Au cours des dernières années, le tango est réapparue et profiter de la popularité une fois de plus. La publication de ce nouvel album de tango éducatif par Diego Collatti est particulièrement opportun et sera certainement d'un grand intérêt pour les enseignants et tous ceux qui veulent apprendre à jouer de la musique de ce genre fascinant. Une brève histoire est inclus.- Une introduction au monde du tango avec des pièces faciles progressant vers le plus avancé- des renseignements généraux et des conseils utiles à chaque morceau- Le CD propose de hautes performances authentiques démontrant les caractéristiques stylistiques du tango- Aménagements des Volver et El flete et 21 autres compositions / Piano

La référence AL18287 de l'éditeur Leduc dont l'auteur célèbre est Couillaud/Bleger, qui a pour titre 12 Duos Concertants, a été écrite et composée pour Trombone et plus particulièrement pour 2 Trombones. Cette partition musicale appartient à la catégorie Classique. / 2 Trombones / Partition

revised edition
Compositeur : Schumann, Robert
Instrumentation : Piano solo
Editeur Musicologique : Herttrich, Ernst
Couverture Reliée
Contenu :
Scenes from Childhood op. 15

La référence AL24737 de l'éditeur Leduc dont l'auteur célèbre est Couillaud, qui a pour titre Etudes En Duo D'Apres Bordogni 2 Trombones, a été écrite et composée pour Trombone et plus particulièrement pour 2 Trombones. Cette partition musicale appartient à la catégorie Pédagogie. / 2 Trombones / Partition

Partitions Pour Piano Solos.. Par ARMSTRONG CRAIG. Craig Armstrong's output is extensive and varied. As well as his classical and film works (including Scores for 'The Bone Collector' and Baz Luhman's 'Romeo and Juliet'), he has worked with such artists as Massive Attack, Madonna, U2, The Future Sound Of London and Bjork, and orchestrated the themes to 'GoldenEye', 'Batman Forever' and 'Mission Impossible'. 'Piano Works' features a selection of these works and the mood is intimate and reflective. Contents: In My Own Words - Heatmiser 2 - Hidden - Gentle Piece - Weather Storm - Diffuse - Leaving Paris - Fugue - Theme from Orphans - 1st Waltz - Satine's Theme (from Moulin Rouge) - Morning Breaks - Laura's Theme - Glasgow Love Theme (from Love Actually) - Delay - Hymn 3 - Angelina - Childhood 2 - Sunrise / TV, Film, Comédie musicale / Recueil / Chant, Piano et/ou Guitare

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Trombone vous pourrez découvrir une des oeuvres de Couillaud en l'occurence Etudes De Style D'Apres Bordogni Volume 1 Trombone qui a été éditée par la maison d'édition Leduc. / Trombone / Partition

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Trombone vous pourrez découvrir une des oeuvres de Couillaud en l'occurence 20 Etudes De Perfectionnement qui a été éditée par la maison d'édition Leduc. / Trombone / Partition

d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' 'The Turn of the Screw' which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys./ Répertoire / Orgue

Arr.Collatti Diego. Par GARDEL CARLOS. The name of Carlos Gardel is synonymous with the Tango - his compositions in the genre have long been considered classics. Universal Edition's popular series of arrangements by Diego Collatti is expanded by this new edition for two recorders, expertly edited by the Austrian virtuoso, Thomas List. They can be played on two alto recorders, or alto and tenor, and are for intermediate to advanced players. Recorders might seem an unlikely voicing for this music but, on the contrary, Collatti believes they are exceptionally well suited to reflecting the glamour and fascination of the tango. Indeed, they could evoke the sound of the South American panpipes, not too far removed from the Argentinean heritage of the tango. These arrangements will also help introduce students to new elements of tone production and rhythm, while they enjoy the sheer vitality of the tango./ Recueil / 2 Flûtes à Bec ou Flûte à Bec Alto et Flûte Ténor

Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged dances, the tango is an ideal match for the flute and its duo partner, the piano, as all three join in for a charming musical experience. Argentine tango expert Diego Collatti has arranged five popular tangos originally composed by Carlos Gardel, who greatly influenced the genre with his interpretations and compositions. The lively, electrifying arrangements for flute and piano show Collatti's expertise for instrumentation and reduction as they combine technique and ensemble playing with the glamour and unique atmosphere of South American passion for dancing. With this collection, the musical life of Argentina during the late 20th century - a heritage that is treasured to this day and has currently reached a new popularity - is carried into the world. In a diverse and always authentic musical setting, both voices enter a dialogue of emotions, zeitgeist and character typical for the dance, which is popular around the world. These aspects are essential for diving completely into the music and musically expressing its deeply emotional content. ? 5 popular tango classics presented as a musical dialogue arranged for flute and piano ? Vibrant, expressive and emotional - Discover the qualities of authentic tango music with these intermediate-level duets ? The melodic and rhythmic characteristics combined with unique phrasing and articulation are true to the authentic Argentinian tango ? Interwoven ensemble parts and diverse means of expression bring the unique tango atmosphere to life / Musique traditionnelle / Répertoire / Flûte Traversière et Piano

Arranger: Collatti Diego Marcelo A collection of the most famous tangos by Carlos Gardel arranged for two clarinets for intermediate players. In these authentic arrangements Diego Collatti has successfully combined the sound of the clarinet with the exciting rhythmic elements of the Tango. They provide an ideal introduction to the Tango. Melodia de arrabal Por una cabeza El dia que me quieras Mi Buenos Aires querido Volver

Arranger: Collatti, Diego Composer: Gardel, Carlos Volver for two flutes' The Argentinian tango specialist, Diego Collatti, has produced an intriguing duet arrangement of this famous piece and for a range of other tango classics by Carlos Gardel. The pieces are suitable for intermediate-level players. Each has a comprehensive introduction to the necessary phrasing which will help players become familiar with the diverse and expressive characteristics of the genre. An inspiring introduction to the world of the tango.

Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano