Love (from the Motion Picture CASBAH) How Are Things In Glocca Morra (from FINIAN'S RAINBOW) How Deep Is The Ocean (How High Is The Sky) I Ain't Got Nobody (And Nobody Cares For Me) I Ain't Got Nothin' But The Blues I Can't Believe That You're In Love With Me I Concentrate On You (from BROADWAY MELODY OF 1940) I Could Have Danced All Night (from MY FAIR LADY) I Cried For You I Didn't Know What Time It Was (from TOO MANY GIRLS) I Don't Know Enough About You I Don't Know Why (I Just Do) I Don't Want To Walk Without You (from the Paramount Picture SWEATER GIRL) I Found A Million Dollar Baby (In A Five And Ten Cent Store) (from FUNNY LADY) I Got The Sun In The Morning (from the Stage Production ANNIE GET YOUR GUN) I Gotta Right To Sing The Blues I Guess I'll Hang My Tears Out To Dry (from GLAD TO SEE YOU) I Hear Music (from the Paramount Picture DANCING ON A DIME) I Keep Going Back To Joe's I Left My Heart In San Francisco I Like The Likes Of You I Wanna Be Loved I Wish I Were In Love Again (from BABES IN ARMS) I Wish You Love I Wished On The Moon I Won't Dance (from ROBERTA) I'll Be Around I'll Be Seeing You (from RIGHT THIS WAY) I'll Close My Eyes I'll Get By (As Long As I Have You) I'll Take Romance I'm Always Chasing Rainbows I'm Glad There Is You (In This World Of Ordinary People) I'm Hip I'm Old Fashioned (from YOU WERE NEVER LOVELIER) I'm Sitting On Top Of The World (from THE JOLSON STORY) I've Got My Love To Keep Me Warm (from the 20th Century Fox Motion Picture ON THE AVENUE) I've Got The World On A String I've Got You Under My Skin (from BORN TO DANCE) I've Grown Accustomed To Her Face (from MY FAIR LADY) I've Heard That Song Before (from the Motion Picture YOUTH ON PARADE) I've Never Been In Love Before (from GUYS AND DOLLS) If I Didn't Care Ill Wind (You're Blowin' Me No Good) (from COTTON CLUB PARADE) In A Little Spanish Town ('Twas On A Night Like This) In Her Family In Love In Vain In The Cool, Cool, Cool Of The Evening (from the Paramount Picture HERE COMES THE GROOM) Indian Summer Interchange Isfahan (from FAR EAST SUITE) It All Depends On You (from THE SINGING FOOL) It Never Entered My Mind (from HIGHER AND HIGHER) It Only Happens When I Dance With You (from the Motion Picture Irving Berlin's EASTER PARADE) It's A Big Wide Wonderful World (from ALL IN FUN) It's A Good Day It's A Lovely Day Today (from the Stage Production CALL ME MADAM) It's A Most Unusual Day (from A DATE WITH JUDY) It's Been A Long, Long Time It's De-Lovely (from RED, HOT AND BLUE!) It's Impossible (Somos Novios) It's So Nice To Have A Man Around The House It's The Talk Of The Town It's Too Late (from BEAUTIFUL) It's You Or No One (from the Film ROMANCE ON THE HIGH SEAS) Jamba James Java Jive Jazz 'N' Samba (Só Danço Samba) (from the film COPACABANA PALACE) Jersey Bounce The Jive Samba Just A Gigolo Just Squeeze Me (But Don't Tease Me) Just The Two Of Us Kickin' The Gong Around The Lady Is A Tramp (from BABES IN ARMS) The Lady's In Love With You (from the Paramount Picture SOME LIKE IT HOT) Lazy Afternoon (from THE GOLDEN APPLE) Lazybones Learnin' The Blues Let There Be Love Let's Face The Music And Dance (from the Motion Picture FOLLOW THE FLEET) Let's Get Away From It All Line For Lyons Line Games Linger Awhile Little Girl Blue (from JUMBO) Little Shoes Little White Lies Little Willie Leaps The Look Of Love (from CASINO ROYALE) Look To The Rainbow (from FINIAN'S RAINBOW) Lost In The Stars (from the Musical Production LOST IN THE STARS) L-O-V-E Love Is A Simple Thing Love Letters (Theme from the Paramount Picture LOVE LETTERS) Love Me Or Leave Me (from LOVE ME OR LEAVE ME) The Love Nest Love You Madly Lover, Come Back To Me (from THE NEW MOON) Lullaby Of The Leaves Makin' Whoopee! (from WHOOPEE!) Mambo #5 The Man That Got Away (from the Motion Picture A STAR IS BORN) Manhattan (from the Broadway Musical THE GARRICK GAIETIES) Marmaduke Mas Que Nada Masquerade (I'm Afraid) The Masquerade Is Over Maybe I Should Change My Ways (from BEGGAR'S HOLIDAY) Mayreh Mean To Me (featured in the Motion Picture LOVE ME OR LEAVE ME) The Meaning Of The Blues Midnight Sun Milestones Mimi (from the Paramount Picture LOVE ME TONIGHT) Mona Lisa (from the Paramount Picture CAPTAIN CAREY, U.S.A.) Moon And Sand Moonlight Becomes You (from the Paramount Picture ROAD TO MOROCCO) Moonlight In Vermont (There Ought To Be A) Moonlight Saving Time More (Ti Guarderò Nel Cuore) (from the film MONDO CANE) More I Cannot Wish You (from GUYS AND DOLLS) Mountain Greenery (from the Broadway Musical THE GARRICK GAIETIES) My Baby Just Cares For Me (from WHOOPEE!) My Blue Heaven My Heart Belongs To Daddy (from LEAVE IT TO ME) My Heart Stood Still (from A CONNECTICUT YANKEE) My Ideal (from the Paramount Picture PLAYBOY OF PARIS) My Lucky Star My Man (Mon Homme) (from ZIEGFELD FOLLIES) My Melancholy Baby My Silent Love My Sin Nancy With The Laughing Face Never Let Me Go (from the Paramount Picture THE SCARLET HOUR) Nevertheless (I'm In Love With You) The Night We Called It A Day A Nightingale Sang In Berkeley Square No Moon At All Nobody Else But Me (from the Revival of SHOWBOAT) Norwegian Wood (This Bird Has Flown) The Odd Couple (Theme from the Paramount Picture THE ODD COUPLE) Old Cape Cod On A Clear Day (You Can See Forever) (from ON A CLEAR DAY YOU CAN SEE FOREVER) On A Slow Boat To China On The Street Where You Live (from MY FAIR LADY) On The Sunny Side Of The Street One For My Baby (And One More For The Road) (from the Motion Picture THE SKY'S THE LIMIT) Out Of This World (from the Motion Picture OUT OF THIS WORLD) The Party's Over (from BELLS ARE RINGING) Passport People (from FUNNY GIRL) Perhaps Poinciana (Song Of The Tree) Poor Butterfly Pretend A Pretty Girl Is Like A Melody (from the 1919 Stage Production ZIEGFELD FOLLIES) Pure Imagination (from WILLY WONKA AND THE CHOCOLATE FACTORY) Put On A Happy Face (from BYE BYE BIRDIE) Quizás, Quizás, Quizás (Perhaps, Perhaps, Perhaps) The Rainbow Connection (from THE MUPPET MOVIE) Re: Person I Knew Red Top Reflections In D Revelation Ridin' High (from RED, HOT AND BLUE!) Rifftide Rockin' Chair Romance Without Finance Room 608 Rose Room Rosewood Samba De Orfeu Save The Bones For Henry Jones Say It Isn't So Say It With Music (from the 1921 Stage Production MUSIC BOX REVUE) Seems Like Old Times (from ANNIE HALL) Segment Sentimental Me (from the Broadway Musical THE GARRICK GAIETIES) Shawnuff Shoo Fly Pie And Apple Pan Dowdy Sing, You Sinners (from the Paramount Picture HONEY) The Single Petal Of A Rose (from QUEEN'S SUITE) Sister Sadie Skylark A Sleepin' Bee (from HOUSE OF FLOWERS) Small Fry (from