By Trevor Jones and Dougie McLean. Arranged by Carla Boardman Padron. For String Trio: 2 violins and cello. Instrumental piece from film Last of the Mohicans (1992). Contemporary. Set of parts. 8 pages

Grade 0-1. Arranged by Peter Gritton. Masterworks; Piano Collection; Piano Supplemental. Faber Edition. Masterwork Arrangement. Book. Faber Music #12-0571525512. Published by Faber Music

Voice

SKU: M7.BMER-289100

Composed by Nicola Vaccai. Sheet music with CD. MDS (Music Distribution Services) #BMER 289100. Published by MDS (Music Distribution Services) (M7.BMER-289100).

ISBN 9790041828916.

By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Music Sales.

(Mixed Choir)

SKU: HL.14065705

Composed by Thomas Augustine Arne. Arranged by Eaton Fanning. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC66014. Published by Music Sales (HL.14065705).

By Philip Sparke. (Score). ANGLO MUSIC PRESS. Size 9x12 inches. 44 pages. Published by Anglo Music.

By Philip Sparke. (Score & Parts). ANGLO MUSIC PRESS. Size 9x12 inches. Published by Anglo Music.

(4.2.3.3/4.4.3.1,timp,per c,str)

SKU: TM.11874SET

Composed by Richard Wagner. Set Type: D. Set of parts. Lucks Music Library #A4557. Published by Lucks Music Library (TM.11874SET).

Composed by Howard Rowe. For concert band. Large ensemble music. Published by Cimarron Music Press

(4.2.3.3/4.4.3.1,timp,per c,str)

SKU: TM.11874SC

Composed by Richard Wagner. Score. Lucks Music Library #A4557. Published by Lucks Music Library (TM.11874SC).

By Thomas Augustine Arne (1710-1778) and Michael Brand. Concert Band. Band Music. Grade 4. Score and set of parts

(Ouverture Solennelle). Composed by Pyotr Ilyich Tschaikowsky. Arranged by Christiaan Janssen. For Concert Band (Choir ad lib.). Grade 6. Full score. Duration 15:30. Published by Baton Music

By Ludwig van Beethoven. Arranged by David Werden. For Tuba Quartet (EETT). Published by Cimarron Music Press.

By Thomas Augustine Arne (1710-1778) and Michael Brand. Concert Band. Band Music. Score

Orequesta sinfonica, Orquesta camara, voces y coro (Symphony Orchestra, Chamber Orchestra, Solo Voices and Choir)

SKU: BO.B.3472

A la memoria de Salvador Espriu. Composed by Xavier Benguerel. Vocal Music. Choir. Duration 85:00. Published by Editorial de Musica Boileau (BO.B.3472).

ISBN 9788480208130.

Engl ish comments: The Requiem in memory of Salvador Espriu by Xavier Benguerel was commissioned by the Torroella de Montgri International Music Festival for a double commemoration: on the one hand, to celebrate the tenth anniversary of the Festival, and on the other, in remembrance of Catalan poet Salvador Espriu in the fifth year after his death. This concert, which was held on 5 October, was a brilliant closing gala performance and it was repeated twice on 6 and 7 October at the Palau de la Musica Catalana in Barcelona. It was performed by the Orchestra and Choir of the Gran Teatro del Liceo, with soloists Enriqueta Tarres, soprano; Nelibel Martinez, mezzo soprano; Eduard Gimenez, tenor; and Carlos Chausson, baritone, with the additional collaboration of baritone Lluis Llach, conducted by Romano Gandolfi.

In my opinion, this work by Benguerel is a piece that was written with passion and sincerity, with great strength and depth, and it contains some very beautiful passages. It is written in a language through which, without abandoning his current musical thoughts, Benguerel manages to communicate with the audience in a dense work that lasts for an hour and a half. It is interspersed with seven poems by Espriu on the subject of death, some sung and others recited, which gives the Requiem great contrasts from a musical and linguistic point of view -in comparison with the Latin texts normally used in a requiem mass-, but within a successful and coherent unity. The performers certainly proved their worth, but much of the hard work that went into preparing the piece can be attributed not only to the performers, the composer and the poet in tribute to whom the work was written, but also to the conductor Romano Gandolfi, who is largely responsible for the success of the three performances of this Requiem. Benguerel himself says of the work: This Requiem is linked to my previous work, the Llibre Vermell, and it has been written without making any concessions, but with a true wish to communicate with the audience. I've got past the stage of musical experiments and I'm now working on bridging the gap between composer and audience, which I'm sure will be good for both.
--Comments written by Jordi Codina in the December 1990 issue of Nexus magazine

Comentario s del Espanol: El Requiem a la memoria de Salvador Espriu de Xavier Benguerel ha sido compuesto por encargo del Festival Internacional de Musica de Torroella de Montgri para una doble conmemoracion: por una parte, el decimo aniversario del Festival; por otra, el recuerdo de la figura del poeta catalan Salvador Espriu en el quinto ano de su fallecimiento. Este concierto, celebrado el dia 5 de octubre, constituyo una sesion de gala y de clausura brillante y tuvo una doble repeticion los dias 6 y 7en el Palau de la Musica Catalana de Barcelona. Fueron sus interpretes la Orquesta y el Coro del Gran Teatro del Liceo, con los solistas vocales Enriqueta Tarres, soprano; Nelibel Martinez, mezzo; Eduard Gimenez, tenor; y Carlos Chausson, baritono, con la colaboracion del tambien baritono Lluis Llach. Todos bajo la direccion de Romano Gandolfi.

A mi entender, la obra de Benguerel es una partitura escrita con pasion y sinceridad, posee una gran solidez, es profunda y contiene pasajes de una gran belleza. Esta escrita en un lenguaje con el que Benguerel, sin renunciar a su actual pensamiento musical, alcanza la comunicacion con el publico en una obra densa que dura una hora y media. La intercalacion de siete poemas de Espriu relacionados con el tema de la muerte, en una interpretacion cantada o recitada, segun los casos, otorga al Requiem grandes contrastes desde un punto de vista musical y lingŸistico Ð en contraposicion con los textos latinos propios de una misa de requiem Ð, pero dentro de una unidad conseguida y coherente. La labor de los interpretes demostro su categoria y el trabajo exhaustivo en la preparacion de la obra, que, ademas de los interpretes, el compositor y el poeta homenajeado, tuvo otro gran protagonista en la persona del director Romano Gandolfi, a quien se debe una gran parte del exito obtenido en las tres audiciones de este Requiem. El propio Benguerel ha dicho de la obra: Este Requiem entronca con mi obra anterior, el Llibre Vermell, y ha sido escrito sin concesiones, pero con una voluntad real de comunicacion con el publico. La epoca de los experimentos musicales ya se me paso y he entrado en una nueva etapa de acercamiento entre el compositor y el publico que, estoy convencido, beneficiara a ambos.
--Comentario escrito por Jordi Codina en la revista Nexus en diciembre de 1990

The Washington Winds, Edward S. Petersen, conductor A wonderful new CD for the youngest of musicians. Outstanding recordings combined with superb writing makes this CD not only wonderful listening, but an invaluable resource for all younger players as they begin their musical journey. Falcon Ridge, Ed Huckeby In This Quiet Place, Robert Sheldon Renegade Dances, David Shaffer Dedication March and Celebration, James Swearingen Bolero Africana, Ed Huckeby A Coventry Christmas, Larry Neeck Heroes on Parade, Greg Hillis Dance of the Slippery Slide Trombones, David Shaffer With Honor and Pride, Larry Neeck Home Of The Brave, David Shaffer Plight of the Bumbling Bee, Len Orcino Santa Loves To Cha Cha, Ed Huckeby Tempest Rising, David Shaffer Trumpets and Drums, James Barnes With Liberty For All March, Harris Poco La Moco, Len Orcino Sagebrush Saga, Ed Huckeby Snow Angels, Len Orcino Cool Cat Shuffle, David Shaffer Knock Before You Rock, Ed Huckeby March Britannia, Ed Huckeby Rouge River Rhapsody, David Shaffer

SKU: HL.48021088

Composed by James Macmillan. Boosey & Hawkes Scores/Books. 72 pages. Hal Leonard #M060117817. Published by Hal Leonard (HL.48021088).

UPC: 884088649074. 7.25x10.25x0.169 inches.

Britannia was written in 1994 as a celebration of a major force in our musical life, the British orchestra. The work fulfils a commission from British Telecommunications plc with the Association of British Orchestras as part of the BT Celebration Series, and provides all the major UK orchestras with a new concert overture for performance in the 1994/95 season. Britannia is a ten-minute orchestral fantasy based on patriotic themes. There is no programme of story as such but the tapestry ofpopular melodies and resonant allusions, given their new and unfamiliar contexts, may provoke some surprising scenarios in the mind of the listener, particularly at a time when petty chauvinism threatens to rear up once again throughout Europe. The piece grows outof a short sketch written earlier this year, Memoire Imperiale, which is based on a march tune by General Reid, an 18th century British army officer who established the music department at Edinburgh University. This theme and the imperial themes of Elgar andArne are thrown into a volatile concoction with other materials an Irish reel (which becomes a jig), a Cockney drinking song, other march tunes and a hazy Celtic modality. All the main ideas are presented in a quick and stark succession during the fast opening section. The slow middle part begins with aserene canon which is gradually undermined by military allusions on brass and percussion. This confrontation leads to the works climax followed by an unsettled coda. Britannia is dedicated to Libby MacNamara of the Association of British Orchestras.

(Brass Ensemble)

SKU: HL.48184229

Composed by Jacques Barathon. Leduc. Softcover. Alphonse Leduc #AL27184. Published by Alphonse Leduc (HL.48184229).

UPC: 888680862442. 9.0x12.0x0.109 inches.

Barathon Floreat Musica 13 Heptalude Brass Septet Score/Parts.

(Frydenhall). A series of exciting and challenging session books on latin, rock and jazz music. Soca Session is the latest welcome addition to the series which helps cover the lack of available ensemble material within these genres. Designed for both musicians and music teachers at high schools and colleges. Each volume contains 12 tunes arranged for vocals, C, Bb & Eb instruments and rhythm section (piano, guitar, bass, drums, percussion). The tunes are of varying degrees of difficulty, intended for musicians with a wide variety of experience. For each book there is a tape available with all the arrangements recorded

Orchestra

SKU: HL.49009576

Battle Symphony. Composed by Ludwig van Beethoven. Edited by Hans-Werner Kuethen. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Op. 91. 96 pages. Eulenburg Edition #ETP 1367. Published by Eulenburg Edition (HL.49009576).

ISBN 9783795762490. UPC: 841886011908. 5.25x7.5x0.263 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Brass Band - Grade 4

SKU: BT.AMP-335-030

Composed by Philip Sparke. Ceremonial Series. March. Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 335-030. Published by Anglo Music Press (BT.AMP-335-030).

9x12 inches. English-German-French-Dut ch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds thetrio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Mar cho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewüns cht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

Brass Band - Grade 4

SKU: BT.AMP-335-130

Composed by Philip Sparke. Ceremonial Series. March. Score Only. Composed 2012. 44 pages. Anglo Music Press #AMP 335-130. Published by Anglo Music Press (BT.AMP-335-130).

9x12 inches. English-German-French-Dut ch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds the triosection, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Mar cho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewüns cht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

Trombone

SKU: HL.48185295

Composed by Marc Berthomieu. Leduc. Softcover. 4 pages. Alphonse Leduc #AL28773. Published by Alphonse Leduc (HL.48185295).

9x12 inches.

Berthomieu Florilege Musical No 13 Lm053 Trombone Solo Book.

Trumpet (Trumpet)

SKU: HL.48185294

Composed by Marc Berthomieu. Leduc. Softcover. Alphonse Leduc #AL28772. Published by Alphonse Leduc (HL.48185294).

Berthomieu Florilege Musical No.12 Lm052 Trumpet Solo Book.