Outils pédagogique pour tous les jazzmen. Séléction de 10 standards de jazz arrangés pour les instruments en Bb, Eb et C. Les parties piano et basse sont détachables. Sur le CD vous trouverez deux versions de chaque thème : une avec tous les instruments et une autre sans la partie solo. / Tout Instrument

The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin ? All the Things You Are ? Almost like Being in Love ? Bouncing with Bud ? Doxy ? Ev'ry Time We Say Goodbye ? I'll Remember April ? Just in Time ? Namely You ? Oleo ? On a Slow Boat to China ? St. Thomas ? Solid ? Sonnymoon for Two ? Vierd Blues ? Woodyn' You ? and more.
Airegin
All The Things You Are
Almost Like Being In Love
Blue Seven
Bouncing With Bud
But Not For Me
Compulsion
Dance Of The Infidels
Dig
Down
Doxy
Ev'ry Time We Say Goodbye
52nd Street Theme
I Know That You Know
I Remember You
I Want To Be Happy
I'll Remember April
I'll Take Romance
In Your Own Sweet Way
Just In Time
The Last Time I Saw Paris
Mambo Bounce
Moving Out
Namely You
No Moe
Old Devil Moon
Oleo
On A Slow Boat To China
Out Of The Blue
Pent Up House
Raincheck
St. Thomas
The Scene Is Clean
Scoops
The Serpent's Tooth
Solid
Sonnymoon For Two
Strode Rode
Tenor Madness
There Will Never Be Another You
Toot, Toot, Tootsie! (Good-bye!)
Tune Up
Valse Hot
Vierd Blues
Wail
What Is This Thing Called Love'
When Your Lover Has Gone
Whispering
Woodyn' You
You Stepped Out Of A Dream
/ Partitions jazzandblues / Tous instruments par tonalité / Instrument en do / HAL LEONARD

23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.”In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility¦ Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways. The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.” In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / 5-String Banjo

46 Works by Bach, Mozart, Franck, Saint-Saëns and Others. Par SMITH ROLLIN. This anthology contains 46 works by Handel, Mozart, Bach and many others selected and editied specifically for those organists who prefer to play without pedals. The volume features a wealth of pieces including Chaconnes, Toccatas and Fugues, and is available at a very attractive price./ Recueil / Orgue ou Clavecin ou Harmonium

Easy Pieces From The Masters. Play 50 favorites by Bach, Beethoven, Mozart, and others that are perfect for beginners. / Niveau : Facile / Recueil / Piano

Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9647) and ?Impromptus? (BA 9648), the composer?s late piano works are now to be published in a scholarly-critical Urtext edition that will meet the demands of today?s performers. Schubert?s popular ?Ungarische Melodie? D 817, inspired by gypsy melodies, was composed in 1824; his ?Allegretto in C minor? D 915 was written in the spring of 1827; a little later, at the latest in 1828, he also wrote his ?Drei Klavierstücke? D 94, which are closely related in form to his ?Moments Musicaux?.'
'
Suggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert?s time as well as the performance on modern concert pianos are all included in this edition.'
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- Based on the Urtext of the ?New Schubert Edition?'
- Newly engraved Urtext edition with optimum page turns'
- With fingering and information on performance practice (Ger/Eng)'
- In-depth foreword (Ger/Eng) and critical commentary (Eng)'
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Contents'
Ungarische Melodie D 817'
Allegretto in c D 915'
Drei Klavierstücke D 946'
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Mario Aschauer'
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian ?Calamus-Consort?, and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the ?New Schubert Edition? since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historicalperformance practice of European art music of the 17th?19th centuries. / [Pièces Tardives] / Classique / Partition / Agrafé /

These anthologies contain original compositions by nineteenth-century composers. Several of the pieces are available for the first time as part of a graded collection. The repertoire includes works by major composers, such as Chopin and Schumann, as well as lesser-known pieces by, amongst others, Bortkiewicz and Rimsky-Korsakov. These collections are ideal for piano teachers looking for additional repertoire for their teaching practice. / Partition CD /

The Schott Recorder Library anthology is a varied compilation of the most beautiful Baroque sonatas for treble recorder and continuous bass. This volume contains several beautiful sonatas of major composers like Georg Philipp Telemann or Georg Friedrich Handel, among others. It provides comprehensive material for lessons or concerts, ranging from musically charming pieces of moderate difficulty to demanding compositions of tonal splendour. The compositions contained in this anthology are the most popular works from the successful 'Originalmusik für Blockflöte' (OFB) series published by Schott for more than 50 years. / Flûte A Bec Et Basse Continue

This outstanding collection brings together forty-nine of the finest keyboard works by major Italian composers of the 17th and 18th centuries. With works by Frescobaldi, Scarlatti, Martini and others arranged for piano solo or other keyboard instruments. The beautiful melodies, flowing elegance and charm of these pieces will leave you uplifted and energised. 49 works arranged for Solo piano./ Recueil / Piano

Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Bach, Weiss, Kellner and Corbetta amongst others, it presents a carefully selected range of works, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies and teaching notes on all of the works, and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience, or those of grades 7-8 level. / Guitare