the Paramount Motion Picture SING, YOU SINNERS) Small World (from GYPSY) So In Love (from KISS ME, KATE) Soft Lights And Sweet Music (from the Stage Production FACE THE MUSIC) Somebody Loves You Something Wonderful (from THE KING AND I) Sometimes I'm Happy Song For Helen Song For Strayhorn The Song Is Ended (But The Melody Lingers On) Song Of The Jet (Samba do Avião) (from the film COPACABANA PALACE) Soon It's Gonna Rain (from THE FANTASTICKS) S.O.S. Spring Can Really Hang You Up The Most Spring Will Be A Little Late This Year (from the Motion Picture CHRISTMAS HOLIDAY) Squeeze Me Stablemates Stay As Sweet As You Are Steeplechase Steppin' Out With My Baby (from the Motion Picture Irving Berlin's EASTER PARADE) Stormy Weather (Keeps Rainin' All The Time) (from COTTON CLUB PARADE OF 1933) Sweet And Lovely Swinging On A Star (from GOING MY WAY) Take Ten A Taste Of Honey Teach Me Tonight Teen Town Telephone Song Ten Cents A Dance (from SIMPLE SIMON) (Love Is) The Tender Trap That Old Black Magic (from the Paramount Picture STAR SPANGLED RHYTHM) That Old Feeling Theme For Ernie There Are Such Things There Goes My Heart There's A Mingus Amonk Us They Say It's Wonderful (from the Stage Production ANNIE GET YOUR GUN) Things Ain't What They Used To Be This Can't Be Love (from THE BOYS FROM SYRACUSE) This Could Be The Start Of Something Big (Theme from THE STEVE ALLEN SHOW) This Is All I Ask (Beautiful Girls Walk A Little Slower) Three Little Words (from the Motion Picture CHECK AND DOUBLE CHECK) The Thrill Is Gone (from GEORGE WHITE'S SCANDALS (1931 Edition)) Time After Time (from the Metro-Goldwyn-Mayer Picture IT HAPPENED IN BROOKLYN) Time Was Too Close For Comfort (from the Musical MR. WONDERFUL) Too Late Now Toot, Toot, Tootsie! (Good-bye!) (from THE JAZZ SINGER) The Touch Of Your Lips Trick Try To Remember (from THE FANTASTICKS) Two Of A Mind Un Poco Loco Unforgettable Upside Downside The Very Thought Of You Violets For Your Furs The Visit Wail Walk On The Wild Side (from WALK ON THE WILD SIDE) Walkin' My Baby Back Home Watermelon Man What A Diff'rence A Day Made What A Wonderful World (featured in the Motion Picture GOOD MORNING VIETNAM) What Did I Have That I Don't Have' (from ON A CLEAR DAY YOU CAN SEE FOREVER) What I Did For Love (from A CHORUS LINE) What Now My Love When The Sun Comes Out When You're Smiling (The Whole World Smiles With You) Where Or When (from BABES IN ARMS) While We're Young Whistle While You Work (from Walt Disney's SNOW WHITE AND THE SEVEN DWARFS) (There'll Be Bluebirds Over) The White Cliffs Of Dover Whittlin' Who's Afraid Of The Big Bad Wolf' (from Walt Disney's THREE LITTLE PIGS) Why Did I Choose You' (from THE YEARLING) Why Don't You Do Right (Get Me Some Money, Too!) Why Try To Change Me Now Will You Still Be Mine Wintersong Witchcraft With Every Breath I Take (from the Motion Picture HERE IS MY HEART) Wouldn't It Be Loverly (from MY FAIR LADY) Wrap Your Troubles In Dreams (And Dream Your Troubles Away) Yes Indeed You Belong To My Heart (Solamente Una Vez) You Better Go Now (from NEW FACES OF 1936) You Made Me Love You (I Didn't Want To Do It) (from BROADWAY MELODY OF 1938) You're Blase (from BOW BELLS) You're Driving Me Crazy! (What Did I Do') You're Mine You You've Changed Younger Than Springtime (from SOUTH PACIFIC)

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

Par MICHAEL GEORGE. George Michael a été une icône pop britannique depuis le jour où il a pris les classements par la tempête avec Wham ! en 1982. Il a été un solo star depuis plus de 20 ans, énorme succès international, vendant plus de 80 millions de disques dans le monde entier, de hits comme ' Foi ' pour son plus récent album de renommée ' Patience ' et a depuis été saluée comme l'artiste plus joué sur la Radio britannique au cours des 20 dernières années ! 'Vingt-cinq' est sa dernière collection de hits et son coffret de 3 CD inclut les Albums 'Pour vivre', 'Pour Loving' et 'Pour le Loyal'. Cet ensemble de présentation des trois-songbook magnifiquement produit relate ses vingt-cinq ans colorés et comprend toutes les chansons arrangés pour piano, voix et guitare avec des pages de photographies en couleurs. Les recueils de chansons individuelles sont également disponibles séparément. Pour la vie (0-571-52994-1), pour aimer (0-571-52995-X) et pour les fidèles (0-571-52996-8). Chansons individuelles de chacun sur cet album sont disponibles par le biais de Expressprints (imprimé directement sur votre PC à partir de notre serveur). S ... / Date parution : 2007-06-22/ Recueil / Piano, Chant et Guitare

Jouez une chanson différente chaque jour avec ces arrangements faciles de 365 grands standards mondiaux. Vous trouverez la mélodie, les paroles complètes et les diagrammes d'accords ukulele ainsi qu'une petite section technique comprenant des 'trucs et astuces', un petit dictionnaire d'accords et des photos sur le thème du ukulele. / Ukulélé / 314 pages / niveau : Facile / Partition

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et

Complete Edition. Par LISZT FRANZ. Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832, the second a copy in an unidentified hand from the same period or slightly later, and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes./ Etude / Piano

Plus de 40 plus grands de la musique rock et pop, arrangé pour clarinette. Comprend 'Dancing In The Dark', ' Killing Me Softly avec sa chanson ' et 'Wake Up Little Susie'. / Clarinette

Little Suite for Orchestra No. 1: Op 53. Par ARNOLD MALCOLM. Malcolm Arnold is one Britain’s best-loved composers. In 1948 he composed a very short suite for the National Youth Orchestra of Great Britain - entitled simply To Youth. Seven years later he took To Youth and made some fairly major revisions, including a complete new movement, and the Little Suite for Orchestra was born. The Little Suite for Orchestra follows a very similar pattern to the later suites for brass band, starting with a bold, strident Prelude, which strangely ends quietly before a lovely, lilting, Dance composed in 3/8 time. Finally a rollicking and militaristic March brings the suite to a conclusion. This arrangement for brass band by Robin Norman is sure tobecome a classic in the brass band repertoire. / Niveau : 4 / Pièce de concert / Date parution : 1905-06-30/ Répertoire / Brass Band

The Beatles' North American tours turned the entertainment business on its ear and forever changed the landscape of the concert touring industry. In February 1964, after finally achieving a number-one hit in America, the Fab Four came to the country with high hopes, performing on the wildly popular Ed Sullivan Show in both New York City and Miami and playing concerts at Carnegie Hall and the Washington Coliseum. In just fifteen short days, the Beatles conquered America. The Beatles made music-entertainment history with their North American tours from 1964 to 1966.Some Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966 is a comprehensive two-volume set which gives you a city-by-city synopsis of the group's activities as they traveled the United States and Canada for their groundbreaking series of concerts. From San Francisco's Cow Palace show on August 19, 1964, through their last-ever live performances at that city's famed Candlestick Park on August 29, 1966, these books cover the music and the madness that characterized the Beatles' three North American tours. With hundreds of photographs and images of rare memorabilia, it is truly the definitive reference for what is arguably the most important period in the Beatles' long and winding career. You'll read about the behind-the-scenes negotiations, the mayhem at the airports and hotels, and the cheeky quotes delivered at the press conferences. You'll also read about the opening acts, the concerts, and the stories behind the shows through the eyes of the Beatles, their entourage, the promoters, the emcees, and the fans. Never before have the Beatles' North American concerts been covered in such depth.If you witnessed the mania firsthand, you'll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days, you'll learn what it was like to be swept up and carried away by the phenomenon of the greatest musical act of all time. When all is said and done, Some Fun Tonight is a tribute to the fans - the first generation and beyond. Look carefully at the faces of the fans in this book - they may be your friends, parents, grandparents - or even you! - but together, they made Beatlemania happen. Fasten your seat belt and enjoy this comprehensive history! / Divers

Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte